Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
THE ORIGIN OF COMETS.
We read in story-books of uncomfortable people who have cherished a guilty secret in their bosoms, that it has “gnawed their vitals,” until at last they have carried it to the grave.
I have such a secret that does the gnawing business whenever I write or speak of comets, concerning the origin of which I am guilty of an hypothesis that has hitherto been cherished as aforesaid from the very shame of adding another to an already exaggerated heap of speculations on celestial physics.
It assumes, in the first place, that all the other suns which we see as stars are constituted like our own sun; that they eject great eruptions similar to the prominences above described, and even of vastly greater magnitude, as in the case of the flashing stars that have excited so much wonderment among astronomers, but which I regard simply as suns like ours, subject, like ours, to periodic maximum and minimum activities, but of greater magnitude.
If such is the case, some of the prominence matter or vaporous constituents of these suns must be ejected with much greater proportional violence than are those from our sun.
But those from our sun have been proved to rush out on some occasions with a velocity so great that the solar gravitation cannot bring them back.
If such is ever the case with the explosions of our sun, it must be of frequent occurrence with the greater explosions of certain stars, and therefore vast quantities of meteoric matter are continually ejected into space, and traveling there until they come within the gravitation domain of some other sun like ours, when they will necessarily be bent into such orbits as those of comets.
But what will be the nature of this meteoric matter?
If from our sun, it would be a multitude of metallic hailstones, due to the condensation of the metallic vapor by cooling as it leaves the sun, and such meteoric hail would correspond to the meteoric stones that fall upon our earth, and which, for reasons stated in “The Fuel of the Sun,” I believe to be of solar origin.
Besides these, there would be ice-hail, such as Schevedorf claims to be meteoric.
A star mainly composed of hydrogen and carbon, or densely enveloped in these gases (as the spectroscope indicates to be the case in some of these flashing stars), would eject hydrocarbon vapors, condensible by cooling into solids similar to those we obtain by the condensation of terrestrial hydrocarbon vapors (paraffin, camphor, turpentine, and all the essential oils, for example), and thus we should have the meteoric systems composed of these particles circulating about their own common centre of mass as above stated, and displaying the spectrum which Dr. Huggins has found common to comets.
If this is correct, the present comet comes from a sun that contains metallic sodium in addition to the hydrocarbons, as the spectrum of this metal was seen when this comet was near enough to the sun to render its vapor incandescent.
FOOTNOTES
[1] Up to the present date (1882) nobody, as far as I know, has questioned my figures or defended those of Wollaston.
Sir William Grove has written to me, pointing out his own anticipations of my conclusions respecting the universality of atmospheric matter.
Sir Charles Lyell, before his death, expressed very strong approval of my conclusions, and many other men of scientific eminence have done the same.
To expect any immediate, unreserved adoption of such bold speculations would be unreasonable.
[2] Since the above was written these analogies have been generally accepted.
[3] Since the publication of “The Fuel of the Sun,” Mr. Norman Lockyer has adopted this view of solar dissociation, and has gone so far as to suppose that it splits metals and other substances regarded by modern chemists as simple elements into more elementary and simple constituents.
He assumes that the temperature of the solar atmosphere, growing higher at increasing depths, becomes somewhere capable of doing far greater dissociation work than that which separates the hydrogen of the prominences revealed by the spectroscope.
In putting forth this “working hypothesis” he seems to have lost sight of the fact clearly proved by Deville’s experiments, that the temperature of dissociation rises with the pressure to which the compound is subjected, and thus that within the bowels of the sun the metals will be far less dissociable than they are on the surface of our earth.
[4] Still more recently (1882) the magnificent photographs of Jannsen have displayed further evidence of the flame-tongue character of the mottling.
[5] Subsequent observations (1882) by Secchi, Young, and others have demonstrated velocities far exceeding this; quite sufficient to project the solid matter clearly beyond the sphere of solar attraction.
[6] My first memorandum on this subject is dated April 23, 1840, in a _Register of Ideas_, then commenced in very early student days.
[7] Any reader of “The Fuel of the Sun” will perceive that the vaporous envelope which I have described as “an effectual jacket for limiting the amount of radiation,” is a complete theoretical anticipation and explanation of the “solar crust” of Respighi and the “Trennungschicht” of Zöllner.
We agree perfectly in our conclusions, though arriving at them by such very different paths, and so independently of each other.
[8] What did he smell?
Was it an emanation from the soles of my feet?
If so, how did this aura get through the soles of my boots, which were thick?
It could scarcely have been the odor of the boot soles themselves that he followed, as he recognized me afterwards at some distance.
This suggests an interesting experiment, that anybody owning one of these dogs may easily try.
Make a similar track to mine, but when on the way, take off the boots you wore on starting and change them for some one else’s boots, or a new pair, and watch the result from the window.
[9] “The Fuel of the Sun,” Chapters iv.
to x. [10] Since this was written some such modifications have been made with equivocal results.
[11] _Nature_, vol. xiv.
p. 429. [12] See Chapter on “The Origin of Lunar Volcanoes.
” [13] The burnt card, burnt bamboo, and other flimsy incandescent threads now (1882) in vogue, merely represent Starr’s preliminary failures prior to his adoption of the hard adamantine stick of retort-carbon, which I suppose will be duly re-invented, patented again, and form the basis of new Limited Companies, when the present have collapsed.
[14] Hull, “On the Coal-fields of Great Britain.
” [15] “The Great Ice Age, and its Relation to the Antiquity of Man.
” By James Geikie, F. R.
S.
, etc. Second edition, revised, 1877. Daldy and Isbister.
[16] The terminal moraine at the Oxfjord station, which I have already mentioned as the only ancient example of an ordinary moraine that I have seen in Arctic Norway, was, of course, a special object of interest to me.
Further observation showed that it does not merely consist of the heap of stones I noticed in 1856, which appears like a disturbed talus cut through and heaped up at its lower part, but that there is another moraine adjoining it, or in continuation with it, which is covered with vegetation, and stretches quite across the mouth of the valley.
The Duke of Roxburgh, who is well acquainted with this neighborhood, having spent sixteen summers in Arctic Norway, was one of our fellow-passengers, and told me that this moraine forms a barrier that dams up the waters of a considerable lake, abounding with remarkably fine char.
I learned this just as the packet was starting, too late to go on shore even for a few minutes, and obtain a view of this lake and the valley beyond.
This I regret, as it might have revealed some explanation of the exceptional nature of this moraine.
It would be interesting to learn whether it belongs to the greater ice age, or to that period of minor glaciation that fashioned the farm patches already described.
The formation of the lake is easily understood in the latter case.
It is only required that such a minor reglaciated valley as one of these should be of larger magnitude and of very gentle inclination at its lower part, so that the secondary glacier should die out before reaching the present seashore.
It would then deposit its moraine across the mouth of the valley, and this moraine would dam up the waters which such a valley must necessarily receive from the drainage of its hilly sides.
Llyn Idwal, in North Wales, is a lake thus formed.
[17] See “Through Norway with a Knapsack,” chapters xi.
and xii.
, for further descriptions of these.
[18] Lyell, “Elements of Geology,” p. 159. [19] The celebrated “Maelström” is one of the currents that flow down the submarine incline between these islands when the tide is falling.
Although I have ridiculed some of the accounts of this now innocent stream, I am not prepared to assert that it was always as mild as at present.
If the ancient glaciers were stopped suddenly, as they may well have been, by the rocky barrier of Mosken, between Vaerö and Moskenesö, and they then suddenly concluded their deposition of till, a precipice must have been formed between this and the deep sea outside the islands, down which the sea would pitch when the tide was falling, and thus form some dangerous eddies.
This cascade would gradually obliterate itself by wearing down the precipitous wall to an inclined plane such as at present exists, and down which the existing current flows.
[20] The largest of the Norwegian lakes, the Mjosen, is 1550 feet deep, and its surface 385 feet above the sea-level.
Its bottom is about 1000 feet lower than the sea outside, or 500 to 800 feet below the bottom of the Christiana Fjord.
The fjords, generally speaking, are very much shallower near their mouths than further inland, as though their depth had been determined by the thickness of the glaciers flowing down them, and the consequent limits of flotation and deposition.
[21] This has been recently overcome to a great extent by using glycerine instead of water.
[22] Since the above was written I have made some experiments with a solution of shellac in borax (obtained by long boiling), and hereby claim the invention of its application to this purpose, in order to prevent anybody from patenting it.
I shall not do so myself.
[23] Written during the coal famine of 1872–73. [24] From 1870 to 1880 the amount has risen from 110,431,192 to 146,818,622 tons per annum, an average increase of 3,638,743 tons per annum.
[25] At the present time (1882) we are receiving the excessive supplies consequent upon the opening of new pits that, under the stimulus of high prices, were in the course of sinking when the above was written.
Hence the present low prices.
Presently the annual increase of consumption will overtake this increased supply, and another “coal famine” like that then existing will follow.
This is not far distant.
[26] “The Coal Fields of Great Britain,” pp. 447, 448. [27] In a paper on the Comstock mines, read at the Pittsburg meeting of the American Institute of Mining Engineers in 1879, by Mr. John A. Church, the hot mine waters are described as reaching 158° Fahr.
(so hot that men have been scalded to death by falling into them).
The highest recorded _air temperature_ there is 128°.
These are silver mines, and vigorously worked in spite of this temperature and great humidity.
A much higher temperature is endurable in _dry air_.
[28] The scientific pedant of the Middle Ages displayed his profundity by continually quoting Aristotle and other “ancients.
” His modern successor does the like by decorating his pages with displays of algebraical formulæ.
In order to secure the proper respect of _my_ readers I here repeat the equation that I enunciated many years ago, “_c_ = _s_/_p_” where _c_ stands for civilization, _s_ for the quantity of soap consumed per annum, and _p_ the population of a given community.
[29] Geologists who may be interested in seeing the results of this experiment, will find on the Edgbaston Vestry Hall, in Enville Road, near the Five Ways, Birmingham, some columns, massive window pieces, doorways, and ornamental steps cast from the fused Rowley Rag and slowly cooled.
[30] In each of my three visits to America 1 lost about thirty pounds in weight, which I recovered within a few months of my return to the “home country” (of English-speaking nations).
—RICHARD A.
PROCTOR.
[31] Since the above was written, a correspondent in Paris tells me that a caricature exists, representing a Frenchman enjoying an open fire by standing on his head in the middle of the room.
[32] See foot-note, page 365. [33] I tried the seeds given to me by Messrs. Carter, and find them to produce the same plant as my own, which I still cultivate very successfully.
I now sow it in the spring as a kitchen garden border.
[34] Subsequent experiments induce me not to recommend this economy, on account of the bagging which results from excessive width between the frames; 3 feet should not be exceeded.
[35] I have followed up Mr. Trewby’s hint, and find that more than one quality of scrim is made.
The best, made entirely of flax, costs rather more than the 2¼_d.
_ stated in the estimate, but it is the cheapest practically.
The best I have seen is that used in the Houses of Parliament.
[36] Watt’s own figure for the latent heat of steam at 212° was 950°, but I adopt that which is now generally accepted.
Transcriber’s Notes Punctuation and spelling were made consistent when a predominant preference was found in this book; otherwise they were not changed.
The original text contained many typographical errors.
The simple ones were corrected without comment here; others are noted below.
Unbalanced quotation marks were corrected, as proper placement always could be determined.
Some typographical errors probably remain undetected.
Ambiguous hyphens at the ends of lines were retained; occurrences of inconsistent hyphenation have not been changed.
Text uses both “Acadamy” and “Academy”; both retained here.
Page 336: “The disagreeable sensation experienced by Dr. Siemens in the stove-heated railway cars, etc. , were probably due to this” was printed that way.
Either “sensation” should be “sensations” or “were” should be “was”.
End of Project Gutenberg's Science in Short Chapters, by W. Mattieu Williams *** END OF THE PROJECT GUTENBERG EBOOK SCIENCE IN SHORT CHAPTERS *** Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.
In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.
gutenberg.
org.
Section 3.
Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.
S.
federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.
gutenberg.
org/contact Section 4.
Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.
Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.
We do not solicit donations in locations where we have not received written confirmation of compliance.
To SEND DONATIONS or determine the status of compliance for any particular state visit www.
gutenberg.
org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.
U.
S.
laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses.
Donations are accepted in a number of other ways including checks, online payments and credit card donations.
To donate, please visit: www.
gutenberg.
org/donate.
Section 5.
General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone.
For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.
Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U. S.
unless a copyright notice is included.
Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.
gutenberg.
org.
This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: