It Happened in Egypt — 29 - Chapter XXV, part 2

"My dear fellow," I began.

(Yes, to my credit be it spoken, I said "dear fellow!"

) "You don't know what you are doing.

I speak for your own sake.

Think what people will say!

Everyone will see why you left her.

And you don't _want_ to leave her, you know!

Of course you don't!

You love Miss Guest.

She loves you.

Not all the crystal eyes in the world can make you the fashion, if the eyes of your fiancée are red with tears because you jilted her, when you found out she was--only herself!

People don't like such things.

They won't have their artists cold and calculating.

It isn't done.

You can't afford to squeeze a sp--I mean, break a heart in this fashion.

It will ruin your reputation."

So I argued with a certain eloquence, forcing conviction until with a fierce gesture Bailey snatched six collars from his bag and flung them on the bed.

Seeing thus clearly what I thought showed him what others were sure to think: and the world's opinion was life itself to Bailey.

He was cowed, then conquered.

At last I dared to say: "May I?"

He nodded.

Instantly I tore the letters into as many pieces as there were collars.

Afterward, when we walked off the boat, arm in arm, I dropped them into the water.

We got back to the engineer's before the picnickers had finished their belated Turkish coffee.

Bailey took the vacant chair between Rachel Guest and Monny Gilder.

Biddy said that she had asked to have some coffee kept hot for me.

I needed it!

* * * * * That is what delayed our start for Philae and is, I suppose, why everything that took place there afterward happened exactly as it did.

If we had left the Dam an hour earlier, there would have been no excuse to stop for sunset at the temple which those who love it call the "Pearl of Egypt."

As it was--but that comes afterward.

When Strabo went from Syene to Philae, he drove in a chariot with the prefect of that place, "through a very flat plain," and on both sides of their road (I fear, for their bones, it was a rough one!

) rose "blocks of dark, hard rock resembling Hermes-towers."

Nearly two thousand years later we were rowed to the same temple, across an immensely deep, vast sheet of shining crystal.

We lolled (I am fond of that word, though aware that it's reserved for villainesses) in "galleys" painted in colours so violent that they looked like tropical birds.

They were awninged, and convulsively propelled by Nubians whose veins swelled in their full black throats, and whose ebony faces were plastered with a grayish froth of sweat.

Each pressed a great toe, like a dark-skinned potato, on the seat in front of him for support in the fierce effort of rowing.

Turbans were torn off shaved, perspiring heads, and even skull-caps went in the last extreme.

Wild appeals were chanted to all the handiest saints to grant aid in the terrible undertaking.

An eagle-eyed child at the steering wheel gazed pityingly at his agonized elders.

And then, just as you expected the whole crew to fall dead from heart failure, they chuckled with glee at some joke of their own.

There was always breath and energy enough to spare when they wanted it.

But what would you?

The labourer must be worthy of his hire, and a little something over.

When Strabo saw Philae, she was a distant neighbour of the mighty Cataracts.

Now, the waters which once rushed down are prisoned by the Great Dam, and stand enslaved, to wall the temple round like a great pearl in a crystal case.

She is the true Bride of the Nile; for, as long ago the fairest of maidens gave herself to the water as a sacrifice, so Philae gives herself for the life of the people.

She drowns, but in death she is more beautiful than when the eyes of the old historian beheld her, glowing with the colours of her youth, yet already old, deserted by gods and priests and worshippers.

Now she has worshippers from the four ends of the earth, and the greatest singers of the world chant her funeral hymn.

For in all Egypt, with its many temples of supreme magnificence, there is nothing like Philae.

None can forget her.

None can confuse her identity for a moment with that of any other monument of a dead religion.

And if she were the only temple in Egypt, Egypt would be worth crossing the ocean to see, because of this dying pearl in its crystal case.

Venus rose from the sea.

Philae, the Marriage Temple of Osiris and Isis--Venus of Egypt--sinks into the sea of waters poured over her by Khnum, god of the Cataracts.

Thus the great enchantress sings her swan-song to touch the heart of the world, her fair head afloat like a sacred lotus on the gleaming water.

I think there were few among us who did not fancy they heard that song, as our Nubian men rowed across the sea stored up by the great Barrage.

From far away we saw a strange apparition, as of a temple rising from the waters.

It seemed unreal at first, a mere mirage of a temple.

Then it took solid outline; darkly cut in silver; a low, column-supported roof; a pylon towering high; and to the south, separated from both these, a thing that might have been a huge wreath of purple flowers.

We knew, however, from too many photographs and postcards, that this was "Pharaoh's Bed," the unfinished temple of Augustus and Trajan, standing on a flooded island.

Our boat glided close to the flower-like stems of the columns supporting the low roof.

Far down in the clear depths we could see the roots of the pillars, or their phantom reflections.

And in the light of afternoon, the water was so vivid a green that the colour of it seemed to have washed off from the painted stones.

Onto this roof we scrambled, up a flight of steps, and found that we were not to have Philae to ourselves.

There were other boats, other tourists; but we pretended that they were invisible, and they played the same game with us.

Ignoring one another, the rival bands wandered about, wondered what the place would be like with the water "down," quoted poetry and guide-books, and climbed the pylon.

From that height the kiosk called "Pharaoh's Bed" showed a mirrored double, like an old ivory casket with jewelled sides, piled full of a queen's emeralds.

We loitered; we explored; and having descended sat down to rest, dangling irreverent feet over beryl depths, splashed with gold.

Thus we whiled away an hour, perhaps.

Then the Set, impressed at first, had had enough of the mermaid temple's tragic beauty.

Sir John Biddell reminded me that it had been a long day for the ladies, and very hot.

Hadn't we better get back to the _Enchantress_ before sunset?

But that was exactly what some of us did not want to do.

The matter was finally settled by retaining our one small boat, with two rowers, and sending off the two larger "galleys" with their full complement of passengers, excepting only "Mrs. Jones," Miss Gilder, Antoun Effendi, the melancholy Cleopatra, and the guilty shepherd of the flock, who knew he had no business to desert his sheep.

He did nevertheless feel, poor brute, that after such a day he had earned a little pleasure, and, accordingly proceeded to snatch it from Fate, despite disapproving glances.

Punishment, however, fell as soon as it was due.

I had stayed behind with the intention of amusing Brigit.

But Monny took her from me, as if she had bought the right to use my childhood's friend whenever it suddenly occurred to her to want a chaperon.

Instead of Biddy, I got Cleopatra.

And by this time, so far as we knew, all tourists save ourselves had gone.

I knew in my heart that, in accusing Monny Gilder of claiming Brigit O'Neill because she was paying her expenses, I did the girl an injustice.

Monny was afraid of herself with Anthony.

I saw that plainly, since the fact had been laid under my nose by Mrs. East.

She feared the glamour of this magical place, perhaps, and felt the need of Biddy's companionship to keep her strong, not realizing that any one else was yearning for the lady.

This was the whole front of her offending; yet I was so disappointed that I wanted to be brutal.

Without Biddy, I should wish but to howl at the sunset, as a dog bays the moon.

And feeling thus I may not have made myself too agreeable to Cleopatra.

In any case, after we had sat in silence for a while, waiting for a sunset not yet ready to arrive, she turned reproachful eyes upon me.

"Lord Ernest," she said, "I think you had better go and join Monny."

"Why?"

I surlily inquired.

"I thought _you_ thought that idea of yours was too late to be of any use now?"

"I do think so," she replied.

"_Everything_ interesting is too late now.

Still, you'd better go."

"Are you tired of me?"

I stupidly catechised her.

"Well, I feel as if I should like to be alone in this wonderful place.

_I want to think back.

_" "I see," said I, scrambling up from my seat on the edge of the temple roof, and trying not to show by my expression that I was pleased, or that both my feet had gone to sleep.

"In that case, I'll leave you to the spooks.

May none but the right ones come!"

"Thank you," she returned dryly; and I limped off, walking on air, tempered with pins and needles.

Joy!

my luck had turned!

At the top of the worn stone stairway, cut in the pylon, I met Biddy.

She was dim as one of Cleopatra's Ptolemaic ghosts, in the darkness of the passage;

but to me that darkness was brighter than the best thing in sunsets.

"Salutation to Caesar from one about to die!"

I ejaculated.

"What _do_ you mean?"

she asked.

"I mean that both my feet are fast asleep, and I shall certainly fall and kill myself if I try to go one step further, up or down."

"You, the climber of impossible cliffs after sea-birds' nests!"

she laughed.

But she stood still.

"I'm after something better than sea-birds' nests now," said I. "The question is, whether it's not still more inaccessible?"

"Are you talking about--Monny?"

she wanted to know, in a whisper.

"Sit down and I'll tell you," was my answer.

"Oh, not here at the top of the steps, if it's anything as private as _that_," Biddy objected, all excitement in an instant.

"Let's come into a tiny room off the stairway, which the guardian showed me a few minutes ago.

There's a bench in it.

You see, he's up there on the pylon roof now with Monny and Captain Fenton (I _can't_ call him Antoun when I talk to you; its _too_ silly!

) and he'll probably be coming down in a minute.

Then, if we stop where we are, we'll have to jump up and get out of the way, to let him pass.

And he's sure to linger and work off his English on us.

I don't think we'll want to be interrupted that way, do you?"

"No, nor any other way," I agreed.

"Oh, but what about the sunset?

We may miss it."

"Hang the sunset!

Let it slide--down behind the Dam if it likes!"

"I don't wonder you feel so, you poor dear," Biddy sympathized, "when it's a question of Monny, and all our hopes going to pieces the way they are doing, every minute.

There isn't a second to lose."

So we went into the little room in the tower, which was lit only by a small square opening over our heads.

We sat down on the bench.

It was beautifully dark.

I began to talk to Biddy.

We had forgotten my feet;

and I forgot Mrs. East.

But I must tell what was happening to her at the time (as I learned afterward, through the confession of an impenitent), before I begin to tell what happened to us.

Otherwise the situation which developed can't be made clear.

I left Cleopatra calling spirits from the vasty deep, or rather one spirit; the spirit of Antony.

I am morally sure that any other would have been _de trop_.

And sailing to her across the wide water from Shellal came Marcus Antonius Lark.

I can't say whether she considered him an answer to her prayer, or a denial of it.

Anyhow, there he was; better, perhaps, than nobody, until she learned from his own lips--tactless though ardent lips--that he had come from Cairo to Assuan, from Assuan to Philae, to see her.

Then she took alarm, and remarked in the old, conventional way of women, that they'd "better go look for the others."

But Sir Marcus hadn't spent his money, time, and gray matter in hurrying to Philae from Shellal, for nothing.

Finding himself too late to catch us at Assuan, he had paid for a special train in order to follow his "Enchantress" (the lady and the boat).

Taking a felucca with a fine spread of canvas and many rowers, which (characteristically) he bargained for at the Shellal landing-place, he sailed across to the moored steamer, only to learn from Kruger that we had gone on our expedition to Philae.

That meant a long sail and row for the impatient lover.

For us, the longer it was, the better: one of the chief charms of our best day.

But for him it must have been tedious, despite a good breeze that filled the sails and helped the rowers.

On his way to the temple, he met the galleys going "home" to the _Enchantress Isis_.

An instant's shock of disappointment, and then the glad relief of realizing that the one he sought was still at the place where he wished to find her.

There were only four Obstacles which might prevent an ideal meeting.

The names of these Obstacles, in his mind were: Jones, Gilder, Fenton, and Borrow; and being an expert in abolishing Obstacles, the great Sir Marcus began to map out a plan of action.

Luckily for him, our small boat had moved out of Cleopatra's sight, as she sat and dreamed on the low temple-roof, while we four Obstacles disported ourselves on different parts of the high pylon.

The two Nubians wished to play a betting game with a kind of Egyptian Jack-stones, and it was not desirable that the pensive lady should behold them doing it.

Observing the graceful figure of Mrs. East silhouetted against the sky's eternal flame of blue, and at the same time noticing that she could not see the waiting boat, Sir Marcus got his inspiration.

He knew that the four Obstacles were somewhere about the temple.

Now was his great chance, while they were out of the way!

And if he resolved to play them a trick, perhaps he salved his conscience by telling it that the Obstacles, male and female, ought to thank him.

Cleopatra probably thought, if she glanced up to see his boat: "Oh dear, another load of tourists!"

and promptly looked down to avoid the horrid vision.

By the time Sir Marcus came within "How do you do?"

distance, he had bribed our waiting boatmen to row away.

This in order not to be caught in a lie.

With our Nubians and their craft out of his watery way, he was free to fib when the time came.

"Go look for the others?"

he echoed Mrs. East's proposal.

"Why, they've gone.

I met them."

"Gone!

And left me behind when they knew I was here?"

she exclaimed.

"They can't have done such a thing."

"I'm afraid there's been a mistake," replied Sir Marcus presently.

"They certainly _have_ gone.

I met the boat.

Borrow was expecting me to-day, you know--or maybe you don't know.

And when he saw me in my felucca, he stopped his to explain that evidently there'd been a _contretemps_."

(I'm sure Lark mispronounced that word!

) "The temple guardian said a gentleman had arrived and taken the lady who was waiting, off in a boat.

Of course Borrow thought I had come along, and persuaded you to go with me, after telling the guardian to let him know.

I expect the guardian's got mighty little English: and they say white ladies all look alike to blacks.

He must have mixed you up with some other lady.

I suppose my folks haven't been the only people at Philae since you came?"

Mrs. East admitted that a number of "creatures" had come and gone.

But she thought all had vanished before the departure of the galleys.

"You see you thought wrong.

That's all there is to it," Sir Marcus assured her.

And having taken these elaborate measures to secure the lady's society for himself alone (Nubian rowers don't count) he proceeded to lure her hastily into his own boat, lest any or all of the Obstacles should arrive to spoil his _coup_.

That was the manner of our marooning.

At the time, we were ignorant of what was happening behind our backs;

the sunset for instance, and the only available boat calmly rowing away from the drowned Temple of Philae.

We were thinking of something else; and so was Sir Marcus, or he would not have forgotten the repentant promise he made himself, soon to send back a boat and take us off.

We were, therefore, in the position of unrehearsed actors in a play who don't know what awaits them in the next act: while those who may read this can see the whole situation from above, below, and on both sides.

Four of us, marooned at Philae, not knowing it, and night coming on.