Mildred Keith — Chapter Twenty-fifth

"All love is sweet, Given or returned.

Common as light is love, And its familiar voice wearies not ever."

--SHELLEY.

"AH, good morning, my dear child!

Good morning, sir," the doctor said in an undertone, giving his hand to Mildred and the minister in turn.

Then with an anxious glance at the bed "How is he?

sleeping now, I see.

How did he rest through the night?"

"Not very well, and--" "Your mother?

where is she?

not down too?"

with almost a groan, as he read the truth in the young girl's face.

Mildred led him to her.

She lay on the lounge still, with closed eyes and face of deathly pallor, her cheek resting against the dark curls of Rupert, who had thrown himself on the floor by her side, and laid his head on the same pillow, while he held one of her hands, caressing it tenderly.

His cheeks were burning, his eyes sparkling with fever.

The doctor glanced from one to the other.

"Ought to be in bed; both of you.

Go my boy, at once; you are not fit to be here."

"I can't, sir, indeed; I'm needed to take care of the others."

"You will help most by giving up at once," said the doctor; "otherwise you will make yourself so sick as to need a great deal of attention."

"Yes, go, my dear boy," whispered Mrs. Keith.

"I will, since you bid me, darling mother," he answered, pressing his hot lips to her cheek, then tottering from the room.

She looked after him with sad, pitying eyes, "So sick, and your mother not able to nurse you!

Mildred, my poor dear child, how are you to stand it?"

she sighed, turning them upon her daughter's face as she bent over her.

"Try not to be troubled and anxious, my dear madam," said the doctor, "the more quiet and free from care you can keep your mind, the better for you.

Trust the Lord that all will come out right."

"I will; he is all my hope and trust for myself and for my dear ones," she answered, with almost her accustomed cheerfulness.

"Things look very dark but 'behold, the Lord's hand is not shortened that it cannot save; neither his ear heavy that it cannot hear.'

" "And he has sent us some help already," observed Mildred; "from a most unexpected quarter."

Damaris came in at that moment from the kitchen, saluted the doctor in her usual formal way, and turning to Mrs. Keith, remarked, "I hope you're not going to be very sick; but you'd ought to go to bed for to-day, anyhow.

Don't you say so, doctor?"

"I do most emphatically," answered the physician, who had seated himself at the table and was busied in measuring out medicines; "and I'm very glad, Miss Damaris, to see you here."

"It appeared to be my duty to come," she said, looking not ill-pleased;

"I'm no great nurse, but I can do housework and cook for sick or well;

and them things is as necessary as the nursing."

"Certainly," said Dr. Grange, and went on to give directions to her concerning the proper food for his patients, and to Mildred in regard to the administering of medicines and other remedies.

He made his round among them, pronounced Zillah much better, Mr. Keith slightly so.

He was silent as to the little boys, and Mildred's heart was full of anguish as she perceived from his countenance, or thought she did, that their recovery was still very doubtful.

Mr. Lord had remained at Mr. Keith's bedside while the doctor and Mildred were absent from the room, and was still there when they returned.

He looked perplexed and ill at ease.

"I have no skill in nursing," he said; "never have had any experience;

am in fact a very unsuitable person for the task; being very absent minded, as you both know.

But if I can be of any service, I--Miss Mildred, I can sit here and hand anything he asks for, call you if he needs your assistance, and give the medicines, if you will be good enough to remind me when it is time to do so."

The offer was gladly accepted and the new nurse entered upon his duties immediately.

Yet even with these new and unexpected helps it was clearly impossible for the weary girl to give proper attention to five very sick persons, and two who were barely convalescent.

Her heart was overwhelmed; the burden heavier than she could bear.

But blessed be God, the God of Israel, his people need not bear their griefs and anxieties alone; he bids them not.

"Cast thy burden upon the Lord, and he shall sustain thee."

"Call upon me in the day of trouble; I will deliver thee, and thou shalt glorify me."

These and other like great and precious promises were brought home with power and sweetness to Mildred's mind in this time of deep distress and anguish, and kept her from sinking beneath the load.

"O Lord of hosts, blessed is the man that trusteth in thee."

"For thou, Lord, wilt bless the righteous; with favor wilt thou compass him as with a shield."

There seemed no earthly friend left to come to Mildred's aid; she could think of none.

Claudina Chetwood and Lucilla Grange were both themselves lying upon sick beds; so were all her lady acquaintances in Pleasant Plains except such as, like herself, had their hands more than full with the care of the sick in their own families; and Aunt Wealthy was so far, far away that before a message could reach her, they might all be in their graves.

How long it seemed since she went away!

how long since the beginning of this dreadful sickly season that had, as it were, shut her (Mildred) away from all pleasant social intercourse with her young companions into her own little world of trial and trouble!

It was a comfort that some one was attending to domestic affairs, some one sitting with her sick father and Rupert, who now shared his bed; but ah, she could not more than half attend to the pressing needs of the others.

The day was intensely hot, scarce a breath of air stirring though every door and window stood wide open.

The little boys feverish and restless, wanted to be fanned every moment, and called almost incessantly for "cold fresh water."

The others craved it, too; and it could be had only from the spring at the foot of the steep river bank.

And ice being an unknown luxury in Pleasant Plains at that period, it could not be kept cool for any length of time.

She did not feel at liberty to call upon either Miss Drybread or Mr. Lord for this service, and as the one judged it unnecessary that the water should be brought frequently and the other was too absent-minded to think of offering to bring it, and she could not leave her charges to go herself, even if her strength had been equal to the effort in addition to all the other demands upon it, she could but endure the pain of seeing the loved ones suffer from thirst.

"Water, water, cold water, Milly," sobbed little Don.

"This is cold water, dear," she said holding a cup to his lips.

"No, 'tisn't right cold," he fretted, pushing it away; "it doesn't taste good.

Oh, send somebody to bring cold, _cold_ water!"

She set down the cup and burst into tears.

Absorbed in her grief and distress, she did not hear the gate gently opened and shut again, or a step coming up the path, across the porch, through the hall and into the room where she sat weeping such bitter tears as she had never wept before.

But it was a cautious tread; as of one who feared to disturb the sick, as was the fact.

With that fear before his eyes Wallace Ormsby had taken thought even to come in slippered feet.

He should have paused at the room door till invited to enter, but forgot everything else at sight of Mildred's distress, and never stopped till he was close at her side.

"O, Mildred, dear Mildred, what is it?

what can I do to help and comfort you?"

he said in tones tremulous with love and pity, as he bent over her and took her hand in his.

She started with surprise, but the hand was not withdrawn, and the lips and eyes smiled faintly through the rain of tears as she looked up into his noble face and read there ardent affection and deep sympathy in her sorrow.

"Surely you will let me help you in this dreadful time when there's no more proper person to do it?"

he said with earnest entreaty.

"Why should we care for conventionalities now?

You are weak and worn out, in sore need of assistance; I am well and strong, able and more than willing to give it.

Say, may I not stay here by your side and help with this nursing?"

"Water, cold water!"

sobbed Don, "oh, go get cold water for me and Cyril."

"Yes, Wallace, Mr. Ormsby," Mildred said, the tears coursing down her cheeks, "I cannot sacrifice them to conventionalities, and so gladly accept your kind offer of help."

"Oh, don't talk!

go get water, quick!"

fretted Don, "I can't wait, Milly, what makes you so naughty to me?"

Wallace seized a pitcher standing near, and hastened to the spring.

He was no stranger to the premises and knew the way.

For the next fortnight he had what he considered the blessed privilege of sharing Mildred's burdens, griefs and cares; watching with her over each of those dear ones as they passed through the crisis of the disease, and the first stages of the after convalescence; for they all recovered; a fact which the parents and older children recognized with deep heart-felt gratitude to Him to whom "belong the issues from death."

Nor did they forget the thanks due their earthly helpers and friends.

The minister held a warmer place than before in the hearts of these parishioners, and Damaris Drybread received a substantial reward for her services; which, as she was dependent upon her own exertions for a livelihood, was not declined.

That fearful sickly season passed away; but not soon to be forgotten by the survivors, and comparative health and prosperity again dawned upon the town and surrounding country.

The Keiths returned to their old busy cheerful life, and Wallace Ormsby, beloved by the whole family, seemed as one of them.

Years of ordinary social intercourse could not have brought him into so close an intimacy with them, and especially with Mildred, as those two weeks in which they two shared the toils, the cares and anxieties of those who watch by beds of sickness that may end in death.

They had learned to know each other's faults and weaknesses, strong points and virtues, and with the knowledge their mutual esteem and admiration had but increased; they had been warm friends before, now they were--not plighted lovers, Ormsby had not spoken yet--but "To his eye There was but one beloved face on earth, And that was shining on him."

[Illustration: _The End_] * * * * * Transcriber's note: Numerous punctuation printing errors were corrrected.

Page 22, words obscurred "the little" is presumed from context and partial letters (interruptions from the little) Page 77, "th" changed to "the" (into her parlor, the) Page 93, "Rhode" changed to "Rhoda" (you neither, Rhoda Jane) Page 101, "you you" changed to "see you" (he wants to see you) Page 124, "the're" changed to "they're" (Jane?

they're gimp) Page 159, "n" changed to "an" (has an old faded) Page 179, "Jan" changed to "Jane" ("slicked up," as Rhoda Jane) Page 180, "ooked" changed to "looked" (looked out upon the) Page 182, parts of text missing on left margin bottom of page.

"mark" and "ource" completed as "remark" and "resource" (remark upon the weather) (resource when all other) Page 195, "a" changed to "at" (passed between them at) Page 196, "w d" presumed to be "walked" (as he walked away) Page 210, "eying" changed to "eyeing" (eyeing it disapprovingly) Page 216, the original of this text credits T. H.

Baylie as the author of the poetry couplet.

The actual spelling is (Thomas Haines) Bayly.

Page 246, "t" changed to "it" (it was innocently) Page 251, word "I" added to text to fill in space ("I found Ada down, too,") Page 264, "ther" changed to "there" (but after all there) Page 315, word "and" added to text in space (street.

Doors and) Page 315, "s d" changed to "seemed" (scarcely any one seemed) Page 326, "whatever the" changed to "whatever there is."

(whatever there is) *** END OF THE PROJECT GUTENBERG EBOOK MILDRED KEITH ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U. S.

copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!

) can copy and distribute it in the United States without permission and without paying copyright royalties.

Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.

Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.

If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.

You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.

Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.

copyright law.

Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.

gutenberg.

org/license.

Section 1.

General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.

By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.

If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.

If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.

8. 1. B.

“Project Gutenberg” is a registered trademark.

It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.

There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.

See paragraph 1. C below.

There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.

See paragraph 1. E below.

1. C.

The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.

Nearly all the individual works in the collection are in the public domain in the United States.

If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.

Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.

You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1. D.

The copyright laws of the place where you are located also govern what you can do with this work.

Copyright laws in most countries are in a constant state of change.

If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.

The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1. E.

Unless you have removed all references to Project Gutenberg: 1. E.

1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.

You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.

gutenberg.

org.

If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1. E.

2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.

copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.

If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.

1 through 1. E.

7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.

8 or 1. E.

9. 1. E.

3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.

1 through 1. E.

7 and any additional terms imposed by the copyright holder.

Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1. E.

4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1. E.

5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.

1 with active links or immediate access to the full terms of the Project Gutenberg License.

1. E.

6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.

However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.

gutenberg.

org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.

Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.

1. 1. E.

7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.

8 or 1. E.

9. 1. E.

8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.

The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.

Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.

Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.

” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.

You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

• You provide, in accordance with paragraph 1. F.

3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1. E.

9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.

Contact the Foundation as set forth in Section 3 below.

1. F.

1. F.

1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.

copyright law in creating the Project Gutenberg™ collection.

Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1. F.

2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.

3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.

YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT

LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.

F.

3. YOU AGREE THAT THE FOUNDATION, THE

TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1. F.

3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.

If you received the work on a physical medium, you must return the medium with your written explanation.

The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.

If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.

If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1. F.

4. Except for the limited right of replacement or refund set forth in paragraph 1. F.

3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1. F.

5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.

If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.

The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1. F.

6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2.

Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.

It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.

In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.

To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.

gutenberg.

org.

Section 3.

Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.

The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.

S.

federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.

gutenberg.

org/contact Section 4.

Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.

Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.

Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.

We do not solicit donations in locations where we have not received written confirmation of compliance.

To SEND DONATIONS or determine the status of compliance for any particular state visit www.

gutenberg.

org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.

U.

S.

laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses.

Donations are accepted in a number of other ways including checks, online payments and credit card donations.

To donate, please visit: www.

gutenberg.

org/donate.

Section 5.

General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone.

For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U. S.

unless a copyright notice is included.

Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.

gutenberg.

org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.