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_The Old Woman and the Tramp_ There was once a tramp who went plodding his way through a forest.
The distance between the houses was so great that he had little hope of finding a shelter before the night set in.
But all of a sudden he saw some lights between the trees.
He then discovered a cottage, where there was a fire burning on the hearth.
How nice it would be to roast one’s self before that fire, and to get a bite of something, he thought; and so he dragged himself toward the cottage.
Just then an old woman came toward him.
“Good evening, and well met!
” said the tramp.
“Good evening,” said the woman.
“Where do you come from?
” “South of the sun, and east of the moon,” said the tramp; “and now I am on the way home again, for I have been all over the world with the exception of this parish,” he said.
“You must be a great traveler, then,” said the woman.
“What may be your business here?
” “Oh, I want a shelter for the night,” he said.
“I thought as much,” said the woman; “but you may as well get away from here at once, for my husband is not at home, and my place is not an inn,” she said.
“My good woman,” said the tramp, “you must not be so cross and hard-hearted, for we are both human beings, and should help one another, as it is written.
” “Help one another?
” said the woman, “help?
Did you ever hear such a thing?
Who’ll help me, do you think?
I haven’t got a morsel in the house!
No, you’ll have to look for quarters elsewhere,” she said.
But the tramp was like the rest of his kind; he did not consider himself beaten at the first rebuff.
Although the old woman grumbled and complained as much as she could, he was just as persistent as ever, and went on begging and praying like a starved dog, until at last she gave in, and he got permission to lie on the floor for the night.
That was very kind, he thought, and he thanked her for it.
“Better on the floor without sleep, than suffer cold in the forest deep,” he said; for he was a merry fellow, this tramp, and was always ready with a rhyme.
When he came into the room he could see that the woman was not so badly off as she had pretended; but she was a greedy and stingy woman of the worst sort, and was always complaining and grumbling.
He now made himself very agreeable, of course, and asked her in his most insinuating manner for something to eat.
“Where am I to get it from?
” said the woman.
“I haven’t tasted a morsel myself the whole day.
” But the tramp was a cunning fellow, he was.
“Poor old granny, you must be starving,” he said.
“Well, well, I suppose I shall have to ask you to have something with me, then?
” “Have something with you!
” said the woman.
“You don’t look as if you could ask any one to have anything!
What have you got to offer one, I should like to know?
” “He who far and wide does roam sees many things not known at home; and he who many things has seen has wits about him and senses keen,” said the tramp.
“Better dead than lose one’s head!
Lend me a pot, granny!
” The old woman now became very inquisitive, as you may guess, and so she let him have a pot.
He filled it with water and put it on the fire, and then he blew with all his might till the fire was burning fiercely all round it.
Then he took a four-inch nail from his pocket, turned it three times in his hand, and put it into the pot.
The woman stared with all her might.
“What’s this going to be?
” she asked.
“Nail broth,” said the tramp, and began to stir the water with the porridge-stick.
“Nail broth?
” asked the woman.
“Yes, nail broth,” said the tramp.
The old woman had seen and heard a good deal in her time, but that anybody could have made broth with a nail, well, she had never heard the like before.
“That’s something for poor people to know,” she said, “and I should like to learn how to make it.
” “That which is not worth having will always go a-begging,” said the tramp, but if she wanted to learn how to make it she had only to watch him, he said, and went on stirring the broth.
The old woman squatted on the ground, her hands clasping her knees, and her eyes following his hand as he stirred the broth.
“This generally makes good broth,” he said; “but this time it will very likely be rather thin, for I have been making broth the whole week with the same nail.
If one only had a handful of sifted oatmeal to put in, that would make it all right,” he said.
“But what one has to go without, it’s no use thinking more about,” and so he stirred the broth again.
“Well, I think I have a scrap of flour somewhere,” said the old woman, and went out to fetch some, and it was both good and fine.
The tramp began putting the flour into the broth, and went on stirring, while the woman sat staring now at him and then at the pot until her eyes nearly burst their sockets.
“This broth would be good enough for company,” he said, putting in one handful of flour after another.
“If I had only a bit of salted beef and a few potatoes to put in, it would be fit for gentlefolks, however particular they might be,” he said.
“But what one has to go without, it’s no use thinking more about.
” When the old woman really began to think it over, she thought she had some potatoes, and perhaps a bit of beef as well; and these she gave the tramp, who went on stirring, while she sat and stared as hard as ever.
“This will be grand enough for the best in the land,” he said.
“Well, I never!
” said the woman; “and just fancy—all with a nail!
” He was really a wonderful man, that tramp!
He could do more than drink a sup and turn the tankard up, he could.
“If one had only a little barley and a drop of milk, we could ask the king himself to have some of it,” he said; “for this is what he has every blessed evening—that I know, for I have been in service under the king’s cook,” he said.
“Dear me!
Ask the king to have some!
Well, I never!
” exclaimed the woman, slapping her knees.
She was quite awestruck at the tramp and his grand connections.
“But what one has to go without, it’s no use thinking more about,” said the tramp.
And then she remembered she had a little barley; and as for milk, well, she wasn’t quite out of that, she said, for her best cow had just calved.
And then she went to fetch both the one and the other.
The tramp went on stirring, and the woman sat staring, one moment at him and the next at the pot.
Then all at once the tramp took out the nail.
“Now it’s ready, and now we’ll have a real good feast,” he said.
“But to this kind of soup the king and the queen always take a dram or two, and one sandwich at least.
And then they always have a cloth on the table when they eat,” he said.
“But what one has to go without, it’s no use thinking more about.
” But by this time the old woman herself had begun to feel quite grand and fine, I can tell you; and if that was all that was wanted to make it just as the king had it, she thought it would be nice to have it exactly the same way for once, and play at being king and queen with the tramp.
She went straight to a cupboard and brought out the brandy bottle, dram glasses, butter and cheese, smoked beef and veal, until at last the table looked as if it were decked out for company.
Never in her life had the old woman had such a grand feast, and never had she tasted such broth, and just fancy, made only with a nail!
She was in such a good and merry humor at having learned such an economical way of making broth that she did not know how to make enough of the tramp who had taught her such a useful thing.
So they ate and drank, and drank and ate, until they became both tired and sleepy.
The tramp was now going to lie down on the floor.
But that would never do, thought the old woman; no, that was impossible.
“Such a grand person must have a bed to lie in,” she said.
He did not need much pressing.
“It’s just like the sweet Christmas time,” he said, “and a nicer woman I never came across.
Ah, well!
Happy are they who meet with such good people,” said he; and he lay down on the bed and went asleep.
And next morning, when he woke, the first thing he got was coffee and a dram.
When he was going, the old woman gave him a bright dollar piece.
“And thanks, many thanks, for what you have taught me,” she said.
“Now I shall live in comfort, since I have learned how to make broth with a nail.
” “Well, it isn’t very difficult if one only has something good to add to it,” said the tramp as he went his way.
The woman stood at the door staring after him.
“Such people don’t grow on every bush,” she said.
THE END
McCLURE’S LIBRARY OF CHILDREN’S CLASSICS “THE CRIMSON CLASSICS” EDITED BY
Kate Douglas Wiggin AND
Nora Archibald Smith The problem of children’s reading is one of the greatest with which parents and teachers are confronted.
It is the purpose of this series to provide the very best literature in every field for the use of children and young people of all ages,—poetry, fairy lore, fables, nursery rhymes, short entertaining stories, etc. , etc. To accomplish this purpose the editors have spared no trouble and the publishers no expense, to the end that this series may take its place permanently in the home and in the school library, superseding all others less complete and less carefully selected with reference to the mental and spiritual needs and the simple æsthetic tastes of children.
A full description of the five volumes already published will be found on the following pages.
PINAFORE PALACE
A BOOK OF RHYMES FOR THE NURSERY
This volume is absolutely unique in scope and conception.
It is a collection of all the best nursery rhymes, nonsense verses, guessing games, lullabies and slumber songs for the delectation of the very littlest readers, just as The Posy Ring was designed for children a little older, and GOLDEN NUMBERS for their brothers and sisters who are beginning to grow up and to prepare for school and college.
The editors have, as in the case of the former volumes in the series, gone through the entire field of available material, and drawn upon many sources that are remote or inaccessible for the general reader.
In this way they have been able to recover many a veritable little masterpiece of nursery lore, as well as to bring together all the old favorites from Mother Goose and other collections in a form at once compact and comprehensive.
Teachers of kindergartens everywhere, as well as mothers with children to entertain at home, will welcome this little book and keep it on the most convenient shelf of the nursery bookcase.
“Every home, large or small, poor or rich,” writes Mrs. Wiggin in her delightful INTRODUCTION TO THE MOTHER IN PINAFORE PALACE; and, she adds later, “no greater love for a task nor happiness in doing it, no more ardent wish to please a child or meet a mother’s need, ever went into a book than has been brought into this volume.
” _. 50_ MAGIC CASEMENTS
A SECOND FAIRY BOOK
This volume, a companion to “The Fairy Ring,” completes that volume and makes, with it, the most exhaustive collection of fairy lore available for young readers.
The editors, with their unerring gift for selection which in itself amounts to genius, have gathered those stories which have in them the greatest degree of that glamour which, in the language of Keats, opens “magic casements” on the world of Fairyland.
These stories are for the most part longer and more elaborate than those in the preceding volume and are designed for slightly older readers.
THE FAIRY RING
Designed by its editors to be the standard fairy book for children.
The educational value of the fairy story cannot be denied in its healthy stimulation of the child’s imaginative powers.
Here the collections of Grimm, Andersen, Joseph Jacobs, Laboulaye, Perrault, and Dasent have yielded their richest stores, but the editors have not confined themselves to these better-known sources.
They have gone far afield, read and examined all existing books of fairy literature, sifting all the material till they have made a generous selection which is inclusive of the very best that has ever been written.
“Can hardly fail to prove the most popular anthology of its kind ever published.
” _Boston Herald.
_ _Each volume beautifully printed and bound; about 450 pages: Gilt top; postpaid, . 50_ GOLDEN NUMBERS
A BOOK OF VERSE FOR YOUTH
The best anthology of English verse ever prepared for young people from the ages of 12 to 17. It is composed entirely of the finest examples of English poetical literature, selected with special reference to the requirements of young people of the grammar and high school age.
“The book will charm the child for the moment; it will educate his tastes without awakening the suspicion that he is at school, and it will enrich his memory for all time to come.
” _Outlook.
_ _With an introduction by Kate Douglas Wiggin, and interleaves.
Cloth, 500 pages; postpaid, . 17; net, . 00_ THE POSY RING
A BOOK OF VERSE FOR CHILDREN
A companion volume to “Golden Numbers,” suitable for children from the ages of 7 to 12. The compilers have drawn largely on the works of Longfellow, Stevenson, Lewis Carroll, Eugene Field, Mary Mapes Dodge and James Whitcomb Riley.
Every poem will give delight to the child, and also to the mother who would read them to the little ones.
“Into its pages have been gathered the cream of poetry for children.
” _Boston Transcript.
_ _Printed in very large, readable type.
Cloth, postpaid, . 37;
net, . 25_ ------------------------------------------------------------------------ TRANSCRIBER’S NOTES
1. Changed ‘shall everything’ to ‘shall have everything’ on p. 25. 2. Changed ‘of in all’ to ‘of it all’ on p. 93. 3. Silently corrected typographical errors.
4. Retained anachronistic and non-standard spellings as printed.
5. Enclosed italics font in _underscores_.
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