Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
[Illustration: Illuminated capital] Suddenly, early in the year 1564, for a reason which has never been explained satisfactorily, Vesalius left Madrid.
Apparently he was at the height of success.
He was famous as a physician and surgeon; he was a favorite at the Spanish court; he had amassed a fortune; and seemingly he was destined to pass his remaining days under the most favorable surroundings.
As occurs to all great men, he had excited the jealous animosity of many of the members of his profession.
The efforts of the Madrid physicians to ignore the talents of one whom they regarded as a foreigner, long since had reacted to the advantage of the Archiatrus.
[Illustration: PHILIP THE SECOND] During the twenty years that he had filled the post of Archiatrus, the scalpel of Vesalius was rusting: but the controversy concerning the infallibility of Galen was still raging.
The violent criticisms of Sylvius upon the _Fabrica_ had been silenced by death, but others took up the cause of Galen where Sylvius had left it.
But the passing years had brought a new coterie of professors, who, like Fallopius at Padua;
Rondelet at Montpellier; Massa at Venice; and Fuchs at Tübingen, were boldly teaching many things that were contrary to Galen.
Life at the Spanish court was not favorable to the study of science.
“The hand of the Church”, says Foster[28], “was heavy on the land; the dagger of the Inquisition was stabbing at all mental life, and its torch was a sterilizing flame sweeping over all intellectual activity.
The pursuit of natural knowledge had become a crime, and to search with the scalpel into the secrets of the body of man was accounted sacrilege.
It was for a life in priest-ridden, ignorant, superstitious Madrid that Vesalius had forsaken the freedom of the Venetian Republic and the bright academic circles of Padua; in Madrid, where, as he himself has said, ‘he could not lay his hand on so much as a dried skull, much less have the chance of making a dissection’.
Moreover, he must have felt the loss of Charles, who, whatever his faults, recognized the worth of intellectual efforts, and in many ways had shown his sympathy with Vesalius’s love of knowledge.
Such sympathy could not be looked for in the narrow and bigoted Philip”.
About this time Vesalius received a copy of the _Observationes Anatomicae_ of his pupil Fallopius, who, having learned all that his master had taught of anatomy, continued his studies with great skill and industry.
Such a book, coming at an opportune time, must have seemed like a voice calling the Archiatrus back to the intellectual life, bringing to his mind’s eye the recollection of his happy days in Italy.
Vesalius travelled to Venice by way of Perpignan.
While in Venice he visited the printer, Francesco Sanese, and discussed the publication of a new book which should contain his reply to Fallopius.
In a short time he started for Cyprus in company with Jacobo Malatesta, the commander of the Venetian forces in that island.
Thence he passed to Jerusalem on a pilgrimage to the Holy Land.
Vesalius never returned from that journey.
Information of his death reached Brussels towards the end of that year—1564. What was the reason for this pilgrimage?
Various alleged authorities have given different versions, many of which are evidently fictitious.
The most reasonable account, which emanates from Spanish-French sources, dates from a letter written January 1, 1565, to the physician Caspar Peucer by Hubert Languer, or Hubertus Languetus, the Huguenot friend of Philip Sidney, which says:—“They say that Vesalius is dead.
Doubtless you have heard that he went to Jerusalem.
That journey had, as they tell us from Spain, an odd reason.
Vesalius, believing a young Spanish nobleman whom he had attended to be dead, obtained leave of the parents to open the body for the sake of inquiring into the cause of the illness, which he had not rightly comprehended.
This was granted; but he had no sooner made an incision into the body than he perceived the symptoms of life, and opening the breast, saw the heart beat.
The parents coming afterwards to the knowledge of this, were not satisfied with prosecuting him for murder, but accused him to the Inquisition of impiety, in hopes that he would be punished with greater rigor by the judges of that tribunal than by those of the common law.
But the King of Spain interposed, and saved him on condition that by way of atoning for the error he should undertake a pilgrimage to the Holy Land”.
The pilgrimage was made, the Holy Sepulcher was visited, and the weary wanderer had started for Padua to take the chair which was made vacant by the death of Fallopius.
A violent storm swept the Ionian Sea.
Vesalius’s ship was wrecked upon the island of Zakynthos, where, on the fifteenth day of October, 1564, the Archiatrus died of exhaustion.
Such was the miserable end of Andreas Vesalius of Brussels, a man, who, before he had attained his thirtieth year, had become the greatest anatomist that the world has ever seen.
[Illustration: Ornamental block] FOOTNOTES
[1]Théorie de la figure humaine.
Paris, 1773. [2]Moehsen: Verzeichnis einer Sammlung von Bildnissen.
Berlin, 1771;
page 59. [3]Bell: Observations on Italy.
Edinburgh, 1825; page 257. [4]Galen: De Anatomicis Adininistrationibus.
Lib.
II.
[5]Celsus: De Medicina.
Lib.
I.
[6]Fisher: Claudius Galenus.
Annals of Anatomy and Surgery, Vol. IV.
, page 216. [7]Saint Basil, in his maturer years, deeply regretted that he had studied classical literature in his youth.
Jerome regarded the reading of the writings of antiquity as a terrible crime.
Gregory the Great declared a knowledge of grammar even for a layman to be indelicate.
—Fort: Medical Economy during the Middle Ages.
N.
Y.
, 1883; pages 102, 103. [8]Meryon: History of Medicine.
London, 1861; vol. I, page 479. [9]Adam; Vitae Germanorum Medicorum.
Haidelbergae, 1620: page 224. [10]Zwinger: Theatrum Vitae Humanae.
Basileae, 1571. [11]Vesalius: Fabrica, 1543, preface.
[12]Sylvius: Ordo et Ordinis Ratio in Legendis Hippocratis et Galeni Libris, 1539. [13]The Collége Royal de France was founded by Francis the First.
This enlightened patron of the sciences and arts recognized the merits of scientific men and rewarded them with his money and his friendship.
He established the Collége de France with twelve richly-endowed professorships, one of which was devoted to medicine.
The lectures were free to all who desired to attend.
The first incumbent of the chair of medicine was Vidus Vidius, Guido Guidi, of Florence, who filled this position from 1542 to 1548. Such success followed his labors that, on his return to Italy, his experience in Paris was the subject of this witticism: _Vidus venit, Vidius vidit, Vidus vicit_.
[14]Northcote: History of Anatomy.
London, 1772; page 56. [15]Portal: Histoire de l’Anatomie et de la Chirurgie.
Paris, 1770; vol. I, page 365. [16]Moreau: Vita Sylvii, in Sylvii Opera Medica.
Geneva, 1635. [17]Vesalius: De radice Chinae epistola, 1546; pages 151, 152. [18]Archives Curieuses de l’Histoire de France.
[19]Guinterius: Anatomicarum Institutionum, 1539. [20]Paraphrasis in nonum librum Rhazae medici Arabis clariss.
ad Regem Almansorem, de singularum corporis partium affectuum curatione, autore Andrea Wesalio Bruxellensi Medicinae candidato.
Lovanii ex officina Rutgeri Resii.
mense Februar.
1537. [21]Radicis Chinae usus, Andrea Vesalio autore.
Lugd.
, 1547; page 278. [22]Moehsen: Verzeichnis einer Sammlung von Bildnissen.
Berlin, 1771;
page 82. [23]Sandrart: Teutsche Academie.
Nürnberg, 1685: vol. II.
, page 243. [24]Portal: Histoire de l’anatomie et de la chirurgie.
Paris, 1770; vol. I.
, page 399. [25]McMurrich: Medical Library and Historical Journal, December, 1906. [26]Cowper: The Anatomy of Human Bodies.
Oxford, 1697. [27]Andreae Vesalii Opera Omnia Anatomica et Chirurgica in duos tomos distributa cura Hermanni Boerhaave et Bernhardi Siegfried Albini.
Lugduni Batavorum, 1725. [28]Foster: Lectures on the History of Physiology.
Cambridge, 1901, page 17. INDEX
[Illustration: Ornamental block] INDEX
A
Abrégé d’anatomie 93 Achillinus, Alexander 42 Adam, M. 55 Adolph of Nassau 11 Aegina, Paul of 63, 80 Aesculapius 17 Aetius 80 Alberti, Leo Battista 7 Albertus Magnus 55 Albius, John Andreas 80 Albinus, B. S.
46, 115, 129 Albucasis 30 Alcmaeon 19, 115 Aldo 11 Aldus Manutius 43 Alexander of Tralles 63 Alexander the Great 20 Alexandria 20, 22 Alexandrian Anatomists 22, 23 Alexandrian Library 23 Alexandrian University 22, 29 Alfonso the Magnificent 5 Almansor, the 72 Al-Rasi 31 Amatus 51 Ambrosian Library 113 Anatomy in Ancient Times 17-28 Anathomia Mundini 11, 35, 48 Anatomia Corporis Humani 37 Anatomia ridotta 93 Anatomia Porci 27 Anatomical Renaissance 14 Andernach, John Winter of 61 Antonius Musa 20 Antropologium of Magnus Hundt 39 Apelles 22 Aphorisms of Hippocrates 53 Apollo 19 Apophyses venarum 51 Aquaeductus Fallopii 122 Aqueduct of Sylvius 60 Arabs 27, 30, 56 Arantius 15, 16 Archimedes 22 Archiatrus 131, 132, 135, 136 Aristophanes 22 Aristotle 19, 55, 65, 66, 67 Ars Curativa of Galen 56 Art-Anatomy 7, 91 Artery of Sylvius 60 Asclepiadae 17, 19, 56 Astruc 57 Athanasius 22 Augustus 20 Aurelius, Marcus 24 Averröes 4, 56 Avicenna 15, 31, 56, 80 B
Banister, John 127 Basel, view of 83 Beatrizet, Nicholas 128 Becerra, Caspar 128 Bell, John 18 Bembo 12 Benedictine Monastery 5 Berengario da Carpi 43-46 Bertruccius 29 Boccaccio 4, 5 Bogarucci, Prosper 129 Boerhaave 129 Bologna 6, 15, 27, 29, 30, 37, 43, 130 Boniface VIII 15 Bracciolini, Poggio 10 Brambilla 44 Brissotus, Petrus 56 Bruchaeum 21 Budaeus 56 Busleiden, Hieronymus 54 C
Caelius Aurelianus 63 Caesalpinus 16 Caius 10 Cajetan Petrioli 115 Calamus scriptorius 23 Callimichus 22 Calcar, Jan Stephan van 9, 74, 82, 83, 89 Canna coxae 34 Cannanus 51, 60 Caraffa 13, 73 Carbo, Gisbertus 55 Cardan, Jerome 52 Cardi, Luigi 9 Carpi, Seigneur de 43 Carpus 43-46 Carolus Stephanus 48 Caxton 11 Celsus, Aulus Cornelius 10, 22 Charles the Fifth 53, 55, 82, 87, 95, 112, 119, 131 Chauliac, Guy de 29 China root 73, 87, 132 Christian III 63 Cicero 4, 5 Cimabue 7 Civitas Hippocratica 27 Clement VII 12 Clement XI 115 Colladus 117, 118 Collegium trilingue 54 Collége de Tréguier 58 Collége de Cornouailles 58 Collége de France 15, 58, 60 Columbus 16, 114, 117, 118-121, 130 Copernicus 2 Copho 27 Coriolano, Christoforo 88 Cortona, Pietro da 9 Cosimo de’ Medici 5, 131 Cosimo I 123 Cowper, William 126 Crabbe, Isabella 53 Crooke, Helkiah 127 Crusaders 15 Curtius, Matthaeus 79 D
da Carpi, Berengario 43-46, 47 da Carpi, Hugo 45 Danoni 84 Dante, Alighieri 3 Dark Ages, Anatomy in the 26 da Vinci, Leonardo 2, 8, 9, 113 de Ketham, Joannes 32, 33 Della Torre, Marc Antonio 8 Descartes 65 Deventer, the Beggar of 61, 64 de Zerbi, Gabriel 37, 39 Donaria of Anatomical Interest 20 Don Carlos 132 Dryander, John 46-48, 51, 114 Dubois, Jacques 57 Dürer, Albrecht 9 E
Eclectic Philosophy 66 Egyptian Anatomy 17 Eichmann 47 Elizabeth, Queen 127 Empedocles of Agrigentum 19 Epidaurus 20 Epitome, the 84, 91, 93, 95-97, 129 Erasistratus 22, 23, 24 Eratosthenes 22 Estienne, Charles 48-51, 60 Estienne, Robert 50 Eucharus 31 Eucharius Rhodion 16 Euclid 22 Eustachius, Bartholomeus 15, 16, 114-118 Eyck, Hubert and John van 7 F
Fabrica, the 30, 54, 55, 71, 82, 84, 94, 126, 128, 129, 130, 133 contents of 93-113 Fabricius ab Aquapendente 16, 51 Fallopia 123 Fallopius, Gabriel 16, 114, 117, 118, 121-124, 134, 135 Ferdinand I 63 Fernel, Jean 57, 58, 64-67 Fisher, G. J.
25, 119, 121 Fliegende Blätter 37, 89, 95 Foesius, Anutius 10 Foramen Vesalii 103 Fort, George F. 27 Fracastoro 10 Francis the First 60 Frederick II 28 Friesen 40 G
Gabriel de Zerbi 37, 39 Galen 10, 15, 19, 20, 24-26, 30, 36, 56, 57, 58, 61, 63, 64, 66, 67, 68, 79, 80, 101, 103, 109, 111, 112, 123, 130, 131, 133, 134 Galileo 2, 112 Geminus, Thomas 126, 127 Gemma, Regnier 70, 71 Giacomo Berengario 43-46 Giacomo Moro 93 Giotto 7 Giuseppe Ribera 9 Glisson 51 Granvella 55 Greece, Anatomy in 17, 18, 20 Gregory the Great 27 Guido Guidi 60 Guillemeau, Jacques 16 Guinterius, Joannes 61-64, 67, 68, 71, 81 H
Hamusco, Juan Valverde di 128 Harvey, William 16, 110, 112, 121 Havers, Clopton 50 Hela, Ricardus 37, 38 Henry the Second 65 Hero 22 Herophilus 22, 23, 122 Historie of Man 127 Hippocrates 10, 17, 18, 19, 24, 57, 66, 67, 80, 125 Holbein, the Elder 41 Homer 29 Hubert van Eyck 7 Hugo da Carpi 45 Humanists and Humanism 4, 9, 10, 11, 13, 56 Hundt, Magnus 39-40, 42 I
Ignatius Loyola 73 Index Expurgatorius 13 Ingrassias, John Philip 15, 117, 118, 124, 125 Inquisition 13, 44, 136 Isagogae Breves 45 Institutionum Anatomicarum 81 Italy and the Renaissance 2-14 J
Jan Stephan van Calcar 9, 74, 82, 83, 89 Jan Wandelaar 86, 129 Jerome 27 Jerome Mercurialis 88 Jesuits 73 Joannes de Ketham 32, 33 K
Kalcker 89 Ketham, Joannes de 32, 33 L
Lactantius 11 Lancisi 115 Languer, Hubert 135 Laurentius Phryesen 40, 41 Leonardo da Vinci 2, 8, 9, 113 Leonicenus, Nicholas 10, 56 Linacre, Thomas 10 Livy 5, 20 Lorenzo de’ Medici 8 Louvain, University of 53, 54, 71, 75 Loyola, Ignatius 73 Luca Signorelli 8 Luigi Cardi 9 Luther 63 Luzzi, Mondino dei 29 M
Maggiore Consiglio of Venice 28 Magnus, Albertus 55 Malatesta, Jacobo 135 Manetho 22 Marc Antonio della Torre 8 Margarita Philosophica 55 Massa 134 Maximilian d’Egmont 132 Mead, Dr. Richard 97 Medicina Astrologica 28 Melzi 113 Mercurialis, Jerome 88 Meryon, Edward 45 Michael Angelo 8, 9 Mirach 34 Moehsen, J. C. W.
18, 87 Mondino dei Luzzi 29-36 Mondino’s Anathomia 11, 35 Mondino’s Successors 37-51 Monte Cassino 5 Moreau 61 Morley, Henry 70, 129, 131 Moro, Giacomo 93 Moschenbauer 93 Musa, Antonius 20 Museum, Alexandrian 22 Myntens, Arnold 9 Mc
McMurrich 113 N
Narcissus of Parthenope 82 Nicholas V 5, 10 Northcote, W. 60 O
Oporinus, Joannes 84, 85, 86, 95, 99 Oribasius 63 Origen 22 Osiris 22 P
Padua, University of 15, 74, 75, 76, 79, 80, 81, 112, 123, 136 Vesalius’s Sojourn in 56-69 Paedagogium Castri 54 Paganism 11, 12 Paraphrase of Rhazes 72, 131 Paré, Ambroise 16 Paris, Anatomical teaching at 56, 69 Parthenope, Narcissus of 82 Pascal 112 Paulus Aegineta 10, 63, 80 Pausanias 18 Petrarch 3, 4, 5 Peucer, Caspar 135 Peyligk, John 39 Philip the Second 95, 131, 132, 134 Phryesen, Laurentius 40, 41, 42 Pierre de la Rameé 65, 66, 67 Pietro da Cortona 9 Piles, Rogers de 93 Pinus 115 Pion, Albert 43 Poggio Bracciolini 9 Pollaiuolo, Antonio 8 Poliziano 10 Pontanus 10 Pope Boniface VIII 15 Pope Clement VII 12 Pope Clement XI 115 Pope Leo X 12 Pope Nicholas V 10 Pope Paul III 13 Pope Paul IV 13, 119 Pope Pius IIII 119 Portal 60, 112 Ptolemies, the 22 Q
Quintilian 5 R
Raffaello Santi 9 Raimondino 28 Ramus 65, 66, 67 Regio Judaeorum 21 Renaissance, the Anatomical 14-16 Renaissance, the General 1-14 Rescius 71 Rhacotis 21 Rhazes 31, 53, 72, 73 Rhodion, Eucharius 16 Ribera, Giuseppe 9 Richardson, B. W.
99 Rogers de Piles 93 Rome, Anatomy in 19, 20 Rubens 9 Rufus of Ephesus 122, 123 S
Saint Basil 27 Saint Stephen 12 Salernum 5, 27, 28 Sandrart 89 Sannazzaro 10 Santi, Raffaello 9 Scotus, Michael 55 Servetus 64, 68, 118, 119, 121 Sicilian Hippocrates 125 Sidney, Philip 135 Signorelli, Luca 8 Siphac 34 Spiegel der Artzny 41 Stephanas, Carolus 48-51 Stirling-Maxwell, Sir William 83 Sturm 71 Sylvius, Jacobus 57-61, 67, 68, 112, 113 Symonds, J. A.
3 T
Tabulae Anatomicae 81, 83, 126 Tagault, Jean 57 Temples of Aesculapius 18 Terence 5 Theatin Monks 73 Theocritus 22 Thomas of Sarzana 10 Titian 87, 88, 89, 93 Torcular Herophili 23 Torre, Marc Antonio della 8 Torricelli 2, 112 Tortebat, François 93 Trajectorium 35 Tralles, Alexander of 63 Tritonius, Vitus 75, 80 V
Valeriano 12 Valverde, Juan di Hamusco 128 van Eyck, Hubert and John 7 Varolius 15 Vasari 88 Velsius 71 Venice 6, 11, 37, 73, 89, 93, 118, 123, 135 Venice, Maggiore Consiglio of 28 Verdunno, Narciso 82 Vesalius, birth of 52 death of 136 education of 53-55, 56, 67, 68 Vesanus 59, 112 Vida 10 Vidius, Vidus 15, 60 Villanovanus, Michael 68 Vinci, Leonardo da 2, 8, 9, 113 Vitruvius 10 Vitus Tritonius 75, 80 W
Waechtlin 41 Wandelaar, Jan 86, 129 Wesalius Family 52, 53 Wharton 42 Winter of Andernach 61-64 Z
Zakynthos, island of 136 Zerbi, Gabriel de 37, 39 Zyrbi 31 [Illustration: Ornamental block] Transcriber’s Notes —Silently corrected a few typos.
—Retained publication information from the printed edition: this eBook is public-domain in the country of publication.
—In the text versions only, text in italics is delimited by _underscores_.
*** END OF THE PROJECT GUTENBERG EBOOK ANDREAS VESALIUS, THE REFORMER OF ANATOMY *** Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.
In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.
gutenberg.
org.
Section 3.
Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.
S.
federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.
gutenberg.
org/contact Section 4.
Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.
Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.
We do not solicit donations in locations where we have not received written confirmation of compliance.
To SEND DONATIONS or determine the status of compliance for any particular state visit www.
gutenberg.
org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.
U.
S.
laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses.
Donations are accepted in a number of other ways including checks, online payments and credit card donations.
To donate, please visit: www.
gutenberg.
org/donate.
Section 5.
General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone.
For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.
Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U. S.
unless a copyright notice is included.
Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.
gutenberg.
org.
This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: