Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
DOWN TO THE SEA
Many days later the French servant, Peria, rode up to the gate, to the door, of Locust Hall, the Lewis homestead in old Virginia.
The news he bore had preceded him.
He met a stern-faced, dark-browed woman, who regarded him coldly when he announced his name, regarded him in silence.
The servant found himself able to make but small speech.
"Your son was a brave man--he lived long," said Peria, haltingly, at the close of his story.
"Yes," said the mother of Meriwether Lewis.
"He was a brave man.
He was strong!"
"He was unhappy; but why he should have killed himself----" "Stop!"
The dark eyes blazed upon him.
"What are you saying?
My son kill himself?
It is an outrage to his memory to suggest it.
He was the victim of some enemy.
As for you, begone!"
So Peria passed from sight and view, and almost from memory, not accused, not acquitted.
Long afterward a brother of Meriwether Lewis met him, and found that he was carrying the old rifle and the little watch which every member of the family knew so well.
These things had been missing from the effects of Meriwether Lewis in the inventory--indeed, little remained in the traveling-cases save a few scattered papers and the old spyglass.
There was no gold.
There were no letters of any kind.
Soon there came down from Monticello to Locust Hall the coach of Thomas Jefferson.
"Madam," said he, when finally he stood at the side of the mistress of Locust Hall, "it is heavy news I thought to bring--I see that you have heard it.
What shall I say--what can we say to each other?
I mourn him as if he were my own son."
"It has come at last," said the mother of Meriwether Lewis.
"The wilderness has him, as I knew it would!
I told him, here at this place, when he was a boy, that at last the load would weigh him down."
"The rumor is that he died by his own hand.
I find it difficult to believe.
It is far more likely that some enemy or robber was guilty of the deed."
"Whom had he ever harmed?"
she demanded of Jefferson.
"None in the world, with intent; but he had enemies.
Whether by his own hand or that of another, he died a gallant gentleman.
He would not think of himself alone.
But listen--bear with me if I tell you that could your son send out the news himself, perhaps he might say 'twas by his own hand he perished, and not by that of another!"
"Never, Mr. Jefferson, never will I believe that!
It was not in his nature!"
"I agree with you.
But when we take the last wishes of the dead, we take what is the law for us.
And the law of your son was the law of honor.
Suppose, my dear madam, there were a woman concerned in this matter?"
"He never wronged a woman in his life----" "Precisely, nor in his death would he wrong one!
Do you begin to see?"
"Did he ever speak to you of her?"
"It was impossible that he should; but I knew them both.
I knew their secret.
Were it in his power to do so, I am sure that he carried his secret with him, so that it might never be shared by any.
That secret he has guarded in death as in life."
"But shall I let that stain rest on his name?"
The dark eye of the old woman gleamed upon her son's friend.
"Do not I love him also?
I am speaking now only of his own wish--not ours.
I know that he would shield her at any cost--nay, I know he did shield her at any cost.
May not we shield him--and her--no matter what the cost to us?
If he laid that wish on us, ought we not to respect it?
Madam, I shall frame a letter which will serve to appease the criticism of the public in regard to your son.
If it be not the exact truth--and who shall tell the exact truth?
--it will at least be accepted as truth, and it will forever silence any talk.
What should the public know of a life such as his?
There are some lives which are tragically large, and such was his.
He lived with honor, and he could not die without it.
What was in his heart we shall not ask to know.
If ever he sinned, he is purged of any sin."
Jefferson was silent for a moment, holding the bereaved mother's hand in his own.
"He shall have a monument, madam," he went on.
"It shall mark his grave in yonder wilderness.
They shall name at least a county for him, and hold it his sacred grave-place--there in Tennessee, by the old Indian road.
Let him lie there under the trees--that is as he would wish.
He shall have some monument--yes, but how futile is all that!
His greatest monument will be in the vast new country which he has brought to us.
He was a man of a natural greatness not surpassed by any of his time."
* * * * * What of Theodosia Alston, loyal and lofty soul, blameless wife, devoted and pathetic adherent to the fallen fortunes of her ill-starred father?
Three years after Meriwether Lewis laid him down to sleep in the forest, a ship put out from Charleston wharf.
It was bound for the city of New York, where at that time there was living a broken, homeless, forsaken man named Aaron Burr--a man execrated at home, discredited abroad, but who now, after years of exile, had crept home to the country which had cast him out.
A passenger on that ship was Theodosia Alston, the daughter of Aaron Burr.
That much is known.
The ship sailed.
It never came to port.
No more is known.
To this day none knows what was the fate of Aaron Burr's daughter, one of the most appealing figures of her day, a woman made for happiness, but continually in close touch with tragedy.
Wherever her body may lie, she has her wish.
The sound of the eternal waters is the continuous requiem in her ears.
Her secret, if she had one, is washed away long ere this, and is one with the eternal secrets of the sea.
As to her sin, she had none.
Above her memory, since she has no grave, there might best be inscribed the words she wrote at a time of her own despair: "I hope to be happy in the next world, for I have not been bad in this."
Did the little brook in Tennessee ever find its way down to the sea?
Did it carry a scattered drop of a man's lifeblood, little by little thinning, thinning on its long journey?
Did ever a wandering flake of ashes, melting, rest on its bosom for so great a journey as that toward the sea?
Did the sound of a voice in the wilderness, passing across the unknown leagues, ever reach an ear that heard?
Who can tell?
Perhaps in the great ten thousand years such things may be--perhaps deep calls to deep, and there are no longer sins nor tears.
A million hearth-fires mark the camp-fire trail of Meriwether Lewis.
We own the country which he found, and for which he paid.
He sleeps.
Above him stands the monument which his chief assigned to him--his country.
It rises now in glory and splendor, the perfected vision which he saw.
That is the happy ending of his story--his country!
It is ours.
As its title came to us in honor, it is for us to love it honorably, to use it honorably, and to defend it honorably.
None may withstand us while we hold to his ambitions--while our sons measure to the stature of such a man.
"_The Books You Like to Read at the Price You Like to Pay_" There Are Two Sides to Everything-- --including the wrapper which covers every Grosset & Dunlap book.
When you feel in the mood for a good romance, refer to the carefully selected list of modern fiction comprising most of the successes by prominent writers of the day which is printed on the back of every Grosset & Dunlap book wrapper.
You will find more than five hundred titles to choose from--books for every mood and every taste and every pocket-book.
_Don't forget the other side, but in case the wrapper is lost, write to the publishers for a complete catalog.
_ _There is a Grosset & Dunlap Book for every mood and for every taste_ EMERSON HOUGH'S NOVELS
May be had wherever books are sold.
Ask for Grosset & Dunlap's list.
THE COVERED WAGON
An epic story of the Great West from which the famous picture was made.
THE WAY OF A MAN
A colorful romance of the pioneer West before the Civil War.
THE SAGEBRUSHER
An Eastern girl answers a matrimonial ad.
and goes out West in the hills of Montana to find her mate.
THE WAY OUT
A romance of the feud district of the Cumberland country.
THE BROKEN GATE
A story of broken social conventions and of a woman's determination to put the past behind her.
THE WAY TO THE WEST
Daniel Boone, Davy Crockett and Kit Carson figure in this story of the opening of the West.
HEART'S DESIRE
The story of what happens when the railroad came to a little settlement in the far West.
THE PURCHASE PRICE
A story of Kentucky during the days after the American Revolution.
GROSSET & DUNLAP, PUBLISHERS, NEW YORK
TRANSCRIBER'S NOTE:
Minor changes have been made to correct obvious typesetters' errors;
otherwise, every effort has been made to remain true to the author's words and intent.
End of Project Gutenberg's The Magnificent Adventure, by Emerson Hough *** END OF THE PROJECT GUTENBERG EBOOK THE MAGNIFICENT ADVENTURE *** Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.
In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.
gutenberg.
org.
Section 3.
Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.
S.
federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.
gutenberg.
org/contact Section 4.
Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.
Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.
We do not solicit donations in locations where we have not received written confirmation of compliance.
To SEND DONATIONS or determine the status of compliance for any particular state visit www.
gutenberg.
org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.
U.
S.
laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses.
Donations are accepted in a number of other ways including checks, online payments and credit card donations.
To donate, please visit: www.
gutenberg.
org/donate.
Section 5.
General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone.
For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.
Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U. S.
unless a copyright notice is included.
Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.
gutenberg.
org.
This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: