Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
"Freshman, arise!
Gird on thy sword!
Captivity is o'er.
To arms!
To arms!
For, lo!
thou art A daring sophomore!"
The words of this stirring song floated in through the open windows at Queen's one warm night in early June.
Moonlight flooded the campus, and the air was sweet with the perfume of lilac and syringa.
A group of sophomores had gathered in front of the house to serenade the freshmen at Queen's, who had immediately repaired to the piazza to acknowledge this unusual honor paid them by their august predecessors.
"I think it would be far more appropriate if they sang: "'When all the saints who from their labors rest,'" remarked Mabel Hinton, who, in order to make a record, had studied herself into a human skeleton.
"Well," said Molly Brown, "when I left home last September, one of my brothers cheerfully informed me that I looked like 'a rag and a bone and a hank of hair.'
I am afraid I don't feel very saint-like now, because I have gained ten pounds, and I'm not tired of anything, except packing my clothes.
I'm so sorry to leave blessed old Queen's that I could kiss her brown cheek, if it didn't look foolish."
"Well, go and kiss the side of the house then," put in Judy.
"You have a poetic nature, Molly; but I wouldn't have it changed.
I like it just as it is."
"Do you know," interrupted Margaret Wakefield, "that Queen's, from having once been scorned as a residence, has now become a very popular abode, and there were so many applications for rooms here for next year that the registrar has had to make a waiting list for the first time in connection with Queen's. Think of that at old Queen's!"
"It's because it's the residence of a distinguished person," announced Molly.
"I think we should put a brass plate on the front door, stating that in this house lived a class president who possessed every attribute for the office.
She was versed in parliamentary law, she had an executive mind, and she was beloved by all who knew her."
Margaret was pleased at this compliment.
"_Voyons, voyons, que vous me flattez!
_" she exclaimed.
"It's your warm Southern nature that makes you so enthusiastic.
Now, the real reason why old brown Queen's, with her moldering vines, is so popular all of a sudden is because you are here."
It was Molly's turn now to be pleased.
"We won't argue such a personal matter," she said, squeezing Margaret's hand.
"But I'm glad I'm booked here for next year.
I was afraid Nance would want a 'singleton,' she has such a retiring nun-like nature."
"Me?"
exclaimed Nance, disregarding English in her amazement.
"Why, I've had the happiest winter of my whole life with you, Molly.
If there's a chance for another one like it, I'm only too thankful."
"Certainly Mary Carmichael Washington Brown is a modest soul," thought Judy, who happened to know that her friend had had some five or six tempting offers to move into better quarters the next year at no greater expense to herself.
One was from Mary Stewart, who was to return next winter for a post-graduate course.
Another was from Judith Blount, who had proposed Molly for membership in the Beta Phi Society next year, and had furthermore invited the surprised young freshman to take the study of her apartment for a bedroom and offered her the constant use of her sumptuous sitting room.
Certainly, if ever there was an expression of true remorse and repentance, that was one, Molly thought, and the allusion to roommates reminded her that she must say good-bye to Judith, for there would be no time in the morning for last farewells.
"I am going over to the Beta Phi house for a minute," she announced.
"Any one want to come along?"
Margaret and Jessie, who had friends in that "abode of fashion," as it was called, joined her, and presently the three white figures were lost in the shadows on the campus.
"She is going to say farewell to black-eyed Judith," observed Judy in a low voice to Nance, "and all I would say is what the colored preacher said: 'Can the le-o-pard change his spots?'
" Nance smiled gravely.
She did not possess Judy's prejudiced nature, but her convictions were strong.
"Do you think she's a 'le-o-pard,' Judy?"
she asked.
"She may be a domesticated one," said Judy, "of the genus known as 'cat.'
" "Aren't you ashamed, Judy?"
exclaimed Nance, reprovingly.
But it must be confessed that a few doubts still lurked in her own heart concerning the sincerity of proud Judith's repentance.
In the meantime, the three freshmen had separated in the upper hall of the Beta Phi House, and Molly had given a timid rap with Judith's fine brass knocker.
Instantly the door flew open and she found herself precipitated into a roomful of people, at least it seemed so at first, who had just subsided into quiet because some one was going to play.
Molly was about to retreat in great confusion when Miss Grace Green seized one hand and Mary Stewart the other.
Judith came forward with a show of extreme cordiality and Richard Blount left the piano and actually ran the full length of the room, exclaiming: "It's Miss Molly Brown of Kentucky!"
Molly knew she was breaking into a party, but there was nothing to do but make a call of a few minutes and then take her leave as gracefully as possible under the circumstances.
Professor Edwin Green had also shaken her by the hand warmly, and pushing up a chair had insisted on her sitting down.
They had all drawn their chairs around her in a semicircle, and Richard Blount had brought over the piano stool and placed it directly in front of her so that he could look straight at her.
In fact, here sat the little freshman, blushing crimson and painfully embarrassed, enthroned in a large armchair, and gathered around her was a circle of very delightful, not to say, admiring persons.
As one of these persons was Judith's brother and two were her near cousins, Molly thought she could explain their excessive cordiality.
They knew the story of the ring and they were anxious to make amends.
She recalled, with a furtive inner smile, the last time she was in those rooms, when, as a waitress, she had upset the coffee on the Professor's knees.
How glad she was that the painful experience was well over and forgotten by now.
But she was glad about many things that evening.
She was happy to see that Mary and Judith had made up their differences, and were once more friends.
She knew that Mary, who had the kindest heart in the world, could never stay angry long.
"I didn't know that Judith was giving a party," Molly began, still very much embarrassed.
"I just dropped in to say good-bye because I am leaving to-morrow morning."
"To-morrow morning?"
repeated Richard Blount.
"Wasn't it lucky for me you happened in to-night.
I had expected to call on you to-morrow afternoon, and think how disappointed I should have been to have found the nest empty and the bird flown."
"So you are really off to-morrow?"
broke in Professor Green.
"I am so sorry.
I was going to ask you to have tea in the Cloisters with my sister and me in the afternoon."
Again Molly smiled to herself.
Tea in the Cloisters, with a distinguished professor and his charming sister!
Only nine months before she had been a lonely, shivering little waif of a freshman locked in the Cloisters.
The words of the sophomore "croak" came back to her: "They have locked me in the Cloisters;
They have fastened up the gate.
Oh, let me out!
Oh, let me out!
It's growing very late."
"I am sorry that my ticket is bought and my berth engaged, and the expressman coming for my trunk to-morrow at nine," she said.
"If all those things were not so, I should love to drink soup----" she stopped and flushed a deep red.
What absurd trick of the mind had made her say "soup"?
"I mean tea," she went on hastily, hoping no one had heard the break.
Miss Green was talking with Mary Stewart.
Richard Blount was twirling on the piano stool, his hands deep in his pockets, and Judith was engaged at a side table in pouring lemonade into glasses.
There was a twinkle of amusement in the Professor's brown eyes, and he gave Molly a delightful smile.
"I must be going," she said anxiously, rising.
"Not till you've had a glass of lemonade, for I made it myself," said Richard, gallantly handing her one on a plate.
Molly looked doubtfully toward Judith.
"I don't want to be like that young man in the rhyme," she said.
"'There was a young man so benighted, He never knew when he was slighted.
He'd go to a party and eat just as hearty, As if he'd been really invited.'
" Everybody laughed, and Judith suddenly becoming a model hostess, exclaimed: "Indeed, you must stay, Molly, and have some lemonade.
Richard didn't make it at all.
He only squeezed the lemons."
Molly, therefore, remained and had a beautiful time, and when she really did take her departure the entire party, including Judith, escorted her across the moonlit campus to the door of Queen's. But Molly was still certain that it was the ring episode and nothing else that made them all so polite and attentive.
And so she informed Nance and Judy that night as she unlocked her trunk for the third time in ten minutes to stuff in some overlooked belonging.
But Judy sniffed the air and exclaimed: "Ring, nothing!
It's popularity!"
Molly smiled and went to bed, feeling that her last day at Wellington had been a decided improvement on the first one.
The next morning Queen's Cottage was a pandemonium of trunks and bags and excited young women, rushing up and down the halls.
Cries could be heard from every room in the house of: "The laundress hasn't brought my shirtwaists!
Perfidious woman!"
"The expressman's here!"
"Is your trunk strapped?"
"I've got to sleep in an upper berth."
"Don't forget to write me."
"Where are you to be this summer?"
"I can't get this top down and the trunk man's waiting!"
"Oh, dear, do hurry!
We'll miss the bus!"
"Young ladies, the bus is coming," called the voice of Mrs. Markham from the front door.
And then, with a fluttering of handkerchiefs and many a last call of "good-bye," the bus-load of girls moved sedately down the avenue.
Molly, looking back at the twin gray towers of Wellington, understood why Frances Andrews wanted so much to return.
"How glad I am to be only a sophomore," she cried.
"I shall have three more years at Wellington!"
THE END.
Transcriber's Note: Besides some minor printer's errors the following correction has been made: on page 172 "Professor" has been changed to "President" (the doctor at one side, the President at the other).
Otherwise the original has been preserved, including inconsistent spelling and hyphenation.
End of Project Gutenberg's Molly Brown's Freshman Days, by Nell Speed <pre id="pg-footer"> *** END OF THE PROJECT GUTENBERG EBOOK MOLLY BROWN'S FRESHMAN DAYS *** Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.
In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.
gutenberg.
org.
Section 3.
Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.
S.
federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.
gutenberg.
org/contact Section 4.
Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.
Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.
We do not solicit donations in locations where we have not received written confirmation of compliance.
To SEND DONATIONS or determine the status of compliance for any particular state visit www.
gutenberg.
org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.
U.
S.
laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses.
Donations are accepted in a number of other ways including checks, online payments and credit card donations.
To donate, please visit: www.
gutenberg.
org/donate.
Section 5.
General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone.
For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.
Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U. S.
unless a copyright notice is included.
Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.
gutenberg.
org.
This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: