Woodstock, or, The Cavalier — Chapter 38

DON SEBASTIAN.

Years rush by us like the wind.

We see not whence the eddy comes, nor whitherward it is tending, and we seem ourselves to witness their flight without a sense that we are changed; and yet Time is beguiling man of his strength, as the winds rob the woods of their foliage.

After the marriage of Alice and Markham Everard, the old knight resided near them, in an ancient manor-house, belonging to the redeemed portion of his estate, where Joceline and Phœbe, now man and wife, with one or two domestics, regulated the affairs of his household.

When he tired of Shakspeare and solitude, he was ever a welcome guest at his son-in-law’s, where he went the more frequently that Markham had given up all concern in public affairs, disapproving of the forcible dismissal of the Parliament, and submitting to Cromwell’s subsequent domination, rather as that which was the lesser evil, than as to a government which he regarded as legal.

Cromwell seemed ever willing to show himself his friend; but Everard, resenting highly the proposal to deliver up the King, which he considered as an insult to his honour, never answered such advances, and became, on the contrary, of the opinion, which was now generally prevalent in the nation, that a settled government could not be obtained without the recall of the banished family.

There is no doubt that the personal kindness which he had received from Charles, rendered him the more readily disposed to such a measure.

He was peremptory, however, in declining all engagements during Oliver’s life, whose power he considered as too firmly fixed to be shaken by any plots which could be formed against it.

Meantime, Wildrake continued to be Everard’s protected dependent as before, though sometimes the connexion tended not a little to his inconvenience.

That respectable person, indeed, while he remained stationary in his patron’s house, or that of the old knight, discharged many little duties in the family, and won Alice’s heart by his attention to the children, teaching the boys, of whom they had three, to ride, fence, toss the pike, and many similar exercises; and, above all, filling up a great blank in her father’s existence, with whom he played at chess and backgammon, or read Shakspeare, or was clerk to prayers when any sequestrated divine ventured to read the service of the Church.

Or he found game for him while the old gentleman continued to go a-sporting; and, especially he talked over the storming of Brentford, and the battles of Edgehill, Banbury, Roundwaydown, and others, themes which the aged cavalier delighted in, but which he could not so well enter upon with Colonel Everard, who had gained his laurels in the Parliament service.

The assistance which he received from Wildrake’s society became more necessary, after Sir Henry was deprived of his gallant and only son, who was slain in the fatal battle of Dunkirk, where, unhappily, English colours were displayed on both the contending sides, the French being then allied with Oliver, who sent to their aid a body of auxiliaries, and the troops of the banished King fighting in behalf of the Spaniards.

Sir Henry received the melancholy news like an old man, that is, with more external composure than could have been anticipated.

He dwelt for weeks and months on the lines forwarded by the indefatigable Dr. Rochecliffe, superscribed in small letters, C. R.

, and subscribed Louis Kerneguy, in which the writer conjured him to endure this inestimable loss with the greater firmness, that he had still left one son, (intimating himself,) who would always regard him as a father.

But in spite of this balsam, sorrow, acting imperceptibly, and sucking the blood like a vampire, seemed gradually drying up the springs of life; and, without any formed illness, or outward complaint, the old man’s strength and vigour gradually abated, and the ministry of Wildrake proved daily more indispensable.

It was not, however, always to be had.

The cavalier was one of those happy persons whom a strong constitution, an unreflecting mind, and exuberant spirits, enable to play through their whole lives the part of a school-boy—happy for the moment, and careless of consequences.

Once or twice every year, when he had collected a few pieces, the Cavaliero Wildrake made a start to London, where, as he described it, he went on the ramble, drank as much wine as he could come by, and led a _skeldering_ life, to use his own phrase, among roystering cavaliers like himself, till by some rash speech or wild action, he got into the Marshalsea, the Fleet, or some other prison, from which he was to be delivered at the expense of interest, money, and sometimes a little reputation.

At length Cromwell died, his son resigned the government, and the various changes which followed induced Everard, as well as many others, to adopt more active measures in the King’s behalf.

Everard even remitted considerable sums for his service, but with the utmost caution, and corresponding with no intermediate agent, but with the Chancellor himself, to whom he communicated much useful information upon public affairs.

With all his prudence he was very nearly engaged in the ineffectual rising of Booth and Middleton in the west, and with great difficulty escaped from the fatal consequences of that ill-timed attempt.

After this, although the estate of the kingdom was trebly unsettled, yet no card seemed to turn up favourable to the royal cause, until the movement of General Monk from Scotland.

Even then, it was when at the point of complete success, that the fortunes of Charles seemed at a lower ebb than ever, especially when intelligence had arrived at the little Court which he then kept in Brussels, that Monk, on arriving in London, had put himself under the orders of the Parliament.

It was at this time, and in the evening, while the King, Buckingham, Wilmot, and some other gallants of his wandering Court, were engaged in a convivial party, that the Chancellor (Clarendon) suddenly craved audience, and, entering with less ceremony than he would have done at another time, announced extraordinary news.

For the messenger, he said, he could say nothing, saving that he appeared to have drunk much, and slept little; but that he had brought a sure token of credence from a man for whose faith he would venture his life.

The King demanded to see the messenger himself.

A man entered, with something the manners of a gentleman, and more those of a rakebelly debauchee—his eyes swelled and inflamed—his gait disordered and stumbling, partly through lack of sleep, partly through the means he had taken to support his fatigue.

He staggered without ceremony to the head of the table, seized the King’s hand, which he mumbled like a piece of gingerbread; while Charles, who began to recollect him from his mode of salutation, was not very much pleased that their meeting should have taken place before so many witnesses.

“I bring good news,” said the uncouth messenger, “glorious news!

—the King shall enjoy his own again!

—My feet are beautiful on the mountains.

Gad, I have lived with Presbyterians till I have caught their language— but we are all one man’s children now—all your Majesty’s poor babes.

The Rump is all ruined in London—Bonfires flaming, music playing, rumps roasting, healths drinking, London in a blaze of light from the Strand to Rotherhithe—tankards clattering”— “We can guess at that,” said the Duke of Buckingham.

“My old friend, Mark Everard, sent me off with the news; I’m a villain if I’ve slept since.

Your Majesty recollects me, I am sure.

Your Majesty remembers, sa—sa—at the King’s Oak, at Woodstock?

— ‘O, we’ll dance, and sing, and play, For ’twill be a joyous day When the King shall enjoy his own again.

’” “Master Wildrake, I remember you well,” said the King.

“I trust the good news is certain?

” “Certain!

your Majesty; did I not hear the bells?

—did I not see the bonfires?

—did I not drink your Majesty’s health so often, that my legs would scarce carry me to the wharf?

It is as certain as that I am poor Roger Wildrake of Squattlesea-mere, Lincoln.

” The Duke of Buckingham here whispered to the King, “I have always suspected your Majesty kept odd company during the escape from Worcester, but this seems a rare sample.

” “Why, pretty much like yourself, and other company I have kept here so many years—as stout a heart, as empty a head,” said Charles—“as much lace, though somewhat tarnished, as much brass on the brow, and nearly as much copper in the pocket.

” “I would your Majesty would intrust this messenger of good news with me, to get the truth out of him,” said Buckingham.

“Thank your Grace,” replied the King; “but he has a will as well as yourself, and such seldom agree.

My Lord Chancellor hath wisdom, and to that we must trust ourselves.

—Master Wildrake, you will go with my Lord Chancellor, who will bring us a report of your tidings; meantime, I assure you that you shall be no loser for being the first messenger of good news.

” So saying, he gave a signal to the Chancellor to take away Wildrake, whom he judged, in his present humour, to be not unlikely to communicate some former passages at Woodstock which might rather entertain than edify the wits of his court.

Corroboration of the joyful intelligence soon arrived, and Wildrake was presented with a handsome gratuity and small pension, which, by the King’s special desire, had no duty whatever attached to it.

Shortly afterwards, all England was engaged in chorusing his favourite ditty— “Oh, the twenty-ninth of May, It was a glorious day, When the King did enjoy his own again.

” On that memorable day, the King prepared to make his progress from Rochester to London, with a reception on the part of his subjects so unanimously cordial, as made him say gaily, it must have been his own fault to stay so long away from a country where his arrival gave so much joy.

On horseback, betwixt his brothers, the Dukes of York and Gloucester, the Restored Monarch trode slowly over roads strewn with flowers—by conduits running wine, under triumphal arches, and through streets hung with tapestry.

There were citizens in various bands, some arrayed in coats of black velvet, with gold chains; some in military suits of cloth of gold, or cloth of silver, followed by all those craftsmen who, having hooted the father from Whitehall, had now come to shout the son into possession of his ancestral place.

On his progress through Blackheath, he passed that army which, so long formidable to England herself, as well as to Europe, had been the means of restoring the Monarchy which their own hands had destroyed.

As the King passed the last files of this formidable host, he came to an open part of the heath, where many persons of quality, with others of inferior rank, had stationed themselves to gratulate him as he passed towards the capital.

There was one group, however, which attracted peculiar attention from those around, on account of the respect shown to the party by the soldiers who kept the ground, and who, whether Cavaliers or Roundheads, seemed to contest emulously which should contribute most to their accommodation; for both the elder and younger gentlemen of the party had been distinguished in the Civil War.

It was a family group, of which the principal figure was an old man seated in a chair, having a complacent smile on his face, and a tear swelling to his eye, as he saw the banners wave on in interminable succession, and heard the multitude shouting the long silenced acclamation, “God save King Charles.

” His cheek was ashy pale, and his long beard bleached like the thistle down; his blue eye was cloudless, yet it was obvious that its vision was failing.

His motions were feeble, and he spoke little, except when he answered the prattle of his grandchildren, or asked a question of his daughter, who sate beside him, matured in matronly beauty, or of Colonel Everard who stood behind.

There, too, the stout yeoman, Joceline Joliffe, still in his silvan dress, leaned, like a second Benaiah, on the quarter-staff that had done the King good service in its day, and his wife, a buxom matron as she had been a pretty maiden, laughed at her own consequence; and ever and anon joined her shrill notes to the stentorian halloo which her husband added to the general acclamation.

These fine boys and two pretty girls prattled around their grandfather, who made them such answers as suited their age, and repeatedly passed his withered hand over the fair locks of the little darlings, while Alice, assisted by Wildrake, (blazing in a splendid dress, and his eyes washed with only a single cup of canary,) took off the children’s attention from time to time, lest they should weary their grandfather.

We must not omit one other remarkable figure in the group—a gigantic dog, which bore the signs of being at the extremity of canine life, being perhaps fifteen or sixteen years old.

But though exhibiting the ruin only of his former appearance, his eyes dim, his joints stiff, his head slouched down, and his gallant carriage and graceful motions exchanged for a stiff, rheumatic, hobbling gait, the noble hound had lost none of his instinctive fondness for his master.

To lie by Sir Henry’s feet in the summer or by the fire in winter, to raise his head to look on him, to lick his withered hand or his shrivelled cheek from time to time, seemed now all that Bevis lived for.

Three or four livery servants attended to protect this group from the thronging multitude, but it needed not.

The high respectability and unpretending simplicity of their appearance gave them, even in the eyes of the coarsest of the people, an air of patriarchal dignity, which commanded general regard; and they sat upon the bank which they had chosen for their station by the way-side, as undisturbed as if they had been in their own park.

And now the distant clarions announced the Royal Presence.

Onward came pursuivant and trumpet—onward came plumes and cloth of gold, and waving standards displayed, and swords gleaming to the sun; and at length, heading a group of the noblest in England, and supported by his royal brothers on either side, onward came King Charles.

He had already halted more than once, in kindness perhaps as well as policy, to exchange a word with persons whom he recognized among the spectators, and the shouts of the bystanders applauded a courtesy which seemed so well timed.

But when he had gazed an instant on the party we have described, it was impossible, if even Alice had been too much changed to be recognized, not instantly to know Bevis and his venerable master.

The Monarch sprung from his horse, and walked instantly up to the old knight, amid thundering acclamations which rose from the multitudes around, when they saw Charles with his own hand oppose the feeble attempts of the old man to rise to do his homage.

Gently replacing him on his seat—“Bless,” he said, “father—bless your son, who has returned in safety, as you blessed him when he departed in danger.

” “May God bless—and preserve”—muttered the old man, overcome by his feelings; and the King, to give him a few moments’ repose, turned to Alice— “And you,” he said, “my fair guide, how have you been employed since our perilous night-walk?

But I need not ask,” glancing around—“in the service of King and Kingdom, bringing up subjects, as loyal as their ancestors.

—A fair lineage, by my faith, and a beautiful sight, to the eye of an English King!

—Colonel Everard, we shall see you, I trust, at Whitehall?

” Here he nodded to Wildrake.

“And thou, Joceline, thou canst hold thy quarter-staff with one hand, sure?

—Thrust forward the other palm.

” Looking down in sheer bashfulness, Joceline, like a bull about to push, extended to the King, over his lady’s shoulder, a hand as broad and hard as a wooden trencher, which the King filled with gold coins.

“Buy a handful for my friend Phœbe with some of these,” said Charles, “she too has been doing her duty to Old England.

” The King then turned once more to the knight, who seemed making an effort to speak.

He took his aged hand in both his own, and stooped his head towards him to catch his accents, while the old man, detaining him with the other hand, said something faltering, of which Charles could only catch the quotation— “Unthread the rude eye of rebellion, And welcome home again discarded faith.

” Extricating himself, therefore, as gently as possible, from a scene which began to grow painfully embarrassing, the good-natured King said, speaking with unusual distinctness to insure the old man’s comprehending him, “This is something too public a place for all we have to say.

But if you come not soon to see King Charles at Whitehall, he will send down Louis Kerneguy to visit you, that you may see how rational that mischievous lad is become since his travels.

” So saying, he once more pressed affectionately the old man’s hand, bowed to Alice and all around, and withdrew; Sir Henry Lee listening with a smile, which showed he comprehended the gracious tendency of what had been said.

The old man leaned back on his seat, and muttered the _Nunc dimittas_.

“Excuse me for having made you wait, my lords,” said the King, as he mounted his horse; “indeed, had it not been for these good folks, you might have waited for me long enough to little purpose.

—Move on, sirs.

” The array moved on accordingly; the sound of trumpets and drums again rose amid the acclamations, which had been silent while the King stopped; while the effect of the whole procession resuming its motion, was so splendidly dazzling, that even Alice’s anxiety about for her father’s health was for a moment suspended, while her eye followed the long line of varied brilliancy that proceeded over the heath.

When she looked again at Sir Henry, she was startled to see that his cheek, which had gained some colour during his conversation with the King, had relapsed into earthly paleness; that his eyes were closed, and opened not again; and that his features expressed, amid their quietude, a rigidity which is not that of sleep.

They ran to his assistance, but it was too late.

The light that burned so low in the socket, had leaped up, and expired in one exhilarating flash.

The rest must be conceived.

I have only to add that his faithful dog did not survive him many days; and that the image of Bevis lies carved at his master’s feet, on the tomb which was erected to the memory of Sir Henry Lee of Ditchley.

[1] [1] It may interest some readers to know that Bevis, the gallant hound, one of the handsomest and active of the ancient Highland deer-hounds, had his prototype in a dog called Maida, the gift of the late Chief of Glengarry to the author.

A beautiful sketch was made by Edwin Landseer, and afterwards engraved.

I cannot suppress the avowal of some personal vanity when I mention that a friend, going through Munich, picked up a common snuff-box, such as are sold for one franc, on which was displayed the form of this veteran favourite, simply marked as Der lieblung hund von Walter Scott.

Mr. Landseer’s painting is at Blair-Adam, the property of my venerable friend, the Right Honourable Lord Chief Commissioner Adam.

*** END OF THE PROJECT GUTENBERG EBOOK WOODSTOCK; OR, THE CAVALIER *** Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U. S.

copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!

) can copy and distribute it in the United States without permission and without paying copyright royalties.

Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.

Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.

If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.

You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.

Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.

copyright law.

Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.

gutenberg.

org/license.

Section 1.

General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.

By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.

If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.

If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.

8. 1. B.

“Project Gutenberg” is a registered trademark.

It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.

There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.

See paragraph 1. C below.

There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.

See paragraph 1. E below.

1. C.

The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.

Nearly all the individual works in the collection are in the public domain in the United States.

If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.

Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.

You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1. D.

The copyright laws of the place where you are located also govern what you can do with this work.

Copyright laws in most countries are in a constant state of change.

If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.

The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1. E.

Unless you have removed all references to Project Gutenberg: 1. E.

1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.

You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.

gutenberg.

org.

If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1. E.

2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.

copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.

If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.

1 through 1. E.

7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.

8 or 1. E.

9. 1. E.

3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.

1 through 1. E.

7 and any additional terms imposed by the copyright holder.

Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1. E.

4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1. E.

5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.

1 with active links or immediate access to the full terms of the Project Gutenberg License.

1. E.

6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.

However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.

gutenberg.

org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.

Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.

1. 1. E.

7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.

8 or 1. E.

9. 1. E.

8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.

The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.

Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.

Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.

” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.

You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

• You provide, in accordance with paragraph 1. F.

3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1. E.

9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.

Contact the Foundation as set forth in Section 3 below.

1. F.

1. F.

1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.

copyright law in creating the Project Gutenberg™ collection.

Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1. F.

2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.

3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.

YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT

LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.

F.

3. YOU AGREE THAT THE FOUNDATION, THE

TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1. F.

3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.

If you received the work on a physical medium, you must return the medium with your written explanation.

The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.

If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.

If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1. F.

4. Except for the limited right of replacement or refund set forth in paragraph 1. F.

3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1. F.

5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.

If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.

The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1. F.

6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2.

Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.

It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.

In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.

To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.

gutenberg.

org.

Section 3.

Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.

The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.

S.

federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.

gutenberg.

org/contact Section 4.

Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.

Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.

Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.

We do not solicit donations in locations where we have not received written confirmation of compliance.

To SEND DONATIONS or determine the status of compliance for any particular state visit www.

gutenberg.

org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.

U.

S.

laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses.

Donations are accepted in a number of other ways including checks, online payments and credit card donations.

To donate, please visit: www.

gutenberg.

org/donate.

Section 5.

General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone.

For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U. S.

unless a copyright notice is included.

Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.

gutenberg.

org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.