Brewster's Millions — 34 – The Last Word
THE LAST WORD
"I'll tell you about it later, dear," was all that Peggy, pleading, could draw from him.
At midnight Mrs. Dan had remonstrated with her.
"You must go home, Peggy, dear," she said.
"It is disgraceful for you to stay up so late.
I went to bed at eight o'clock the night before I was married."
"And fell asleep at four in the morning," smiled Peggy.
"You are quite mistaken, my dear.
I did not fall asleep at all.
But I won't allow you to stop a minute longer.
It puts rings under the eyes and sometimes they're red the morning after."
"Oh, you dear, sweet philosopher," cried Peggy; "how wise you are.
Do you think I need a beauty sleep?"
"I don't want you to be a sleepy beauty, that's all," retorted Mrs. Dan.
Upon Monty's return from his trying hour with the lawyers, he had been besieged with questions, but he was cleverly evasive.
Peggy alone was insistent; she had curbed her curiosity until they were on the way home, and then she implored him to tell her what had happened.
The misery he had endured was as nothing to his reckoning with the woman who had the right to expect fair treatment.
His duty was clear, but the strain had been heavy and it was not easy to meet it.
"Peggy, something terrible has happened," he faltered, uncertain of his course.
"Tell me everything, Monty, you can trust me to be brave."
"When I asked you to marry me," he continued gravely, "it was with the thought that I could give you everything to-morrow.
I looked for a fortune.
I never meant that you should marry a pauper."
"I don't understand.
You tried to test my love for you?"
"No, child, not that.
But I was pledged not to speak of the money I expected, and I wanted you so much before it came."
"And it has failed you?"
she answered.
"I can't see that it changes things.
I expected to marry a pauper, as you call it.
Do you think this could make a difference?"
"But you don't understand, Peggy.
I haven't a penny in the world."
"You hadn't a penny when I accepted you," she replied.
"I am not afraid.
I believe in you.
And if you love me I shall not give you up."
"Dearest!"
and the carriage was at the door before another word was uttered.
But Monty called to the coachman to drive just once around the block.
"Good night, my darling," he said when they reached home.
"Sleep till eight o'clock if you like.
There is nothing now in the way of having the wedding at nine, instead of at seven.
In fact, I have a reason for wanting my whole fortune to come to me then.
You will be all that I have in the world, child, but I am the happiest man alive."
In his room the strain was relaxed and Brewster faced the bitter reality.
Without undressing he threw himself upon the lounge and wondered what the world held for him.
It held Peggy at least, he thought, and she was enough.
But had he been fair to her?
Was he right in exacting a sacrifice?
His tired brain whirled in the effort to decide.
Only one thing was clear--that he could not give her up.
The future grew black at the very thought of it.
With her he could make things go, but alone it was another matter.
He would take the plunge and he would justify it.
His mind went traveling back over the graceless year, and he suddenly realized that he had forfeited the confidence of men who were worth while.
His course in profligacy would not be considered the best training for business.
The thought nerved him to action.
He must make good.
Peggy had faith in him.
She came to him when everything was against him, and he would slave for her, he would starve, he would do anything to prove that she was not mistaken in him.
She at least should know him for a man.
Looking toward the window he saw the black, uneasy night give way to the coming day.
Haggard and faint he arose from the couch to watch the approach of the sun that is indifferent to wealth and poverty, to gayety and dejection.
From far off in the gray light there came the sound of a five o'clock bell.
A little later the shrieks of factory whistles were borne to his ears, muffled by distance but pregnant with the importance of a new day of toil.
They were calling him, with all poor men, to the sweat-shop and the forge, to the great mill of life.
The new era had begun, dawning bright and clear to disperse the gloom in his soul.
Leaning against the casement and wondering where he could earn the first dollar for the Peggy Brewster that was Peggy Gray, he rose to meet it with a fine unflinching fearlessness.
Before seven o'clock he was down stairs and waiting.
Joe Bragdon joined him a bit later, followed by Gardner and the minister.
The DeMilles appeared without an invitation, but they were not denied.
Mrs. Dan sagely shook her head when told that Peggy was still asleep and that the ceremony was off till nine o'clock.
"Monty, are you going away?"
asked Dan, drawing him into a corner.
"Just a week in the hills," answered Monty, suddenly remembering the generosity of his attorneys.
"Come in and see me as soon as you return, old man," said DeMille, and Monty knew that a position would be open to him.
To Mrs. Dan fell the honor of helping Peggy dress.
By the time she had had coffee and was ready to go down, she was pink with excitement and had quite forgotten the anxiety which had made the night an age.
She had never been prettier than on her wedding morning.
Her color was rich, her eyes as clear as stars, her woman's body the picture of grace and health.
Monty's heart leaped high with love of her.
"The prettiest girl in New York, by Jove," gasped Dan DeMille, clutching Bragdon by the arm.
"And look at Monty!
He's become a new man in the last five minutes," added Joe.
"Look at the glow in his cheeks!
By the eternal, he's beginning to look as he did a year ago."
A clock chimed the hour of nine.
"The man who was here yesterday is in the hall to see Mr. Brewster," said the maid, a few minutes after the minister had uttered the words that gave Peggy a new name.
There was a moment of silence, almost of dread.
"You mean the fellow with the beard?"
asked Monty, uneasily.
"Yes, sir.
He sent in this letter, begging you to read it at once."
"Shall I send him away, Monty?"
demanded Bragdon, defiantly.
"What does he mean by coming at this time?"
"I'll read the letter first, Joe."
Every eye was on Brewster as he tore open the envelope.
His face was expressive.
There was wonder in it, then incredulity, then joy.
He threw the letter to Bragdon, clasped Peggy in his arms spasmodically, and then, releasing her, dashed for the hall like one bereft of reason.
"It's Nopper Harrison!"
he cried, and a moment later the tall visitor was dragged into the circle.
"Nopper" was quite overcome by the heartiness of his welcome.
"You are an angel, Nopper, God bless you!"
said Monty, with convincing emphasis.
"Joe, read that letter aloud and then advertise for the return of those Boston terriers!"
Bragdon's hands trembled and his voice was not sure as he translated the scrawl, "Nopper" Harrison standing behind him for the gleeful purpose of prompting him when the writing was beyond the range of human intelligence: HOLLAND HOUSE, Sept.
23, 19-- "MR.
MONTGOMERY BREWSTER,
"My Dear Boy: "So you thought I had given you the slip, eh?
Didn't think I'd show up here and do my part?
Well, I don't blame you; I suppose I've acted like a damned idiot, but so long as it turns out O. K.
there's no harm done.
The wolf won't gnaw very much of a hole in your door, I reckon.
This letter introduces my secretary, Mr. Oliver Harrison.
He came to me last June, out in Butte, with the prospectus of a claim he had staked out up in the mountains.
What he wanted was backing and he had such a good show to win out that I went into cahoots with him.
He's got a mine up there that is dead sure to yield millions.
Seems as though he has to give you half of the yield, though.
Says you grub-staked him.
Good fellow, this Harrison.
Needed a secretary and man of affairs, so took him into my office.
You can see that he did not take me up into the mountains to murder me, as the papers say this morning.
Damned rot.
Nobody's business but my own if I concluded to come east without telling everybody in Butte about it.
"I am here and so is the money.
Got in last night.
Harrison came from Chicago a day ahead of me.
I went to the office of G. & R.
at eight this morning.
Found them in a hell of a stew.
Thought I'd skipped out or been murdered.
Money all gone, everything gone to smash.
That's what they thought.
Don't blame 'em much.
You see it was this way: I concluded to follow out the terms of the will and deliver the goods in person.
I got together all of Jim Sedgwick's stuff and did a lot of other fool things, I suppose, and hiked on to New York.
You'll find about seven million dollars' worth of stuff to your credit when you endorse the certified checks down at Grant & Ripley's, my boy.
It's all here and in the banks.
"It's a mighty decent sort of wedding gift, I reckon.
"The lawyers told me all about you.
Told me all about last night, and that you were going to be married this morning.
By this time you're comparatively happy with the bride, I guess.
I looked over your report and took a few peeps at the receipts.
They're all right.
I'm satisfied.
The money is yours.
Then I got to thinking that maybe you wouldn't care to come down at nine o'clock, especially as you are just recovering from the joy of being married, so I settled with the lawyers and they'll settle with you.
If you have nothing in particular to do this afternoon about two o'clock, I'd suggest that you come to the hotel and we'll dispose of a few formalities that the law requires of us.
And you can give me some lessons in spending money.
I've got a little I'd like to miss some morning.
As for your ability as a business man, I have this to say: Any man who can spend a million a year and have nothing to show for it, don't need a recommendation from anybody.
He's in a class by himself, and it's a business that no one else can give him a pointer about.
The best test of your real capacity, my boy, is the way you listed your property for taxation.
It's a true sign of business sagacity.
That would have decided me in your favor if everything else had been against you.
"I'm sorry you've been worried about all this.
You have gone through a good deal in a year and you have been roasted from Hades to breakfast by everybody.
Now it's your turn to laugh.
It will surprise them to read the 'extras' to-day.
I've done my duty to you in more ways than one.
I've got myself interviewed by the newspapers and to-day they'll print the whole truth about Montgomery Brewster and his millions.
They've got the Sedgwick will and my story and the old town will boil with excitement.
I guess you'll be squared before the world, all right.
You'd better stay indoors for awhile though, if you want to have a quiet honeymoon.
"I don't like New York.
Never did.
Am going back to Butte to-night.
Out there we have real skyscrapers and they are not built of brick.
They are two or three miles high and they have gold in 'em.
There is real grass in the lowlands and we have valleys that make Central Park look like a half inch of nothing.
Probably you and Mrs. Brewster were going to take a wedding trip, so why not go west with me in my car?
We start at 7:45 P. M.
and I won't bother you.
Then you can take it anywhere you like.
"Sincerely yours, "SWEARENGEN JONES.
"P. S.
I forgot to say there is no such man as Golden.
I bought your mines and ranches with my own money.
You may buy them back at the same figures.
I'd advise you to do it.
They'll be worth twice as much in a year.
I hope you'll forgive the whims of an old man who has liked you from the start.
J."
*** END OF THE PROJECT GUTENBERG EBOOK BREWSTER'S MILLIONS *** Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
