Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
A PIG IN THE PARLOR
Grunty Pig had got out of his pen and out of the piggery, too.
Ever since his talk with Moses Mouse the day before he had been hoping for a chance to escape.
And shuffling across the farmyard somewhat heavily--for he was growing longer and taller and fatter every day--Grunty went straight to the woodshed door.
It was open.
And he walked through it.
Then he clattered over the woodshed floor and peered into the kitchen.
There was no one there.
For a few moments Grunty stood sniffing in the doorway.
A delicious odor greeted him.
He wasn't sure what it was.
A pan sat near the edge of the table.
And Grunty Pig had no trouble upsetting it with his nose.
Doughnuts rolled in every direction--crisp, brown, freshly fried doughnuts.
And Grunty Pig showed that he was thoughtful.
He went to the trouble of picking them all up off the floor.
But he forgot to drop them back into the pan.
Instead, he put every one of them into his own mouth.
"That Moses Mouse was all wrong," he murmured.
"He complained of the food here.
When I see him I'll have to tell him that he was mistaken.
Why, I never ate anything that tasted better than these rings!"
After making sure that there was nothing else for him to devour in the kitchen Grunty Pig pushed through a door that stood ajar.
He found himself in a long, dimly lighted hall.
There were doors on both sides of it.
Grunty nosed around each one in turn.
Not till he came to the last of all, at the further end of the hall, did he find one that wasn't shut tight.
This door yielded to a little gentle pushing.
And Grunty then found himself--though he did not know it--in the parlor of the farmhouse.
As he stood still and gazed about him, who should come stealing into the room but Moses Mouse.
"Ah!"
said Moses in a whisper.
"So you've arrived at last?"
"Yes!"
said Grunty Pig.
"Isn't this a fine pen?
Now that I've come to the farmhouse to live I believe I'll make this pen my headquarters."
"That's a good idea," Moses Mouse told him.
"Farmer Green's family don't use it often.
They seldom come here unless they have company."
While he listened, Grunty Pig sidled up to a table in the center of the room and began, in an absent-minded fashion, to rub his back against it.
To his surprise, the table tipped over and a lamp that had stood upon it crashed into a hundred pieces on the floor.
Then a door slammed somewhere.
And steps sounded in the hall.
Moses Mouse tried not to look startled.
"I must be going now," he said abruptly.
"I'll see you later."
Then he dashed into the fireplace and ran up the chimney.
"The accident was really your fault," Grunty called to him.
"If you hadn't talked so much I'd have noticed what I was doing."
Moses Mouse, however, did not reply.
And a moment later Farmer Green's wife appeared in the doorway.
When she saw Grunty Pig she gave a scream.
Mrs. Green couldn't help being surprised at first.
But soon she began to laugh as if she would never stop.
"A pig in our parlor!"
she cried.
"Who ever would have thought it?"
Grunty Pig tried to explain that the broken lamp was really Moses Mouse's fault.
But Mrs. Green wouldn't listen.
She ran out of the room and came back at once with a broom in her hand.
Then, opening the front door, she drove Grunty Pig into the yard.
"Now, I wonder why Mrs. Green put me out of the farmhouse," he muttered.
Suddenly an idea popped into his head.
"It must be," he cried, "because I told tales.
I tattled on Moses Mouse; and Mrs. Green didn't like it.
Next time I'll be careful about what I say to her."
There never was a next time.
Perhaps Farmer Green took pains to keep the door of Grunty's pen shut.
Perhaps Farmer Green made the fence outside the piggery "hog tight," as he would say.
Or perhaps Grunty Pig grew so fat that he couldn't squeeze through any ordinary opening.
Anyhow, Grunty never set foot inside the farmhouse again.
After a while he didn't care.
The bigger he was, the less he liked to roam about.
And at last Farmer Green began calling him his "prize hog."
So you can see how very fat he must have been.
THE END
Little Jack Rabbit Books (Trademark Registered) By DAVID CORY Author of "Little Journeys to Happyland" =Colored Wrappers With Text Illustrations.
= A new and unique series about the furred and feathered little people of the wood and meadow.
Children will eagerly follow the doings of little Jack Rabbit, and the clever way in which he escapes from his three enemies, Danny Fox, Mr. Wicked Wolf and Hungry Hawk will delight the youngsters.
LITTLE JACK RABBIT'S ADVENTURES
LITTLE JACK RABBIT AND DANNY FOX
LITTLE JACK RABBIT AND THE SQUIRREL BROTHERS
LITTLE JACK RABBIT AND CHIPPY CHIPMUNK
LITTLE JACK RABBIT AND THE BIG BROWN BEAR
LITTLE JACK RABBIT AND UNCLE JOHN HARE
LITTLE JACK RABBIT AND PROFESSOR CROW
LITTLE JACK RABBIT AND OLD MAN WEASEL
LITTLE JACK RABBIT AND MR.
WICKED WOLF
LITTLE JACK RABBIT AND HUNGRY HAWK
LITTLE-JACK RABBIT AND THE POLICEMAN DOG
LITTLE JACK RABBIT AND MISS MOUSIE
LITTLE JACK RABBIT AND UNCLE LUCKY
LITTLE JACK RABBIT AND THE YELLOW DOG TRAMP
GROSSET & DUNLAP, _Publishers_, NEW YORK THE PUSS-IN-BOOTS, Jr. SERIES
By DAVID CORY Author of "The Little Jack Rabbit Stories" and "Little Journeys to Happyland" =Handsomely Bound.
Colored Wrappers.
Illustrated.
Each Volume Complete in Itself.
= To know Puss Junior once is to love him forever.
That's the way all the little people feel about this young, adventurous cat, son of a very famous father.
THE ADVENTURES OF PUSS-IN-BOOTS, JR.
FURTHER ADVENTURES OF PUSS-IN-BOOTS, JR.
PUSS-IN-BOOTS, JR.
IN FAIRYLAND
TRAVELS OF PUSS-IN-BOOTS, JR.
PUSS-IN-BOOTS, JR.
, AND OLD MOTHER GOOSE
PUSS-IN-BOOTS, JR.
, IN NEW MOTHER GOOSE LAND
PUSS-IN-BOOTS, JR.
, AND THE GOOD GRAY HORSE
PUSS-IN-BOOTS, JR.
, AND TOM THUMB
PUSS-IN-BOOTS, JR.
, AND ROBINSON CRUSOE
PUSS-IN-BOOTS, JR.
, AND THE MAN IN THE MOON
GROSSET & DUNLAP, _Publishers_, NEW YORK HAPPY HOME SERIES
By HOWARD R. GARIS
=Individual Colored Wrappers and Colored Illustrations by= LANG CAMPBELL
Mr. Garis has written many stories for boys and girls, among them his Uncle Wiggly volumes, but these books are something distinctly new, surprising and entertaining.
ADVENTURES OF THE GALLOPING GAS STOVE
A tale of how Gassy mysteriously disappeared, and how he came riding home on the back of an elephant.
It is also related how he broke his leg, and fed a hungry family in a cottage near a lake.
ADVENTURES of the RUNAWAY ROCKING CHAIR Racky creaked and groaned when fat Grandma sat on him too hard.
He felt himself ill-treated, so he vanished.
He did not intend to take Grandma's glasses with him, but he did.
And he rocked a bunny to sleep.
ADVENTURES OF THE TRAVELING TABLE
Tippy, the table, always wanted to travel and see the world, but he did not know how to start.
Until, all of a sudden, a diamond ring was hidden in his leg and a balloon carried him off through the air.
ADVENTURES OF THE SLIDING FOOT STOOL
Just because he did not want to be used as a milking stool by the Maiden All Forlorn, Skiddy slid away Christmas eve.
With him went Jack the Jumper, and they had a wonderful time in the top shop.
ADVENTURES OF THE SAILING SOFA
Skippy always wanted to be a sailor.
When the high water came in the spring, the sofa went sailing.
He had a Rooster for a crew, while Tatter, the rag doll with one shoe button eye, was Captain.
GROSSET & DUNLAP, PUBLISHERS, NEW YORK
CAROLYN WELLS BOOKS
=Attractively Bound.
Illustrated.
Colored Wrappers.
= THE MARJORIE BOOKS
Marjorie is a happy little girl of twelve, up to mischief, but full of goodness and sincerity.
In her and her friends every girl reader will see much of her own love of fun, play and adventure.
MARJORIE'S VACATION
MARJORIE'S BUSY DAYS
MARJORIE'S NEW FRIEND
MARJORIE IN COMMAND
MARJORIE'S MAYTIME
MARJORIE AT SEACOTE
THE TWO LITTLE WOMEN SERIES
Introducing Dorinda Fayre--a pretty blonde, sweet, serious, timid and a little slow, and Dorothy Rose--a sparkling brunette, quick, elf-like, high tempered, full of mischief and always getting into scrapes.
TWO LITTLE WOMEN
TWO LITTLE WOMEN AND TREASURE HOUSE
TWO LITTLE WOMEN ON A HOLIDAY
THE DICK AND DOLLY BOOKS
Dick and Dolly are brother and sister, and their games, their pranks, their joys and sorrows, are told in a manner which makes the stories "really true" to young readers.
DICK AND DOLLY
DICK AND DOLLY'S ADVENTURES
GROSSET & DUNLAP, PUBLISHERS, NEW YORK
End of Project Gutenberg's The Tale of Grunty Pig, by Arthur Scott Bailey *** END OF THE PROJECT GUTENBERG EBOOK THE TALE OF GRUNTY PIG *** Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.
In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.
gutenberg.
org.
Section 3.
Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.
S.
federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.
gutenberg.
org/contact Section 4.
Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.
Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.
We do not solicit donations in locations where we have not received written confirmation of compliance.
To SEND DONATIONS or determine the status of compliance for any particular state visit www.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: