Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
XXVI
At about four o'clock, while the brightening skies permitted Peyraque to make preparations for their return, by hiring another cart well provided with straw and blankets, together with oxen and a skilful teamster, so as to reach Laussonne before evening, the young and beautiful Duchess d'Aléria, robed in moire, her arms loaded with cameos, came into the apartment of her mother-in-law at the castle of Mauveroche, in Limousin, leaving her husband and Madame d'Arglade chatting with apparent friendliness in a magnificent drawing-room.
Diana had an air of joyful triumph, which struck the Marchioness.
"Well, what is it, my beauty?"
asked the old lady.
"What has happened!
Has my other son returned!"
"He will come soon," replied the Duchess.
"You have the promise of it, and, you know, we feel no uneasiness on his account.
His brother knows where he is, and declares we shall see him again by the end of the week.
So you find me excessively gay,--excessively happy, even--This little Madame d'Arglade is delightful.
Dear mamma, she is the source of all my happiness."
"O, you are jesting, little masquerader!
You can't endure her.
Why have you brought her here?
I did n't request it.
No one can amuse me but you."
"And I undertake it more bravely than ever," replied Diana, with a bewitching smile, "and this very D'Arglade whom I adore is going to furnish me with weapons against your wretched melancholy.
Listen, dear, good mamma.
At last we have got her awful secret, though not without trouble, by any means.
For three days we have been manœuvring round her,--the Duke and I,--overpowering her with our mutual trust, our surrender of ourselves to happiness, our most graceful tenderness.
At last, the estimable woman, who is n't our dupe, and whom our aggravating mockeries drove to extremity, has given me to understand that Caroline had for an accomplice in her great fault--O, you know whom.
She has told you.
I pretended not to understand; it was a little thrust right into my heart,--no, a deep thrust, I must tell the truth,--but I hastened to find my dear Duke, and flung it squarely in his face.
'Is it true, you dreadful man, that you have been in love with Mlle de Saint-Geneix!'
The Duke sprang like a cat,--no, like a leopard whose paw has been trodden on.
'There!
I was sure of it,' said he, roaring; 'it is our good Léonie who has invented that.'
And then he began to talk of killing her, so I had to quiet him and tell him I did n't believe it, which was n't quite true; I did believe it a little bit.
And this son of yours, who is n't dull,--he perceived that, and he flung himself at my feet, and he swore--O!
but he did swear by all that I believe and love, by the true God, and then by you, that it was an infamous lie; and now I am as sure of this as I am that I came into the world for nothing else but just to love his Grace the Duke."
The Duchess had a childish lisp, as natural as Madame d'Arglade's was affected, and she united with this a tone of resolute sincerity that made her perfectly charming.
The Marchioness had no time to wonder over what she heard, for the Duke came in as triumphant as his wife.
"There!"
cried he.
"God be praised, you will never see that viper again!
She has called for her carriage; she is going off furious, but with no poison in her fangs.
I can answer for that.
Mother, my poor mother, how you have been deceived.
I can appreciate your suffering.
And you would n't say a word, not even to me, who could in a breath--But I have confessed her, this odious woman, who would have brought despair into my household, if Diana were not an angel from heaven, against whom the Powers of Darkness will never prevail.
Well, mother, be a little vexed with us all; it will do you good.
Madame d'Arglade saw,--did she not?
--with her own two eyes, saw Mlle de Saint-Geneix leaning on my arm and crossing the lawn of Séval at daybreak!
She saw me speak to her affectionately and shake hands with her?
Well, she didn't see the whole, for I kissed her hands one after the other, and what she did n't overhear I'm going to tell you, for I remember as well as if it happened yesterday,--I was excited enough for that.
I said to her, 'My brother has been at the point of death to-night, and you have saved him.
Pity him, still keep him under your care, help me to hide his illness from our mother, and, thanks to you, he will not die.'
That is what I said, I swear it before Heaven, and this is what had taken place."
The Duke recounted the whole, and, going into the matter more thoroughly still, even confessed his false notions about Caroline and his fruitless manœuvring which she had not even perceived.
He described the outburst of jealousy against him on the part of the Marquis; their disagreement for one hour; their passionate reconciliation; the confession of the one, the solemn oaths of the other; the discovery he made at that moment of his brother's alarming condition; his own imprudence in leaving him, thinking him asleep and comfortable; the broken window-pane, the cries Caroline overheard; and Caroline herself rushing to his aid, reviving the sick man, staying beside him, devoting herself from that time onward to caring for him, amusing him, and aiding him in his work.
"And all this," added the Duke, "with a devotedness, a frankness, a forgetfulness of self, unequalled in all my experience.
This Caroline, you see, is a woman of rare worth, and I have sought in vain for a person who would suit my brother better in point of age, character, modesty, or congenial tastes.
I do not find one anywhere.
You know I have desired to have him make a more brilliant match.
Well, now that he is safe from serious embarrassment, thanks to this angel here who has restored us all to freedom and dignity; now that I have seen the persistence and strength of my brother's love for a person who is, more than all others, the sincere friend he needs; and, lastly, now that Diana understands all this better than I and exhorts me to believe in love-matches, I have, dear mother, only one thing to say, which is, that we must find Caroline again, and you must cheerfully give her your blessing as the best friend you ever had, except my wife, and the best daughter you can wish beside her."
"O my children!"
cried the Marchioness, "you make me so happy.
I have hardly lived since this calumny.
Urbain's grief, the absence of this child who was dear to me, the fear of setting at variance two brothers so perfectly united, if I acknowledged what I supposed to be true, what I am so glad find false.
We must hasten after the Marquis, after Caroline; but where, for Heaven's sake?
You know where your brother is;
but he,--does he know where she is?"
"No, he set out without knowing," replied the Duchess; "but Madame Heudebert knows."
"Write her, dear mother; tell her the truth, and she will tell Caroline."
"Yes, yes, I am going to write," said the Marchioness; "but how can I let poor Urbain know at once?"
"I will take charge of that," said the Duke.
"I would go myself, if the Duchess could go with me, but to leave her for three days,--on my word, it is too soon!"
"Fie!"
cried the Duchess; "as soon as the honeymoon is over do you mean to be running off without me in that way, light-hearted and light-footed too?
Ah!
how mistaken you are, you charming man!
I shall keep you in order, with all your inconstancy."
"And pray how will you do it, then?"
asked the Duke, looking at her fondly.
"By loving you always more and more.
We shall see whether you grow weary of it."
While the Duke was caressing the golden hair of his wife, the Marchioness was writing to Camille with a youthful sprightliness which was certainly remarkable.
"Here, my children," said she, "is this right?"
The Duchess read, "My dear Madame Heudebert, bring Caroline back to us, and let me embrace you both.
She has been the victim of a horrible slander; I know all.
I weep for having believed in the fall of an angel.
May she forgive me!
Let her come back; let her be my daughter always and never leave me again.
There are two of us who cannot live without her."
"That is delightful!
It is kind and just like you," said the Duchess, sealing up the note; and the Duke rang while his mother was writing the address.
The message being despatched, she said to them, "Why can't you both go after the Marquis!
Is he so very far off!"
"Twelve hours by post, at the very most," replied the Duke.
"And I cannot know where he is?"
"I ought not to tell you; but I'm convinced he will now have no more secrets from you.
Happiness induces confidence."
"My son," returned the Marchioness, "you alarm me seriously.
Perhaps your brother is here sick, and you are hiding it from me, as you did at Séval.
He is worse even; you make me believe he is away because he is n't able to be up."
"No, no!"
cried Diana, laughing; "he is n't here, he is n't sick.
He is abroad, he is travelling, he is sad, perhaps; but he is going to be happy now, and he did n't start without some hope of mollifying you."
The Duke solemnly assured his mother that his wife was telling the truth.
"Well, my children," resumed the Marchioness, still uneasy, "I wish I could know you were with him.
How shall I say it?
--He has never been ill but that I have suspected it or at least felt a peculiar uneasiness.
I was conscious of this at Séval, exactly at the period when he was so ill without my knowledge.
I see that what you describe coincides with a fearful night which I passed then.
Well, to-day, this morning, I was all alone, and I had what I may call a waking dream.
I
saw the Marquis pale, wrapped in something white, a shroud, perhaps, and I heard in my ear his voice, his own voice, saying, 'Mother.'
" "Heavens!
what fancies you torment yourself with!"
said the Duke.
"I don't torment myself willingly; and I let my presentiments comfort me, for I want to tell you the whole.
For an hour past I have known that my son is well; but he has been in danger to-day.
He has suffered,--or it may have been an accident.
Remember now the day and the hour."
"There!
you must go," said the Duchess to her husband.
"I don't believe a word of all this, but we must reassure your mother."
"You shall go with him," said the Marchioness.
"I don't want my gloomy notions, which, after all, are perhaps morbid and nothing else, to give you the first annoyance of your married life."
"And leave you alone with these ideas!"
"They will all vanish as soon as I see you going after him."
The Marchioness insisted.
The Duchess ordered a light trunk; and two hours afterward she was travelling by post with her husband through Tulle and Aurillac, on the way to Le Puy.
The Duchess knew the secret of her brother-in-law; she was ignorant of the mother's name, but aware of the existence of the child.
The Marquis had authorized the Duke to have no secrets from his wife.
At six in the morning they reached Polignac.
The first face which attracted Diana's notice was that of Didier.
She was impressed, as Caroline had been, with a sudden impulse of tenderness toward this dear little creature, who captivated all hearts.
While she was looking at him and petting him, the Duke inquired for the pretended M. Bernyer.
"My dear," said he to his wife, coming back, "my mother was right; some accident has happened to my brother.
He went away yesterday morning for a few hours' ramble over the mountain, but has not returned yet.
The people here are uneasy about him."
"Do they know where he went?"
"Yes, it is beyond Le Puy.
The post will carry us so far, and I can leave you there.
I shall take a horse and a guide, for there is no road passable for carriages."
"We will take two horses," said the Duchess.
"I'm not tired a bit; let us start."
An hour after the intrepid Diana, lighter than a bird, was galloping up the slope of the Gâgne and laughing at her husband's anxiety about her.
At nine o'clock in the morning they were swiftly passing through Lantriac, to the great wonderment of the townspeople, alighting soon at the Peyraque-Lanion domicile to the equally great disgust of the village innkeeper.
The family were at table in the little workshop.
The wanderers had returned the night before after some slight detention, but without accident.
The Marquis, weary but not sick, had accepted the hospitality of Peyraque's son, who lived near by.
Caroline had slept delightfully in her little room.
She was helping Justine to wait upon "the men of the house," that is, the Marquis and the two Peyraques.
Radiant with happiness she went back and forth, now waiting on the rest, and now seating herself opposite M. de Villemer, who let her have her own way, watching her with delight, as if to say, "I permit this now, but how I shall repay all these attentions, by and by!"
What an outburst of joy and surprise filled Peyraque's house at the appearance of the travellers!
The two brothers gave each other a long hugging.
Diana embraced Caroline, calling her "sister."
They spent an hour talking over everything by snatches, extravagantly, without comprehending one another, without feeling sure they were not all dreaming.
The Duke was almost famished and found Justine's dishes excellent, for she prepared another plentiful breakfast, while Caroline assisted her, laughing and weeping at the same time.
Diana was in a wildly venturesome mood, and wanted to undertake seasoning the dishes, to her husband's great dismay.
At last they seriously resumed their respective explanations and recitals.
The Marquis began by sending off a courier to Le Puy with a letter for his mother, whose anxiety and strange presentiments they had mentioned the first thing.
They shed no tears on quitting the Peyraques, for these good people had promised to come to the wedding.
The next day they had reached Mauveroche again with Didier, whom the Marquis placed in his mother's lap.
She had been prepared for this by her son's letter.
She loaded the child with caresses, and, restoring him to Caroline's arms, she said, "My daughter, you accept, then, the task of making us all happy?
Take my blessing a thousand times over, and if you would keep me here a long while, never leave me again.
I have done you much harm, my poor angel;
but God has not allowed it to last long, for I should have died from it sooner than you."
The Marquis and his wife passed the rest of the bright season at Mauveroche, and a few autumnal days at Séval.
This place was very dear to them; and, in spite of the pleasure at meeting their relatives again in Paris, it was not without an effort that they tore themselves away from a nook consecrated by such memories.
The marriage of the Marquis astounded no one; some approved, others disdainfully predicted that he would repent this eccentricity, that he would be forsaken by all reasonable people, that his life was a ruin, a failure.
The Marchioness came near suffering a little from these remarks.
Madame d'Arglade pursued Diana, Caroline, and their husbands with her hatred; but everything fell before the revolution of February, and people had to think of other matters.
The Marchioness was terribly frightened, and thought it expedient to seek refuge at Séval, where she was happy in spite of herself.
The Marquis, just as his anonymous book was about to appear, postponed its publication to a more quiet period.
He was unwilling to strike the sufferers of the day.
Blest with love and family joys, he is not impatient for glory.
The old Marchioness is now no more.
Feeble in body and far too active in mind, her days have been numbered.
She passed away in the midst of her children and grandchildren, blessing them all without knowing she was leaving them, conscious of bodily infirmities, but preserving her intellectual force and natural kindliness to the last, and laying plans, as most invalids do, for the next year.
The Duke is growing quite fleshy in his prosperity; but is still good-humored, handsome, and active enough.
He lives in great luxury, but without extravagance; referring everything to his wife, who governs him, and keeps him on his good behavior, with rare tact and admirable judgment, notwithstanding the indulgent spoiling of her fondness for him.
We would not assert that he has never thought of deceiving her; but she has contrived to counteract his fancies without letting him suspect it, and her triumph, which still endures, proves once more that there are sometimes wit and power enough in the brain of a girl of sixteen to settle the destiny, and that in the best possible way, of a professed profligate.
The Duke, still wonderfully good-natured and somewhat weak, finds more delight than one would think in giving over his skilfully planned treacheries toward the fair sex, and in going to sleep, without further remorse, on the pillow of comfortable propriety.
The Marquis and the new Marchioness de Villemer now pass eight months of the year at Séval, always occupied--we cannot say with one another, because they are so united that they think together and answer each other before the question is asked, but--with the education of their children, who are all sprightly and intelligent.
M.
de G---- is dead.
Madame de G---- has been forgotten.
Didier is formally recognized by the Marquis as one of his children.
Caroline no longer remembers that she is not his mother.
Madame Heudebert is established at Séval.
All her children are brought up under the united care of the Marquis and Caroline.
The sons of the Duke, petted more, are not so intelligent or so strong; but they are amiable and full of precocious graces.
The Duke is an excellent father, and is astonished, though quite needlessly, to find that his children are already so large.
The Peyraques have been loaded with gifts.
Last year Urbain and Caroline went back to visit them, and, this time, they climbed, under a fine sunrise, the silvery peak of Mézenc.
They also wanted to see once more the poor cabin where, in spite of the Marquis and his liberality, nothing is changed for the better; but the father has bought land and thinks himself wealthy.
Caroline seated herself with pleasure by the miserable hearth, where she had seen at her feet, for the first time, the man with whom she would have willingly shared a hut in the Cévennes, and forgetfulness of the whole world.
THE END
*** END OF THE PROJECT GUTENBERG EBOOK THE MARQUIS DE VILLEMER *** Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: