Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
The James Boys Heard From Again.
THE TRAIN ROBBERY AT WINSTON, MO.
, JULY 15, 1881.
FIFTY THOUSAND DOLLARS REWARD OFFERED FOR THE ARREST OF THE GUILTY PARTIES.
The Border Outlaws, those whose crimes began with the hot and infectious breath of war and left a bloody trail around Jackson, Clay and Harrison counties, Missouri, still survive to wreak a desperate vengeance, and live by tributes levied upon corporations and individuals.
Many of the old band, it is true, have been palsied by death, dying, belted and armed, by a fate anticipated, but like the excision of a cancer, the germs have remained from which a new growth has constantly developed to harass the State and disorder society.
The James boys, aside from their reckless courage, are possessed of extraordinary capabilities, cunning resource, domineering resolution, woods-craft and dash.
As if by a thorough consideration of the beneficial result to be secured thereby, they first terrorized the people of Western Missouri, and then heroized themselves in the eyes of those whose political sympathies were in consonance with their own.
Thus upon the one side the people were afraid to attempt any punishment of the outlaws or give information of their rendezvous; while upon the other they were protected and encouraged without concealment.
It is for these reasons that the James boys and their confreres have eluded every pursuit and been able to give free license to their impious passions.
There are peculiar features, however, connected with every outrage perpetrated by the James gang which readily manifest them in the deed.
Among these several distinguishing features are: their appearance in the vicinity where the robbery occurs some days before its accomplishment; the thorough maturity of their plans; the wearing of long linen dusters; unhesitating disposition to commit murder; a splendid mount; the invariable sack carried in which to deposit the plunder; the line of retreat always southward when the robbery has been committed north of Clay county, and _vice versa_; masks of red handkerchiefs, and the ease with which pursuit is eluded.
In addition to these unmistakable peculiarities, another fact is particularly noticeable, viz: within twenty-four hours after the James boys commit a robbery, Mrs. Samuels, their mother, never fails to make her appearance in Kansas City, the purpose of these visits being undoubtedly to discover what means are employed looking to the apprehension of the gang, and gather up any and all such information as might prove serviceable in aiding the escape of her sons.
Considering well all these points of evidence, any shrewd analyzer of human nature can readily determine whether or not either of the James boys was connected with any robbery reported.
On the night of July 15th, 1881, an outward going passenger train from Kansas City over the Chicago, Rock Island & Pacific Railroad was robbed at Winston Station, Daviess county, Missouri, under the following circumstances: The train left Kansas City at 6:30 P. M.
, in charge of William Westfall, the conductor; Wolcott, the engineer, and Charlie Murray, express messenger.
The train consisted of six coaches and a sleeper, all of which were well filled with passengers.
Reaching Cameron, a stop was made for supper, and when the train started off two men were observed to jump on, each of whom wore a large red bandana handkerchief around his neck, partly concealing his features.
Nothing indicative of the robbers' intentions, however, transpired until the train reached Winston, at 9:30 P. M.
, at which station four men took passage, each having his face covered with a handkerchief identical with those worn by the two that got on at Cameron, and all wearing long, linen dusters.
Getting under headway again, the train had proceeded nearly one mile from Winston when suddenly, as Conductor Westfall appeared in the second car to collect tickets, the passengers were startled by the largest of the robbers rising from his seat and shouting out in a loud voice, "All aboard!"
which was the signal for action.
The large man, heavily masked with a red handkerchief, as were all the others, seven in number, thrust out a large pistol, and saying to Westfall, "You are the man I want," fired.
The ball struck Westfall in the arm, producing only a flesh wound, but as the wounded man turned to run out of the car two more shots were fired by the same robber without effect.
This bad shooting seemed to exasperate another one of the outlaws, who gave an exhibition of his skill by shooting Westfall in the brain, killing him instantly, the body falling off the platform onto the ground.
[Illustration: DEATH OF CONDUCTOR WESTFALL.
] While this unprovoked murder was being perpetrated three others of the outlaw gang rushed through the cars toward the engine.
Wild confusion followed, and a stone mason named J. McCulloch, from Iowa, who had been working near Winston, attempted to get out of the baggage car as the robbers entered it.
Suspecting that he was either the engineer or intent upon raising an alarm, one of the outlaws shot him dead and pushed his body off the train, which had now come to a stop.
The robbers then went about their business of robbing, two mounting the engine, three were left to guard the passengers, while the remaining two made for the express car.
Mr. Murray, the express agent, hearing firing and suspecting the real cause, made a hasty attempt to close and lock the doors of his car, which had been left open, owing to the oppressively warm weather, but while he was thus engaged one of the robbers jumped through the partly closed door and grabbing Murray, struck him a violent blow on the head with his pistol, at the same time saying, "Open up, d--n you, or I'll kill you!"
Looking into the muzzles of two large pistols, Murray was forced to comply, and delivered up the safe keys.
The treasure box was quickly opened and its contents extracted, consisting of coin and currency to the amount of ,000 or ,000, which was thrown into a sack the outlaws carried for the purpose.
The train was then started up by one of the robbers, but after proceeding a few hundred yards stopped again and the bold free-booters jumped off, running for their horses which were tied in a clump of trees less than one hundred yards from the track.
They did not take the time to untie their horses, but cut the reins, and mounting, rode in a half circuit around Cameron, then took a course almost due south.
They crossed the Missouri river near Sibley's Landing, in couples, having divided up immediately after the robbery was consummated.
[Illustration: THE SHOOTING OF J. MCCULLOCH.
] On the morning following the robbery, an examination of the immediate vicinity about where the train was stopped, resulted in finding where the robbers had tied their horses, and there, lying on the ground, was found the following letter: KANSAS CITY, July 12. CHARLIE--I got your letter to-day, and was glad to hear that you had got everything ready in time for the 15th.
We will be on hand at that time.
Bill will be with us.
We will be on the train; don't fear.
We will be in the smoker at Winston.
Have the horses and boys in good fix for fast work.
We will make this point again on the night of the 16th.
All is right here.
Frank will meet us at Cameron.
Look sharp and be well fixed.
Have the horses well gaunted, for we may have some running to do.
Don't get excited, but keep cool till right time.
Wilcox or Wolcott will be on the engine.
I think best to send this to Kidder.
Yours time and through death.
SLICK.
After receiving the first particulars of the robbery by telegraph, I went to Kansas City, and from thence to various points in the vicinity, for the purpose of prosecuting an investigation with the view of discovering, if possible, who the outlaws were, where they came from, whither they went, and how the authorities prosecuted the pursuit.
From these efforts I am prepared to state, with circumstantial positiveness, that Frank James and Jim Cummings were the parties who planned, and with the aid of their confreres, executed the robbery at Winston, and that the proof may not be wanting, the following several facts are recited: A few weeks ago I received a letter from Frank James, acknowledging the receipt of a copy of "Border Outlaws," which I sent to him by a relative.
Shortly after its receipt, this same relative, who is known to be in communication with Frank James, visited St. Louis and confidentially conferred with my publisher upon the advantages which we might mutually reap by a sudden stimulation in the sale of "Border Outlaws," for which he was then acting as agent.
His proposition embraced a statement that Frank James and Jim Cummings were at that time in Missouri planning a campaign; that a large robbery would soon be consummated, attended with some startling results.
All these facts he agreed to furnish us the very moment the robbery should be completed, comprising the names of those engaged, how they had organized, where assembled, cause for their acts, etc. , provided my publisher would give him a certain sum of money.
The incentive on our part to comply with his proposition was in securing this reliable information, which might be added as an appendix to a new edition of "Border Outlaws," and issued contemporaneously with the first newspaper reports, thereby creating a largely increased demand for the book.
Of course there appeared so much doubt involved in this singular proffer, and the proposition within itself being of such questionable character, that it was rejected with little consideration of the probability of a robbery such as was declared about to take place.
At this time, however, the assertions then made assume an interest which throws much light upon the problem, "Who committed the robbery?"
But this is not all the evidence I am in possession of respecting this latest adventure of the old gang.
In pursuing my investigations I visited Olathe, Kas.
, twenty miles south of Kansas City, and there found a gentleman well known in that town, who had met Frank James walking on the south side of Olathe's public square, well-armed, on the 10th inst.
, or only five days before the robbery occurred.
It was not a mistaken identity, for the gentleman in question was raised within four miles of the present residence of the James boys' parents, and was for years upon terms of the greatest social intimacy with them, attending the same school, participating in the same sports, and in later years meeting with them as old acquaintances.
Being well acquainted myself in Olathe, I can positively state that this information regarding the presence of Frank James in the town referred to is true beyond all doubt.
But what his business was or when he left, I could not ascertain.
Within eighteen hours after the robbery, Mrs. Samuels appeared in Kansas City, evidently for the purpose of collecting such information as might be useful to Frank James and his confederates.
She talked freely of the robbery, but protested, with repeated declarations, that both Frank and Jesse were dead, going so far in her assertions as to say that Frank died three years ago of consumption, in Texas.
What she hoped to gain by a claim so easily disproved it is difficult to conjecture.
From the best evidence attainable, the gang who robbed the Rock Island and Pacific train, among whom were Frank James, Ed.
Miller, Jim Cummings and Dick Little, after leaving the train, mounted their horses and rode southwestwardly until they reached the outskirts of Cameron, when they turned and took to the brush again, making directly for the Missouri river, which they crossed near Sibley's landing, and on the following evening, the 16th, they certainly passed through Sni-a-bar township of Jackson county, and, taking a southwestwardly course, continued on to the Indian Territory.
The party, however, did not remain intact, but divided up into couples, so as to destroy the trail which so large a number as seven riders would have made conspicuous.
They were at no time so far apart, though, but that a prearranged signal would have concentrated the outlaws.
It is a singular fact that with all the atrocious crimes credited to the James boys and their confederates, there was not so much as one dollar of reward offered at the time of the Winston robbery, although at one time the rewards offered by the State and railroad and express companies aggregated ,000. During Gov. Hardin's administration nearly all the rewards offered by the State were withdrawn, then the private corporations that had suffered so seriously at the hands of the bold knights of the road withdrew the incentives they had advertised, after which Gov. Phelps wiped out the few figures remaining.
On the 26th of July, eleven days after the train robbery at Winston, Governor Crittenden visited St. Louis and called a meeting of leading railroad officials in the gentlemen's parlor of the Southern Hotel.
The call was responded to by representatives from nearly all the principal roads running into Kansas City and St. Louis, and upon assembling plans were thoroughly discussed for the apprehension of the notorious outlaws who have wrought such injury to Missouri's reputation.
The session lasted for nearly four hours, though there was the greatest unanimity of feeling and disposition, and at its conclusion the Governor expressed much gratification at the results.
The power of the Executive is limited by law, so that he could not offer a State reward sufficiently large to accomplish the arrest of such notorious desperadoes as the James boys and their gang are known to be, so he conceived the excellent idea of calling upon the interested railroad corporations for needful assistance.
The result of this conference was the immediate issuance of a proclamation by Governor Crittenden, in which an aggregate reward of fifty-five thousand dollars (,000) was offered for the capture of the seven train robbers, or five thousand dollars for the arrest and conviction of each one of the robber gang.
This proclamation was supplemented by the offer of an additional reward of five thousand dollars each for the arrest of Jesse and Frank James, and delivery of their bodies to the sheriff of Daviess County, and a further reward of five thousand dollars each for their conviction.
The public which, generally speaking, believe that Jesse James was never shot by Geo.
Shepherd, credit the assertion made by many that both Frank and Jesse were engaged in the Winston robbery, but whatever the impression, this belief is undoubtedly without foundation.
The most intimate acquaintances of Jesse James, those who have seen him many times during the past year, are ready to make oath that he is a paralytic from the effects of Geo.
Shepherd's shot; in fact, in a demented, helpless condition.
At one time arrangements were about perfected, through the outlaws' cousin, by which I was to have a personal interview with Frank James, each of us to be accompanied by a friend, but owing to some engagement, which was never explained to me, that meeting never occurred.
Frank, after receiving a copy of "Border Outlaws," expressed a desire to make a statement, with the understanding that I would embody it in all subsequent editions of the book; this I agreed to do, but I am now convinced that the intended interview was not granted because of the engagement which was kept at Winston.
*** END OF THE PROJECT GUTENBERG EBOOK THE BORDER BANDITS *** Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.
In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.
gutenberg.
org.
Section 3.
Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.
S.
federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.
gutenberg.
org/contact Section 4.
Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.
Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.
We do not solicit donations in locations where we have not received written confirmation of compliance.
To SEND DONATIONS or determine the status of compliance for any particular state visit www.
gutenberg.
org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.
U.
S.
laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses.
Donations are accepted in a number of other ways including checks, online payments and credit card donations.
To donate, please visit: www.
gutenberg.
org/donate.
Section 5.
General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone.
For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.
Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U. S.
unless a copyright notice is included.
Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.
gutenberg.
org.
This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: