Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
CHAPTER XXIII
Zora went straight back to her hotel sitting-room.
There, without taking off her hat or furs, she wrote a swift, long letter to Clem Sypher, and summoning the waiter, ordered him to post it at once.
When he had gone she reflected for a few moments and sent off a telegram.
After a further brief period of reflection she went down-stairs and rang up Sypher's office on the telephone.
The mere man would have tried the telephone first, then sent the telegram, and after that the explanatory letter.
Woman has her own way of doing things.
Sypher was in.
He would have finished for the day in about twenty minutes.
Then he would come to her on the nearest approach to wings London locomotion provided.
"Remember, it's something most particular that I want to see you about," said Zora.
"Good-by."
She rang off, and went up-stairs again, removed the traces of tears from her face and changed her dress.
For a few moments she regarded her outward semblance somewhat anxiously in the glass, unconscious of a new coquetry.
Then she sat down before the sitting-room fire and looked at the inner Zora Middlemist.
There was never woman, since the world began, more cast down from her high estate.
Not a shred of magnificence remained.
She saw herself as the most useless, vaporing and purblind of mortals.
She had gone forth from the despised Nunsmere, where nothing ever happened, to travel the world over in search of realities, and had returned to find that Nunsmere had all the time been the center of the realities that most deeply concerned her life.
While she had been talking others had been living.
The three beings whom she had honored with her royal and somewhat condescending affection had all done great things, passed through flames and issued thence purified with love in their hearts.
Emmy, Septimus, Sypher, all in their respective ways, had grappled with essentials.
She alone had done nothing--she the strong, the sane, the capable, the magnificent.
She had been a tinsel failure.
So far out of touch had she been with the real warm things of life which mattered that she had not even gained her sister's confidence.
Had she done so from her girlhood up, the miserable tragedy might not have happened.
She had failed in a sister's elementary duty.
As a six weeks' wife, what had she done save shiver with a splendid disgust?
Another woman would have fought and perhaps have conquered.
She had made no attempt, and the poor wretch dead, she had trumpeted abroad her crude opinion of the sex to which he belonged.
At every turn she had seen it refuted.
For many months she had known it to be vain and false; and Nature, who with all her faults is at least not a liar, had spoken over and over again.
She had raised a fine storm of argument, but Nature had laughed.
So had the Literary Man from London.
She had a salutary vision of herself as the common geck and gull of the queerly assorted pair.
She recognized that in order to work out any problem of life one must accept life's postulates and axioms.
Even her mother, from whose gentle lips she rarely expected to hear wisdom, had said: "I don't see how you're going to 'live,' dear, without a man to take care of you."
Her mother was right, Nature was right, Rattenden was right.
She, Zora Middlemist, had been hopelessly wrong.
* * * * * When Sypher arrived she welcomed him with an unaccustomed heart-beat.
The masterful grip of his hands as they held hers gave her a new throb of pleasure.
She glanced into his eyes and saw there the steady love of a strong, clean soul.
She glanced away and hung her head, feeling unworthy.
"What's this most particular thing you have to say to me?"
he asked, with a smile.
"I can't tell it to you like this.
Let us sit down.
Draw up that chair to the fire."
When they were seated, she said: "I want first to ask you a question or two.
Do you know why Septimus married my sister?
Be quite frank, for I know everything."
"Yes," he said gravely, "I knew.
I found it out in one or two odd ways.
Septimus hasn't the faintest idea."
Zora picked up an illustrated weekly from the floor and used it as a screen, ostensibly from the fire, really from Sypher.
"Why did you refuse the Jebusa Jones offer this morning?"
"What would you have thought of me if I had accepted?
But Septimus shouldn't have told you."
"He didn't. He told Emmy, who told me.
You did it for my sake?"
"Everything I do is for your sake.
You know that well enough."
"Why did you send for Septimus?"
"Why are you putting me through this interrogatory?"
he laughed.
"You will learn soon," said Zora.
"I want to get everything clear in my mind.
I've had a great shock.
I feel as if I had been beaten all over.
For the first time I recognize the truth of the proverb about a woman, a dog, and a walnut tree.
Why did you send for Septimus?"
Sypher leaned back in his chair, and as the illustrated paper prevented him from seeing Zora's face, he looked reflectively at the fire.
"I've always told you that I am superstitious.
Septimus seems to be gifted with an unconscious sense of right in an infinitely higher degree than any man I have ever known.
His dealings with Emmy showed it.
His sending for you to help me showed it.
He has shown it in a thousand ways.
If it hadn't been for him and his influence on my mind I don't think I should have come to that decision.
When I had come to it, I just wanted him.
Why, I can't tell you."
"I suppose you knew that he was in love with me?"
said Zora in the same even tone.
"Yes," said Sypher.
"That's why he married your sister."
"Do you know why--in the depths of his heart--he sent me the tail of the little dog?"
"He knew somehow that it was right.
I believe it was.
I tell you I'm superstitious.
But in what absolute way it was right I can't imagine."
"I can," said Zora.
"He knew that my place was by your side.
He knew that I cared for you more than for any man alive."
She paused.
Then she said deliberately: "He knew that I loved you all the time."
Sypher plucked the illustrated paper from her hand and cast it across the room, and, bending over the arm of his chair, seized her wrist.
"Zora, do you mean that?"
She nodded, fluttered a glance at him, and put out her free hand to claim a few moments' grace.
"I left you to look for a mission in life.
I've come back and found it at the place I started from.
It's a big mission, for it means being a mate to a big man.
But if you will let me try, I'll do my best."
Sypher thrust away the protecting hand.
"You can talk afterwards," he said.
Thus did Zora come to the knowledge of things real.
When the gates were opened, she walked in with a tread not wanting in magnificence.
She made the great surrender, which is woman's greatest victory, very proudly, very humbly, very deliciously.
She had her greatnesses.
She freed herself, flushed and trembling, throbbing with a strange happiness that caught her breath.
This time she believed Nature, and laughed with her in her heart in close companionship.
She was mere woman after all, with no mission in life but the accomplishment of her womanhood, and she gloried in the knowledge.
This was exceedingly good for her.
Sypher regarded her with shining eyes as if she had been an immortal vesting herself in human clay for divine love of him; and this was exceedingly good for Sypher.
After much hyperbole they descended to kindly commonplace.
"But I don't see now," he cried, "how I can ask you to marry me.
I don't even know how I'm to earn my living."
"There are Septimus's inventions.
Have you lost your faith in them?"
He cried with sudden enthusiasm, as who should say, if an Immortal has faith in them, then indeed must they be divine: "Do you believe in them now?"
"Utterly.
I've grown superstitious, too.
Wherever we turn there is Septimus.
He has raised Emmy from hell to heaven.
He has brought us two together.
He is our guardian angel.
He'll never fail us.
Oh, Clem, thank heaven," she exclaimed fervently, "I've got something to believe in at last."
* * * * * Meanwhile the guardian angel, entirely unconscious of apotheosis, sat in the little flat in Chelsea blissfully eating crumpets over which Emmy had spread the preposterous amount of butter which proceeds from an overflowing heart.
She knelt on the hearth rug watching him adoringly as if he were a hierophant eating sacramental wafer.
They talked of the future.
He mentioned the nice houses he had seen in Berkeley Square.
"Berkeley Square would be very charming," said Emmy, "but it would mean carriages and motor-cars and powdered footmen and Ascot and balls and dinner parties and presentations at Court.
You would be just in your element, wouldn't you, dear?"
She laughed and laid her happy head on his knee.
"No, dear.
If we want to have a fling together, you and I, in London, let us keep on this flat as a _pied-à-terre_.
But let us live at Nunsmere.
The house is quite big enough, and if it isn't you can always add on a bit at the cost of a month's rent in Berkeley Square.
Wouldn't you prefer to live at Nunsmere?"
"You and the boy and my workshop are all I want in the world," said he.
"And not Wiggleswick?"
One of his rare smiles passed across his face.
"I think Wiggleswick will be upset."
Emmy laughed again.
"What a funny household it will be--Wiggleswick and Madame Bolivard!
It will be lovely!"
Septimus reflected for an anxious moment.
"Do you know, dear," he said diffidently, "I've dreamed of something all my life--I mean ever since I left home.
It has always seemed somehow beyond my reach.
I wonder whether it can come true now.
So many wonderful things have happened to me that perhaps this, too--" "What is it, dear?"
she asked, very softly.
"I seem to be so marked off from other men; but I've dreamed all my life of having in my house a neat, proper, real parlor maid in a pretty white cap and apron.
Do you think it can be managed?"
With her head on his knee she said in a queer voice: "Yes, I think it can."
He touched her cheek and suddenly drew his hand away.
"Why, you're crying!
What a selfish brute I am!
Of course we won't have her if she would be in your way."
Emmy lifted her face to him.
"Oh, you dear, beautiful, silly Septimus," she said, "don't you understand?
Isn't it just like you?
You give every one else the earth, and in return you ask for a parlor maid."
"Well, you see," he said in a tone of distressed apology, "she would come in so handy.
I could teach her to mind the guns."
"You dear!"
cried Emmy.
THE END
*** END OF THE PROJECT GUTENBERG EBOOK SEPTIMUS ***
Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.
In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.
gutenberg.
org.
Section 3.
Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.
S.
federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.
gutenberg.
org/contact Section 4.
Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.
Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: