Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
CHAPTER III
What had next brought him back, clearly--though after how long?
--was Mrs. Muldoon's voice, coming to him from quite near, from so near that he seemed presently to see her as kneeling on the ground before him while he lay looking up at her; himself not wholly on the ground, but half-raised and upheld--conscious, yes, of tenderness of support and, more particularly, of a head pillowed in extraordinary softness and faintly refreshing fragrance.
He considered, he wondered, his wit but half at his service; then another face intervened, bending more directly over him, and he finally knew that Alice Staverton had made her lap an ample and perfect cushion to him, and that she had to this end seated herself on the lowest degree of the staircase, the rest of his long person remaining stretched on his old black-and-white slabs.
They were cold, these marble squares of his youth; but _he_ somehow was not, in this rich return of consciousness--the most wonderful hour, little by little, that he had ever known, leaving him, as it did, so gratefully, so abysmally passive, and yet as with a treasure of intelligence waiting all round him for quiet appropriation; dissolved, he might call it, in the air of the place and producing the golden glow of a late autumn afternoon.
He had come back, yes--come back from further away than any man but himself had ever travelled; but it was strange how with this sense what he had come back _to_ seemed really the great thing, and as if his prodigious journey had been all for the sake of it.
Slowly but surely his consciousness grew, his vision of his state thus completing itself; he had been miraculously _carried_ back--lifted and carefully borne as from where he had been picked up, the uttermost end of an interminable grey passage.
Even with this he was suffered to rest, and what had now brought him to knowledge was the break in the long mild motion.
It had brought him to knowledge, to knowledge--yes, this was the beauty of his state; which came to resemble more and more that of a man who has gone to sleep on some news of a great inheritance, and then, after dreaming it away, after profaning it with matters strange to it, has waked up again to serenity of certitude and has only to lie and watch it grow.
This was the drift of his patience--that he had only to let it shine on him.
He must moreover, with intermissions, still have been lifted and borne; since why and how else should he have known himself, later on, with the afternoon glow intenser, no longer at the foot of his stairs--situated as these now seemed at that dark other end of his tunnel--but on a deep window-bench of his high saloon, over which had been spread, couch-fashion, a mantle of soft stuff lined with grey fur that was familiar to his eyes and that one of his hands kept fondly feeling as for its pledge of truth.
Mrs. Muldoon's face had gone, but the other, the second he had recognised, hung over him in a way that showed how he was still propped and pillowed.
He took it all in, and the more he took it the more it seemed to suffice: he was as much at peace as if he had had food and drink.
It was the two women who had found him, on Mrs. Muldoon's having plied, at her usual hour, her latch-key--and on her having above all arrived while Miss Staverton still lingered near the house.
She had been turning away, all anxiety, from worrying the vain bell-handle--her calculation having been of the hour of the good woman's visit; but the latter, blessedly, had come up while she was still there, and they had entered together.
He had then lain, beyond the vestibule, very much as he was lying now--quite, that is, as he appeared to have fallen, but all so wondrously without bruise or gash; only in a depth of stupor.
What he most took in, however, at present, with the steadier clearance, was that Alice Staverton had for a long unspeakable moment not doubted he was dead.
"It must have been that I _was_."
He made it out as she held him.
"Yes--I can only have died.
You brought me literally to life.
Only," he wondered, his eyes rising to her, "only, in the name of all the benedictions, how?"
It took her but an instant to bend her face and kiss him, and something in the manner of it, and in the way her hands clasped and locked his head while he felt the cool charity and virtue of her lips, something in all this beatitude somehow answered everything.
"And now I keep you," she said.
"Oh keep me, keep me!"
he pleaded while her face still hung over him: in response to which it dropped again and stayed close, clingingly close.
It was the seal of their situation--of which he tasted the impress for a long blissful moment in silence.
But he came back.
"Yet how did you know--?"
"I was uneasy.
You were to have come, you remember--and you had sent no word."
"Yes, I remember--I was to have gone to you at one to-day."
It caught on to their "old" life and relation--which were so near and so far.
"I was still out there in my strange darkness--where was it, what was it?
I
must have stayed there so long."
He could but wonder at the depth and the duration of his swoon.
"Since last night?"
she asked with a shade of fear for her possible indiscretion.
"Since this morning--it must have been: the cold dim dawn of to-day.
Where have I been," he vaguely wailed, "where have I been?"
He felt her hold him close, and it was as if this helped him now to make in all security his mild moan.
"What a long dark day!"
All in her tenderness she had waited a moment.
"In the cold dim dawn?"
she quavered.
But he had already gone on piecing together the parts of the whole prodigy.
"As I didn't turn up you came straight--?"
She barely cast about.
"I went first to your hotel--where they told me of your absence.
You had dined out last evening and hadn't been back since.
But they appeared to know you had been at your club."
"So you had the idea of _this_--?"
"Of what?"
she asked in a moment.
"Well--of what has happened."
"I believed at least you'd have been here.
I've known, all along," she said, "that you've been coming."
"'Known' it--?"
"Well, I've believed it.
I said nothing to you after that talk we had a month ago--but I felt sure.
I knew you _would_," she declared.
"That I'd persist, you mean?"
"That you'd see him."
"Ah but I didn't!"
cried Brydon with his long wail.
"There's somebody--an awful beast; whom I brought, too horribly, to bay.
But it's not me."
At this she bent over him again, and her eyes were in his eyes.
"No--it's not you."
And it was as if, while her face hovered, he might have made out in it, hadn't it been so near, some particular meaning blurred by a smile.
"No, thank heaven," she repeated, "it's not you!
Of course it wasn't to have been."
"Ah but it _was_," he gently insisted.
And he stared before him now as he had been staring for so many weeks.
"I was to have known myself."
"You couldn't!"
she returned consolingly.
And then reverting, and as if to account further for what she had herself done, "But it wasn't only _that_, that you hadn't been at home," she went on.
"I waited till the hour at which we had found Mrs. Muldoon that day of my going with you;
and she arrived, as I've told you, while, failing to bring any one to the door, I lingered in my despair on the steps.
After a little, if she hadn't come, by such a mercy, I should have found means to hunt her up.
But it wasn't," said Alice Staverton, as if once more with her fine intentions--"it wasn't only that."
His eyes, as he lay, turned back to her.
"What more then?"
She met it, the wonder she had stirred.
"In the cold dim dawn, you say?
Well, in the cold dim dawn of this morning I too saw you."
"Saw _me_--?"
"Saw _him_," said Alice Staverton.
"It must have been at the same moment."
He lay an instant taking it in--as if he wished to be quite reasonable.
"At the same moment?"
"Yes--in my dream again, the same one I've named to you.
He came back to me.
Then I knew it for a sign.
He had come to you."
At this Brydon raised himself; he had to see her better.
She helped him when she understood his movement, and he sat up, steadying himself beside her there on the window-bench and with his right hand grasping her left.
"_He_ didn't come to me."
"You came to yourself," she beautifully smiled.
"Ah I've come to myself now--thanks to you, dearest.
But this brute, with his awful face--this brute's a black stranger.
He's none of _me_, even as I _might_ have been," Brydon sturdily declared.
But she kept the clearness that was like the breath of infallibility.
"Isn't the whole point that you'd have been different?"
He almost scowled for it.
"As different as _that_--?"
Her look again was more beautiful to him than the things of this world.
"Haven't you exactly wanted to know _how_ different?
So this morning," she said, "you appeared to me."
"Like _him_?"
"A black stranger!"
"Then how did you know it was I?"
"Because, as I told you weeks ago, my mind, my imagination, has worked so over what you might, what you mightn't have been--to show you, you see, how I've thought of you.
In the midst of that you came to me--that my wonder might be answered.
So I knew," she went on; "and believed that, since the question held you too so fast, as you told me that day, you too would see for yourself.
And when this morning I again saw I knew it would be because you had--and also then, from the first moment, because you somehow wanted me.
_He_ seemed to tell me of that.
So why," she strangely smiled, "shouldn't I like him?"
It brought Spencer Brydon to his feet.
"You 'like' that horror--?"
"I _could_ have liked him.
And to me," she said, "he was no horror.
I
had accepted him."
"'Accepted'--?"
Brydon oddly sounded.
"Before, for the interest of his difference--yes.
And as _I_ didn't disown him, as _I_ knew him--which you at last, confronted with him in his difference, so cruelly didn't, my dear,--well, he must have been, you see, less dreadful to me.
And it may have pleased him that I pitied him."
She was beside him on her feet, but still holding his hand--still with her arm supporting him.
But though it all brought for him thus a dim light, "You 'pitied' him?"
he grudgingly, resentfully asked.
"He has been unhappy, he has been ravaged," she said.
"And haven't I been unhappy?
Am not I--you've only to look at me!
--ravaged?"
"Ah I don't say I like him _better_," she granted after a thought.
"But he's grim, he's worn--and things have happened to him.
He doesn't make shift, for sight, with your charming monocle."
"No"--it struck Brydon; "I couldn't have sported mine 'down-town.'
They'd have guyed me there."
"His great convex pince-nez--I saw it, I recognised the kind--is for his poor ruined sight.
And his poor right hand--!"
"Ah!"
Brydon winced--whether for his proved identity or for his lost fingers.
Then, "He has a million a year," he lucidly added.
"But he hasn't you."
"And he isn't--no, he isn't--_you_!"
she murmured, as he drew her to his breast.
*** END OF THE PROJECT GUTENBERG EBOOK THE JOLLY CORNER ***
Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.
In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.
gutenberg.
org.
Section 3.
Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.
S.
federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.
gutenberg.
org/contact Section 4.
Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.
Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.
We do not solicit donations in locations where we have not received written confirmation of compliance.
To SEND DONATIONS or determine the status of compliance for any particular state visit www.
gutenberg.
org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.
U.
S.
laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses.
Donations are accepted in a number of other ways including checks, online payments and credit card donations.
To donate, please visit: www.
gutenberg.
org/donate.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: