Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
CHAPTER XVII
For very many years no connection had been maintained between the two women who lived together in Nuremberg, and their nearest relative, who was a half-brother of Madame Staubach's, a lawyer, living in Cologne.
This uncle of Linda's was a Roman Catholic, and had on this account been shunned by Madame Staubach.
Some slight intercourse there had been on matters of business, and thus it had come to pass that Linda knew the address of her uncle.
But this was all that she knew, and knowing this only, she had started for Cologne.
The reader will hardly require to be told that she had not gone in company with him who a few weeks since had been her lover.
The reader, perhaps, will have understood Linda's character so thoroughly as to be convinced that, though she had submitted to be dragged out of her window by her lover, and carried away to Augsburg in the night, still it was not probable that she should again be guilty of such indiscretion as that.
The lesson had not been in vain.
If there be any reader who does not know Linda's character better than it was known to Herr Molk, or even to Tetchen, this story has been told in vain.
All alone she started, and all alone she made the entire journey.
Long as it was, there was no rest for her on the way.
She went by a cheap and slow train, and on she went through the long day and the long night, and on through the long day again.
She did not suffer with the cold as she had suffered on that journey to Augsburg, but the weariness of the hours was very great, and the continuation of the motion oppressed her sorely.
Then joined to this suffering was the feeling that she was going to a strange world in which no one would receive her kindly.
She had money to take her to Cologne, but she would have none to bring her back again.
It seemed to her as she went that there could be no prospect to her returning to a home which she had disgraced so thoroughly.
At Mannheim she found that she was obliged to wait over four hours before the boat started.
She quitted the railway a little after midnight, and she was told that she was to be on board before five in the morning.
The night was piercing cold, though never so cold as had been that other night; and she was dismayed at the thought of wandering about in that desolate town.
Some one, however, had compassion on her, and she was taken to a small inn, in which she rested on a bed without removing her clothes.
When she rose in the morning, she walked down to the boat without a word of complaint, but she found that her limbs were hardly able to carry her.
An idea came across her mind that if the people saw that she was ill they would not take her upon the boat.
She crawled on, and took her place among the poorer passengers before the funnels.
For a considerable time no one noticed her, as she sat shivering in the cold morning air on a damp bench.
At last a market-woman going down to Mayence asked her a question.
Was she ill?
Before they had reached Mayence she had told her whole story to the market-woman.
"May God temper the wind for thee, my shorn lamb!"
said the market-woman to Linda, as she left her; "for it seems that thou hast been shorn very close."
By this time, with the assistance of the woman, she had found a place below in which she could lie down, and there she remained till she learned that the boat had reached Cologne.
Some one in authority on board the vessel had been told that she was ill; and as they had reached Cologne also at night, she was allowed to remain on board till the next morning.
With the early dawn she was astir, and the full daylight of the March morning was hardly perfect in the heavens when she found herself standing before the door of a house in the city, to which she had been brought as being the residence of her uncle.
She was now, in truth, so weak and ill that she could hardly stand.
Her clothes had not been off her back since she left Nuremberg, nor had she come prepared with any change of raiment.
A woman more wretched, more disconsolate, on whose shoulders the troubles of this world lay heavier, never stood at an honest man's door to beg admittance.
If only she might have died as she crawled through the streets!
But there she was, and she must make some petition that the door might be opened for her.
She had come all the way from Nuremberg to this spot, thinking it possible that in this spot alone she might receive succour; and now she stood there, fearing to raise the knocker on the door.
She was a lamb indeed, whose fleece had been shorn very close; and the shearing had been done all in the sacred name of religion!
It had been thought necessary that the vile desires of her human heart should be crushed within her bosom, and the crushing had brought her to this.
She looked up in her desolation at the front of the house.
It was a white, large house, as belonging to a moderately prosperous citizen, with two windows on each side of the door, and five above, and then others again above them.
But there seemed to be no motion within it, nor was there any one stirring along the street.
Would it not be better, she thought, that she should sit for a while and wait upon the door-step?
Who has not known that frame of mind in which any postponement of the thing dreaded is acceptable?
But Linda's power of postponement was very short.
She had hardly sunk on to the step, when the door was opened, and the necessity for explaining herself came upon her.
Slowly and with pain she dragged herself on to her feet, and told the suspicious servant, who stood filling the aperture of the doorway, that her name was Linda Tressel, and that she had come from Nuremberg.
She had come from the house of Madame Staubach at Nuremberg.
Would the servant be kind enough to tell Herr Gruener that Linda Tressel, from Madame Staubach's house in Nuremberg, was at his door?
She claimed no kindred then, feeling that the woman might take such claim as a disgrace to her master.
When she was asked to call again later, she looked piteously into the woman's face, and said that she feared she was too ill to walk away.
Before the morning was over she was in bed, and her uncle's wife was at her bedside, and there had been fair-haired cousins in her room, creeping in to gaze at her with their soft blue eyes, touching her with their young soft hands, and calling her Cousin Linda with their soft voices.
It seemed to her that she could have died happily, so happily, then, if only they might have been allowed to stand round her bed, and still to whisper and still to touch her.
But they had been told that they might only just see their new cousin and then depart,--because the new cousin was ill.
The servant at the front door had doubted her, as it is the duty of servants to doubt in such cases; but her uncle had not doubted, and her uncle's wife, when she heard the story, wept over her, and told her that she should be at rest.
Linda told her story from the first to the last.
She told everything,--her hatred for the one man, her love for the other; her journey to Augsburg.
"Ah, dear, dear, dear," said aunt Gruener when this was told to her.
"I know how wicked I have been," said Linda, sorrowing.
"I do not say that you have been wicked, my dear, but you have been unfortunate," said aunt Gruener.
And then Linda went on to tell her, as the day so much dreaded by her drew nearer and nearer, as she came to be aware that, let her make what effort she would, she could not bring herself to be the man's wife,--that the horror of it was too powerful for her,--she resolved at the last moment that she would seek the only other relative in the world of whom she knew even the name.
Her aunt Gruener thoroughly commended her for this, saying, however, that it would have been much better that she should have made the journey at some period earlier in her troubles.
"Aunt Charlotte does not seem to be a very nice sort of woman to live with," said aunt Gruener.
Then Linda, with what strength she could, took Madame Staubach's part.
"She always thought that she was doing right," said Linda, solemnly.
"Ah, that comes of her religion," said aunt Gruener.
"We think differently, my dear.
Thank God, we have got somebody to tell us what we ought to do and what we ought not to do."
Linda was not strong enough to argue the question, or to remind her aunt that this somebody, too, might possibly be wrong.
Linda Tressel was now happier than she had remembered herself to have been since she was a child, though ill, so that the doctor who came to visit her could only shake his head and speak in whispers to aunt Gruener.
Linda herself, perceiving how it was with the doctor,--knowing that there were whispers though she did not hear them, and shakings of the head though she did not see them,--told her aunt with a smile that she was contented to die.
Her utmost hope, the extent of her wishes, had been to escape from the extremity of misery to which she had been doomed.
She had thought often, she said, as she had been making that journey, that her strength would not serve her to reach the house of her relative.
"God," she said, "had been very good to her, and she was now contented to go."
Madame Staubach arrived at Cologne four days after her niece, and was also welcomed at her brother's house.
But the welcome accorded to her was not that which had been given to Linda.
"She has been driven very nearly to death's door among you," said the one aunt to the other.
To Linda Madame Staubach was willing to own that she had been wrong, but she could make no such acknowledgment to the wife of her half-brother,--to a benighted Papist.
"I have endeavoured to do my duty by my niece," said Madame Staubach, "asking the Lord daily to show me the way."
"Pshaw!"
said the other woman.
"Your always asking the way, and never knowing it, will end in her death.
She will have been murdered by your prayers."
This was very terrible, but for Linda's sake it was borne.
There was nothing of reproach either from Linda to her aunt or from Madame Staubach to her niece, nor was the name of Peter Steinmarc mentioned between them for many days.
It was, indeed, mentioned but once again by poor Linda Tressel.
For some weeks, for nearly a month, they all remained in the house of Herr Gruener, and then Linda was removed to apartments in Cologne, in which all her earthly troubles were brought to a close.
She never saw Nuremberg again, or Tetchen, who had been faithful at least to her, nor did she ever even ask the fate of Ludovic Valcarm.
His name Madame Staubach never dared to mention; and Linda was silent, thinking always that it was a name of offence.
But when she had been told that she must die,--that her days were indeed numbered, and that no return to Nuremberg was possible for her,--she did speak a word of Peter Steinmarc.
"Tell him, aunt Charlotte, from me," she said, "that I prayed for him when I was dying, and that I forgave him.
You know, aunt Charlotte, it was impossible that I should marry him.
A woman must not marry a man whom she does not love."
Madame Staubach did not venture to say a word in her own justification.
She did not dare even to recur to the old tenets of her fierce religion, while Linda still lived.
She was cowed, and contented herself with the offices of a nurse by the sickbed of the dying girl.
She had been told by her sister-in-law that she had murdered her niece.
Who can say what were the accusations brought against her by the fury of her own conscience?
Every day the fair-haired cousins came to Linda's bedside, and whispered to her with their soft voices, and looked at her with their soft eyes, and touched her with their soft hands.
Linda would kiss their plump arms and lean her head against them, and would find a very paradise of happiness in this late revelation of human love.
As she lay a-dying she must have known that the world had been very hard to her, and that her aunt's teaching had indeed crushed her,--body as well as spirit.
But she made no complaint; and at last, when the full summer had come, she died at Cologne in Madame Staubach's arms.
During those four months at Cologne the zeal of Madame Staubach's religion had been quenched, and she had been unable to use her fanaticism, even towards herself.
But when she was alone in the world the fury of her creed returned.
"With faith you shall move a mountain," she would say, "but without faith you cannot live."
She could never trust her own faith, for the mountain would not be moved.
A small tombstone in the Protestant burying-ground at Cologne tells that Linda Tressel, of Nuremberg, died in that city on the 20th of July 1863, and that she was buried in that spot.
*** END OF THE PROJECT GUTENBERG EBOOK LINDA TRESSEL ***
Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.
In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.
gutenberg.
org.
Section 3.
Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.
S.
federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.
gutenberg.
org/contact Section 4.
Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.
Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.
We do not solicit donations in locations where we have not received written confirmation of compliance.
To SEND DONATIONS or determine the status of compliance for any particular state visit www.
gutenberg.
org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.
U.
S.
laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses.
Donations are accepted in a number of other ways including checks, online payments and credit card donations.
To donate, please visit: www.
gutenberg.
org/donate.
Section 5.
General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone.
For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.
Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U. S.
unless a copyright notice is included.
Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.
gutenberg.
org.
This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: