Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
CHAPTER 73
The magic reel, which, rolling on before, has led the chronicler thus far, now slackens in its pace, and stops.
It lies before the goal; the pursuit is at an end.
It remains but to dismiss the leaders of the little crowd who have borne us company upon the road, and so to close the journey.
Foremost among them, smooth Sampson Brass and Sally, arm in arm, claim our polite attention.
Mr Sampson, then, being detained, as already has been shown, by the justice upon whom he called, and being so strongly pressed to protract his stay that he could by no means refuse, remained under his protection for a considerable time, during which the great attention of his entertainer kept him so extremely close, that he was quite lost to society, and never even went abroad for exercise saving into a small paved yard.
So well, indeed, was his modest and retiring temper understood by those with whom he had to deal, and so jealous were they of his absence, that they required a kind of friendly bond to be entered into by two substantial housekeepers, in the sum of fifteen hundred pounds a-piece, before they would suffer him to quit their hospitable roof--doubting, it appeared, that he would return, if once let loose, on any other terms.
Mr Brass, struck with the humour of this jest, and carrying out its spirit to the utmost, sought from his wide connection a pair of friends whose joint possessions fell some halfpence short of fifteen pence, and proffered them as bail--for that was the merry word agreed upon both sides.
These gentlemen being rejected after twenty-four hours’ pleasantry, Mr Brass consented to remain, and did remain, until a club of choice spirits called a Grand jury (who were in the joke) summoned him to a trial before twelve other wags for perjury and fraud, who in their turn found him guilty with a most facetious joy,--nay, the very populace entered into the whim, and when Mr Brass was moving in a hackney-coach towards the building where these wags assembled, saluted him with rotten eggs and carcases of kittens, and feigned to wish to tear him into shreds, which greatly increased the comicality of the thing, and made him relish it the more, no doubt.
To work this sportive vein still further, Mr Brass, by his counsel, moved in arrest of judgment that he had been led to criminate himself, by assurances of safety and promises of pardon, and claimed the leniency which the law extends to such confiding natures as are thus deluded.
After solemn argument, this point (with others of a technical nature, whose humorous extravagance it would be difficult to exaggerate) was referred to the judges for their decision, Sampson being meantime removed to his former quarters.
Finally, some of the points were given in Sampson’s favour, and some against him; and the upshot was, that, instead of being desired to travel for a time in foreign parts, he was permitted to grace the mother country under certain insignificant restrictions.
These were, that he should, for a term of years, reside in a spacious mansion where several other gentlemen were lodged and boarded at the public charge, who went clad in a sober uniform of grey turned up with yellow, had their hair cut extremely short, and chiefly lived on gruel and light soup.
It was also required of him that he should partake of their exercise of constantly ascending an endless flight of stairs;
and, lest his legs, unused to such exertion, should be weakened by it, that he should wear upon one ankle an amulet or charm of iron.
These conditions being arranged, he was removed one evening to his new abode, and enjoyed, in common with nine other gentlemen, and two ladies, the privilege of being taken to his place of retirement in one of Royalty’s own carriages.
Over and above these trifling penalties, his name was erased and blotted out from the roll of attorneys; which erasure has been always held in these latter times to be a great degradation and reproach, and to imply the commission of some amazing villany--as indeed it would seem to be the case, when so many worthless names remain among its better records, unmolested.
Of Sally Brass, conflicting rumours went abroad.
Some said with confidence that she had gone down to the docks in male attire, and had become a female sailor; others darkly whispered that she had enlisted as a private in the second regiment of Foot Guards, and had been seen in uniform, and on duty, to wit, leaning on her musket and looking out of a sentry-box in St James’s Park, one evening.
There were many such whispers as these in circulation; but the truth appears to be that, after the lapse of some five years (during which there is no direct evidence of her having been seen at all), two wretched people were more than once observed to crawl at dusk from the inmost recesses of St Giles’s, and to take their way along the streets, with shuffling steps and cowering shivering forms, looking into the roads and kennels as they went in search of refuse food or disregarded offal.
These forms were never beheld but in those nights of cold and gloom, when the terrible spectres, who lie at all other times in the obscene hiding-places of London, in archways, dark vaults and cellars, venture to creep into the streets; the embodied spirits of Disease, and Vice, and Famine.
It was whispered by those who should have known, that these were Sampson and his sister Sally; and to this day, it is said, they sometimes pass, on bad nights, in the same loathsome guise, close at the elbow of the shrinking passenger.
The body of Quilp being found--though not until some days had elapsed--an inquest was held on it near the spot where it had been washed ashore.
The general supposition was that he had committed suicide, and, this appearing to be favoured by all the circumstances of his death, the verdict was to that effect.
He was left to be buried with a stake through his heart in the centre of four lonely roads.
It was rumoured afterwards that this horrible and barbarous ceremony had been dispensed with, and that the remains had been secretly given up to Tom Scott.
But even here, opinion was divided; for some said Tom dug them up at midnight, and carried them to a place indicated to him by the widow.
It is probable that both these stories may have had their origin in the simple fact of Tom’s shedding tears upon the inquest--which he certainly did, extraordinary as it may appear.
He manifested, besides, a strong desire to assault the jury; and being restrained and conducted out of court, darkened its only window by standing on his head upon the sill, until he was dexterously tilted upon his feet again by a cautious beadle.
Being cast upon the world by his master’s death, he determined to go through it upon his head and hands, and accordingly began to tumble for his bread.
Finding, however, his English birth an insurmountable obstacle to his advancement in this pursuit (notwithstanding that his art was in high repute and favour), he assumed the name of an Italian image lad, with whom he had become acquainted; and afterwards tumbled with extraordinary success, and to overflowing audiences.
Little Mrs Quilp never quite forgave herself the one deceit that lay so heavy on her conscience, and never spoke or thought of it but with bitter tears.
Her husband had no relations, and she was rich.
He had made no will, or she would probably have been poor.
Having married the first time at her mother’s instigation, she consulted in her second choice nobody but herself.
It fell upon a smart young fellow enough;
and as he made it a preliminary condition that Mrs Jiniwin should be thenceforth an out-pensioner, they lived together after marriage with no more than the average amount of quarrelling, and led a merry life upon the dead dwarf’s money.
Mr and Mrs Garland, and Mr Abel, went out as usual (except that there was a change in their household, as will be seen presently), and in due time the latter went into partnership with his friend the notary, on which occasion there was a dinner, and a ball, and great extent of dissipation.
Unto this ball there happened to be invited the most bashful young lady that was ever seen, with whom Mr Abel happened to fall in love.
HOW it happened, or how they found it out, or which of them first communicated the discovery to the other, nobody knows.
But certain it is that in course of time they were married; and equally certain it is that they were the happiest of the happy; and no less certain it is that they deserved to be so.
And it is pleasant to write down that they reared a family; because any propagation of goodness and benevolence is no small addition to the aristocracy of nature, and no small subject of rejoicing for mankind at large.
The pony preserved his character for independence and principle down to the last moment of his life; which was an unusually long one, and caused him to be looked upon, indeed, as the very Old Parr of ponies.
He often went to and fro with the little phaeton between Mr Garland’s and his son’s, and, as the old people and the young were frequently together, had a stable of his own at the new establishment, into which he would walk of himself with surprising dignity.
He condescended to play with the children, as they grew old enough to cultivate his friendship, and would run up and down the little paddock with them like a dog; but though he relaxed so far, and allowed them such small freedoms as caresses, or even to look at his shoes or hang on by his tail, he never permitted any one among them to mount his back or drive him; thus showing that even their familiarity must have its limits, and that there were points between them far too serious for trifling.
He was not unsusceptible of warm attachments in his later life, for when the good bachelor came to live with Mr Garland upon the clergyman’s decease, he conceived a great friendship for him, and amiably submitted to be driven by his hands without the least resistance.
He did no work for two or three years before he died, but lived in clover; and his last act (like a choleric old gentleman) was to kick his doctor.
Mr Swiveller, recovering very slowly from his illness, and entering into the receipt of his annuity, bought for the Marchioness a handsome stock of clothes, and put her to school forthwith, in redemption of the vow he had made upon his fevered bed.
After casting about for some time for a name which should be worthy of her, he decided in favour of Sophronia Sphynx, as being euphonious and genteel, and furthermore indicative of mystery.
Under this title the Marchioness repaired, in tears, to the school of his selection, from which, as she soon distanced all competitors, she was removed before the lapse of many quarters to one of a higher grade.
It is but bare justice to Mr Swiveller to say, that, although the expenses of her education kept him in straitened circumstances for half a dozen years, he never slackened in his zeal, and always held himself sufficiently repaid by the accounts he heard (with great gravity) of her advancement, on his monthly visits to the governess, who looked upon him as a literary gentleman of eccentric habits, and of a most prodigious talent in quotation.
In a word, Mr Swiveller kept the Marchioness at this establishment until she was, at a moderate guess, full nineteen years of age-- good-looking, clever, and good-humoured; when he began to consider seriously what was to be done next.
On one of his periodical visits, while he was revolving this question in his mind, the Marchioness came down to him, alone, looking more smiling and more fresh than ever.
Then, it occurred to him, but not for the first time, that if she would marry him, how comfortable they might be!
So Richard asked her;
whatever she said, it wasn’t No; and they were married in good earnest that day week.
Which gave Mr Swiveller frequent occasion to remark at divers subsequent periods that there had been a young lady saving up for him after all.
A little cottage at Hampstead being to let, which had in its garden a smoking-box, the envy of the civilised world, they agreed to become its tenants, and, when the honey-moon was over, entered upon its occupation.
To this retreat Mr Chuckster repaired regularly every Sunday to spend the day--usually beginning with breakfast--and here he was the great purveyor of general news and fashionable intelligence.
For some years he continued a deadly foe to Kit, protesting that he had a better opinion of him when he was supposed to have stolen the five-pound note, than when he was shown to be perfectly free of the crime; inasmuch as his guilt would have had in it something daring and bold, whereas his innocence was but another proof of a sneaking and crafty disposition.
By slow degrees, however, he was reconciled to him in the end; and even went so far as to honour him with his patronage, as one who had in some measure reformed, and was therefore to be forgiven.
But he never forgot or pardoned that circumstance of the shilling; holding that if he had come back to get another he would have done well enough, but that his returning to work out the former gift was a stain upon his moral character which no penitence or contrition could ever wash away.
Mr Swiveller, having always been in some measure of a philosophic and reflective turn, grew immensely contemplative, at times, in the smoking-box, and was accustomed at such periods to debate in his own mind the mysterious question of Sophronia’s parentage.
Sophronia herself supposed she was an orphan; but Mr Swiveller, putting various slight circumstances together, often thought Miss Brass must know better than that; and, having heard from his wife of her strange interview with Quilp, entertained sundry misgivings whether that person, in his lifetime, might not also have been able to solve the riddle, had he chosen.
These speculations, however, gave him no uneasiness; for Sophronia was ever a most cheerful, affectionate, and provident wife to him; and Dick (excepting for an occasional outbreak with Mr Chuckster, which she had the good sense rather to encourage than oppose) was to her an attached and domesticated husband.
And they played many hundred thousand games of cribbage together.
And let it be added, to Dick’s honour, that, though we have called her Sophronia, he called her the Marchioness from first to last; and that upon every anniversary of the day on which he found her in his sick room, Mr Chuckster came to dinner, and there was great glorification.
The gamblers, Isaac List and Jowl, with their trusty confederate Mr James Groves of unimpeachable memory, pursued their course with varying success, until the failure of a spirited enterprise in the way of their profession, dispersed them in various directions, and caused their career to receive a sudden check from the long and strong arm of the law.
This defeat had its origin in the untoward detection of a new associate--young Frederick Trent--who thus became the unconscious instrument of their punishment and his own.
For the young man himself, he rioted abroad for a brief term, living by his wits--which means by the abuse of every faculty that worthily employed raises man above the beasts, and so degraded, sinks him far below them.
It was not long before his body was recognised by a stranger, who chanced to visit that hospital in Paris where the drowned are laid out to be owned; despite the bruises and disfigurements which were said to have been occasioned by some previous scuffle.
But the stranger kept his own counsel until he returned home, and it was never claimed or cared for.
The younger brother, or the single gentleman, for that designation is more familiar, would have drawn the poor schoolmaster from his lone retreat, and made him his companion and friend.
But the humble village teacher was timid of venturing into the noisy world, and had become fond of his dwelling in the old churchyard.
Calmly happy in his school, and in the spot, and in the attachment of Her little mourner, he pursued his quiet course in peace; and was, through the righteous gratitude of his friend--let this brief mention suffice for that--a POOR school-master no more.
That friend--single gentleman, or younger brother, which you will--had at his heart a heavy sorrow; but it bred in him no misanthropy or monastic gloom.
He went forth into the world, a lover of his kind.
For a long, long time, it was his chief delight to travel in the steps of the old man and the child (so far as he could trace them from her last narrative), to halt where they had halted, sympathise where they had suffered, and rejoice where they had been made glad.
Those who had been kind to them, did not escape his search.
The sisters at the school--they who were her friends, because themselves so friendless--Mrs Jarley of the wax-work, Codlin, Short--he found them all; and trust me, the man who fed the furnace fire was not forgotten.
Kit’s story having got abroad, raised him up a host of friends, and many offers of provision for his future life.
He had no idea at first of ever quitting Mr Garland’s service; but, after serious remonstrance and advice from that gentleman, began to contemplate the possibility of such a change being brought about in time.
A good post was procured for him, with a rapidity which took away his breath, by some of the gentlemen who had believed him guilty of the offence laid to his charge, and who had acted upon that belief.
Through the same kind agency, his mother was secured from want, and made quite happy.
Thus, as Kit often said, his great misfortune turned out to be the source of all his subsequent prosperity.
Did Kit live a single man all his days, or did he marry?
Of course he married, and who should be his wife but Barbara?
And the best of it was, he married so soon that little Jacob was an uncle, before the calves of his legs, already mentioned in this history, had ever been encased in broadcloth pantaloons,--though that was not quite the best either, for of necessity the baby was an uncle too.
The delight of Kit’s mother and of Barbara’s mother upon the great occasion is past all telling; finding they agreed so well on that, and on all other subjects, they took up their abode together, and were a most harmonious pair of friends from that time forth.
And hadn’t Astley’s cause to bless itself for their all going together once a quarter--to the pit--and didn’t Kit’s mother always say, when they painted the outside, that Kit’s last treat had helped to that, and wonder what the manager would feel if he but knew it as they passed his house!
When Kit had children six and seven years old, there was a Barbara among them, and a pretty Barbara she was.
Nor was there wanting an exact facsimile and copy of little Jacob, as he appeared in those remote times when they taught him what oysters meant.
Of course there was an Abel, own godson to the Mr Garland of that name; and there was a Dick, whom Mr Swiveller did especially favour.
The little group would often gather round him of a night and beg him to tell again that story of good Miss Nell who died.
This, Kit would do; and when they cried to hear it, wishing it longer too, he would teach them how she had gone to Heaven, as all good people did; and how, if they were good, like her, they might hope to be there too, one day, and to see and know her as he had done when he was quite a boy.
Then, he would relate to them how needy he used to be, and how she had taught him what he was otherwise too poor to learn, and how the old man had been used to say ‘she always laughs at Kit;’ at which they would brush away their tears, and laugh themselves to think that she had done so, and be again quite merry.
He sometimes took them to the street where she had lived; but new improvements had altered it so much, it was not like the same.
The old house had been long ago pulled down, and a fine broad road was in its place.
At first he would draw with his stick a square upon the ground to show them where it used to stand.
But he soon became uncertain of the spot, and could only say it was thereabouts, he thought, and these alterations were confusing.
Such are the changes which a few years bring about, and so do things pass away, like a tale that is told!
*** END OF THE PROJECT GUTENBERG EBOOK THE OLD CURIOSITY SHOP *** Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.
In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.
gutenberg.
org.
Section 3.
Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.
S.
federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.
gutenberg.
org/contact Section 4.
Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.
Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.
We do not solicit donations in locations where we have not received written confirmation of compliance.
To SEND DONATIONS or determine the status of compliance for any particular state visit www.
gutenberg.
org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.
U.
S.
laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses.
Donations are accepted in a number of other ways including checks, online payments and credit card donations.
To donate, please visit: www.
gutenberg.
org/donate.
Section 5.
General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone.
For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.
Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U. S.
unless a copyright notice is included.
Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.
gutenberg.
org.
This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: