Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
IV.
When the children had done marching, Mrs. Lee took charge of the games.
Several new plays, which none of them had heard of before, were introduced.
The boys and girls all liked them very well, and the time passed away most rapidly.
Just before they were going to supper, an old man, with a fiddle in his hand, tottered into the garden, and down the lawn.
He was a very queer-looking old man.
He had long white hair, and a long white beard.
He was dressed in old, worn-out, soldier clothes, in part, and had a sailor's hat upon his head, so that they could not tell whether he was a soldier or a sailor.
As he approached the children, they began to laugh with all their might; and he certainly was a very funny old man.
His long beard and hair, his tattered finery, and his hobbling walk, would have made almost any one laugh--much more a company of children as full of fun as those who were attending the birthday party.
"Children," said the old man, as he took off his hat and made a low bow, "I heard there was a party here, and I came to play the fiddle for you.
All the boys and girls like a fiddle, because it is so merry."
"O mother!
what did send that old man here?"
cried Flora.
"He came of himself, I suppose," replied Mrs. Lee, laughing.
"I think it is too bad to laugh at an old man like him," added Flora.
"It would be, if he were in distress; but don't you see he is as merry as any of the children?"
"Play us some tunes," said the children.
"I will, my little dears;" and the old man raised the fiddle.
"Let's see--I will play 'Napoleon's Grand March.'
" The fiddler played, but he behaved so queerly that the children laughed so loud they could hardly hear the music.
"Why, that's 'Yankee Doodle,'" said Henry Vernon; and they all shouted at the idea of calling that tune "Napoleon's Grand March."
"Now I will play you the solo to the opera of 'La Sonnambula,'" said the old man.
"Whew!"
said Henry.
The old man fiddled again, with the same funny movements as before.
"Why, that's 'Yankee Doodle' too!"
exclaimed Henry.
"I guess he don't know any other tune."
"You like that tune so well, I will play you 'Washington's March;'" and the funny old fiddler, with a great flourish, began to play again; but still it was "Yankee Doodle."
And so he went on saying he would play many different tunes, but he played nothing but "Yankee Doodle."
"Can't you tell us a story now?"
asked Charley Green.
"O, yes, my little man, I can tell you a story.
What shall it be?"
"Are you a soldier or a sailor?"
"Neither, my boy."
"The story!
the story!"
shouted the boys, very much excited.
"Some years ago I was in New York," the old man commenced.
"Did you see me there?"
demanded Tommy Woggs.
"Well, my little man, I don't remember that I saw you."
"O, I was there;" and Tommy thrust his hands down to the bottom of his pockets, and strutted up the space between the children and the comical old fiddler.
"I did see a very nice-looking little gentleman----" "That was me," pompously added Tommy.
"He was stalking up Broadway.
He thought every body was looking at and admiring him; but such was not the case.
He looked just like--just like----" "Like me?"
asked Tommy.
"Like a sick monkey," replied the fiddler.
"Go on with your story."
"I will, children.
Several years ago I was in New York.
It is a great city; if you don't believe it, ask Master Tommy Woggs."
"You tell the truth, Mr. Fiddler.
It is a great city, and I have been all over it, and can speak from observation," replied Master Woggs.
"The story!"
shouted the children.
"I was walking up Broadway.
This street is always crowded with people, as well as with carts and carriages."
"I have seen that street," said Tommy.
"Now you keep still a few minutes, Tommy, if you can," interposed Mrs. Lee.
"At the corner of Wall Street----" "I know where that is," exclaimed Tommy.
"At the corner of Wall Street there was a man with a kind of cart, loaded with apples and candy, which he was selling to the passers-by.
Suddenly there came a stage down the street, and ran into the apple cart."
"I saw the very same thing done," added Tommy, with his usual self-important air.
"Keep still, Tom Woggs," said Charley Green.
"The apples were scattered all over the sidewalk; yet the man picked up all but one of them, though he was very angry with the driver of the stage for running against his cart."
"Why didn't he pick up the other apple?"
asked Henry.
"A well-dressed man, with big black whiskers, picked that up.
'Give it to me,' said the apple man.
'I will not,' replied the man with whiskers.
The apple merchant was as mad as he could be; and then the man with black whiskers put his hand in his pocket and drew out a knife.
The blade was six inches long."
"O, dear me!"
exclaimed Flora.
"Raising the knife, he at once moved towards the angry apple merchant, and--and----" "Well, what?"
asked several, eagerly.
"And cut a piece out of the apple, and put it in his mouth."
The children all laughed heartily, for they were sure the man with the whiskers was going to stab the apple merchant.
"He then took two cents from his pocket, paid for the apple, and went his way," continued the old man.
"Now, there is one thing more I can do.
I want to run a race with these boys."
"Pooh!
You run a race!"
sneered Charley.
"I can beat you."
"Try it, and see."
The old man and Charley took places, and were to start at the word from Henry.
But when it was given, the fiddler hobbled off, leaving Charley to follow at his leisure.
When the old man had got half way round the lawn, Charley started, sure he could catch him long before he reached the goal.
But just as the boy was coming up with the man, the latter began to run, and poor Charley found, much to his surprise, that he ran very fast.
He was unable to overtake him, and consequently lost the race.
The children were much astonished when they saw the old man run so fast.
He appeared to have grown young all at once.
But he offered to race with any of the boys again; and half a dozen of them agreed to run with him.
"I guess I will take my coat off this time," said the fiddler.
As he threw away the coat, he slipped off the wig and false beard he wore; and the children found, to their surprise, that the old man was Mr. Lee, who had dressed himself up in this disguise to please them.
The supper was now ready, and all the children were invited to the tent.
They had played so hard that all of them had excellent appetites, and the supper was just as nice as a supper could be.
It was now nearly dark, and the children had to go home; but all of them declared the birthday party of Flora was the best they ever attended.
"Only to think," said Flora, when she went to bed that night, "the old fiddler was my father!"
LIZZIE.
Mother, what ails our Lizzie dear, So cold and still she lies?
She does not speak a word to-day, And closed her soft blue eyes.
Why won't she look at me again, And laugh and play once more?
I cannot make her look at me As she used to look before.
Her face and neck as marble white, And, O, so very cold!
Why don't you warm her, mother dear, Your cloak around her fold?
Her little hand is cold as ice, Upon her waveless breast,-- So pure, I thought I could see through The little hand I pressed.
Your darling sister's dead, my child;
She cannot see you now;
The damps of death are gath'ring there Upon her marble brow.
She cannot speak to you again, Her lips are sealed in death;
That little hand will never move, Nor come that fleeting breath.
All robed in white, and decked with flowers, We'll lay her in the tomb;
The flower that bloomed so sweetly here, No more on earth will bloom;
But in our hearts we'll lay her up, And love her all the more, Because she died in life's spring time, Ere earth had won her o'er.
Nay, nay, my child, she is not dead, Although she slumbers there, And cold and still her marble brow, And free from pain and care.
She slept, and passed from earth to heaven, And won her early crown: An angel now she dwells above, And looks in triumph down.
She is not dead, for Jesus died That she might live again.
"Forbid them not," the Saviour said, And blessed dear sister then.
Her little lamp this morn went out On earth's time-bounded shore;
But angels bright in heaven this morn Relighted it once more.
Some time we, too, shall fall asleep, To wake in heaven above, And meet our angel Lizzie there In realms of endless love.
We'll bear sweet sister in our hearts, And then there'll ever be An angel there to keep our souls From sin and sorrow free.
*** END OF THE PROJECT GUTENBERG EBOOK THE BIRTHDAY PARTY: A STORY FOR LITTLE FOLKS *** Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.
In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.
gutenberg.
org.
Section 3.
Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.
S.
federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.
gutenberg.
org/contact Section 4.
Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.
Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.
We do not solicit donations in locations where we have not received written confirmation of compliance.
To SEND DONATIONS or determine the status of compliance for any particular state visit www.
gutenberg.
org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.
U.
S.
laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses.
Donations are accepted in a number of other ways including checks, online payments and credit card donations.
To donate, please visit: www.
gutenberg.
org/donate.
Section 5.
General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone.
For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.
Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U. S.
unless a copyright notice is included.
Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.
gutenberg.
org.
This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: