Jean-Christophe In Paris — ANTOINETTE, I, part 9

* * * * * They had to set to work to prepare Olivier's wardrobe for the _École_.

Antoinette spent the last of her little store of money, and even sold some of her jewels.

What did it matter?

He would repay her later on.

And then, she would need so little when he was gone from her!...

She tried not to think of what it would be like when he was gone: she worked away at his clothes, and put into the work all the tenderness she had for her brother, and she had a presentiment that it would be the last thing she would do for him.

During the last days together they were never apart: they were fearful of wasting the tiniest moment.

On their last evening they sat up very late by the fireside, Antoinette occupying the only armchair, and Olivier a stool at her feet, and she made a fuss of him like the spoiled child he was.

He was dreading--though he was curious about it, too--the new life upon which he was to enter.

Antoinette thought only that it was the end of their dear life together, and wondered fearfully what would become of her.

As though he were trying to make the thought even more bitter for her, he was more tender than ever he had been, with the innocent instinctive coquetry of those who always wait until they are just going to show themselves at their best and most charming.

He went to the piano and played her their favorite passages from Mozart and Gluck--those visions of tender happiness and serene sorrow with which so much of their past life was bound up.

When the time came for them to part, Antoinette accompanied Olivier as far as the gates of the _École_.

Then she returned.

Once more she was alone.

But now it was not, as when she had gone away to Germany, a separation which she could bring to an end at will when she could bear it no longer How it was she who remained behind, he who went away: it was he who had gone away, for a long, long time--perhaps for life.

And yet her love for him was so maternal that at first she thought less of herself than of him: she thought only of how different the first few days would be for him, of the strict rules of the _École_, and was preoccupied with those harmless little worries which so easily assume alarming proportions in the minds of people who live alone and are always tormenting themselves about those whom they love.

Her anxiety did at least have this advantage, that it distracted her thoughts from her own loneliness.

She had already begun to think of the half-hour when she would be able to see him next day in the visitors' room.

She arrived a quarter of an hour too soon.

He was very nice to her, but he was altogether taken up with all the new things he had seen.

And during the following days, when she went to see him, full of the most tender anxiety, the contrast between what those meetings meant for her and what they meant for him was more and more marked.

For her they were her whole life.

For Olivier--no doubt he loved Antoinette dearly: but it was too much to expect him to think only of her, as she thought of him.

Once or twice he came down late to the visitors' room.

One day, when she asked him if he were at all unhappy, he said that he was nothing of the kind.

Such little things as that stabbed Antoinette to the heart.

--She was angry with herself for being so sensitive, and accused herself of selfishness: she knew quite well that it would be absurd, even wrong and unnatural, for him to be unable to do without her, and for her to be unable to do without him, and to have no other object in life.

Yes: she knew all that.

But what was the good of her knowing it?

She could not help it if for the past ten years her whole life had been bound up in that one idea: her brother.

Now that the one interest of her life had been torn from her, she had nothing left.

She tried bravely to keep herself occupied and to take up her music and read her beloved books ...

But alas!

how empty were Shakespeare and Beethoven without Olivier!

--Yes: no doubt they were beautiful....

But Olivier was not there.

What is the good of beautiful things if the eyes of the beloved are not there to see them?

What is the use of beauty, what is the use even of joy, if they cannot be won through the heart of the beloved?

If she had been stronger she would have tried to build up her life anew, and give it another object.

But she was at the end of her tether.

Now that there was nothing to force her to hold on, at all costs, the effort of will to which she had subjected herself snapped: she collapsed.

The illness, which had been gaining grip on her for over a year, during which she had fought it down by force of will, was now left to take its course.

She spent her evenings alone in her room, by the spent fire, a prey to her thoughts: she had neither the courage to light the fire again, nor the strength to go to bed: she would sit there far into the night, dozing, dreaming, shivering.

She would live through her life again, and summon up the beloved dead and her lost illusions: and she would be terribly sad at the thought of her lost youth, without love or hope of love.

A dumb, aching sorrow, obscure, unconfessed ...

A child laughed in the street: its little feet pattered up to the floor below ...

Its little feet trampled on her heart ...

She would be beset with doubts and evil thoughts; her soul in its weakness would be contaminated by the soul of that city of selfish pleasure.

--She would fight down her regrets, and burn with shame at certain longings which she thought, evil and wicked: she could not understand what it was that hurt her so, and attributed it to her evil instincts.

Poor little Ophelia, devoured by a mysterious evil, she felt with horror dark and uneasy desires mounting from the depths of her being, from the very pit of life.

She could not work, and she had given up most of her pupils: she, who was so plucky, and had always risen so early, now lay in bed sometimes until the afternoon: she had no more reason for getting up than for going to bed: she ate little or nothing.

Only on her brother's holidays--Thursday afternoons and Sundays--she would make an effort to be her old self with him.

He saw nothing.

He was too much taken up with his new life to notice his sister much.

He was at that period of boyhood when it was difficult for him to be communicative, and he always seemed to be indifferent to things outside himself which would only be his concern in later days.

--People of riper years sometimes seem to be more open to impressions, and to take a simpler delight in life and Nature, than young people between twenty and thirty.

And so it is often said that young people are not so young in heart as they were, and have lost all sense of enjoyment.

That is often a mistaken idea.

It is not because they have no sense of enjoyment that they seem less sensitive.

It is because their whole being is often absorbed by passion, ambition, desire, some fixed idea.

When the body is worn and has no more to expect from life, then the emotions become disinterested and fall into their place; and then once more the source of childish tears is reopened.

--Olivier was preoccupied with a thousand little things, the most outstanding of which was an absurd little passion,--(he was always a victim to them),--which so obsessed him as to make him blind and indifferent to everything else.

--Antoinette did not know what was happening to her brother: she only saw that he was drawing away from her.

That was not altogether Olivier's fault.

Sometimes when he came he would be glad to see her and start talking.

He would come in.

Then all of a sudden he would dry up.

Her affectionate anxiety, the eagerness with which she clung to him, and drank in his words, and overwhelmed him with little attentions,--all her excess of tenderness and querulous devotion would deprive him utterly of any desire to be warm and open with her.

He might have seen that Antoinette was not in a normal condition.

Nothing could be farther from her usual tact and discretion.

But he never gave a thought to it.

He would reply to her questions with a curt "Yes" or "No." He would grow more stiff and surly, the more she tried to win him over: sometimes even he would hurt her by some brusque reply.

Then she would be crushed and silent.

Their day together would slip by, wasted.

But hardly had he set foot outside the house on his way back to the _École_ than he would be heartily ashamed of his treatment of her.

He would torture himself all night as he lay awake thinking of the pain he had caused her.

Sometimes even, as soon as he reached the _École_, he would write an effusive letter to his sister.

--But next morning, when he read it through, he would tear it up.

And Antoinette would know nothing at all about it.

She would go on thinking that he had ceased to love her.

* * * * * She had--if not one last joy--one last flutter of tenderness and youth, when her heart beat strongly once more; one last awakening of love in her, and hope of happiness, hope of life.

It was quite ridiculous, so utterly unlike her tranquil nature!

It could never have been but for her abnormal condition, the state of fear and over-excitement which was the precursor of illness.

She went to a concert at the _Châtelet_ with her brother.

As he had just been appointed musical critic to a little Review, they were in better places than those they occupied in old days, but the people among whom they sat were much more apathetic.

They had stalls near the stage.

Christophe Krafft was to play.

Neither of them had ever heard of the German musician.

When she saw him come on, the blood rushed to her heart.

Although her tired eyes could only see him through a mist, she had no doubt when he appeared: he was the unknown young man of her unhappy days in Germany.

She had never mentioned him to her brother: and she had hardly even admitted his existence to her thoughts: she had been entirely absorbed by the anxieties of her life since then.

Besides, she was a reasonable little Frenchwoman, and refused to admit the existence of an obscure feeling which she could not trace to its source, while it seemed to lead nowhere.

There was in her a whole region of the soul, of unsuspected depths, wherein there slept many other feelings which she would have been ashamed to behold: she knew that they were there: but she looked away from them in a sort of religious terror of that Being within herself which lies beyond the mind's control.

When she had recovered a little, she borrowed her brothers glasses to look at Christophe: she saw him in profile at the conductor's stand, and she recognized his expression of forceful concentration.

He was wearing a shabby old coat which fitted him very badly.

--Antoinette sat in silent agony through the vagaries of that lamentable concert when Christophe joined issue with the unconcealed hostility of his audience, who were at the time ill-disposed towards German artists, and actively bored by his music.

And when he appeared, after a symphony which had seemed unconscionably long, to play some piano music, he was received with cat-calls which left no room for doubt as to their displeasure at having to put up with him again.

However, he began to play in the face of the bored resignation of his audience: but the uncomplimentary remarks exchanged in a loud voice by two men in the gallery went on, to the great delight of the rest of the audience.

Then he broke off: and in a childish fit of temper he played _Malbrouck s'en va t'en guerre_ with one finger, got up from the piano, faced the audience, and said: "That is all you are fit for."

The audience were for a moment so taken aback that they did not quite take in what the musician meant.

Then there was an outburst of angry protests.

Followed a terrible uproar.

They hissed and shouted: "Apologize!

Make him apologize!"

They were all red in the face with anger, and they blew out their fury--tried to persuade themselves that they were really enraged: as perhaps they were, but the chief thing was that they were delighted to have a chance of making a row, and letting themselves go: they were like schoolboys after a few hours in school.

Antoinette could not move: she was petrified: she sat still tugging at one of her gloves.

Ever since the last bars of the symphony she had had a growing presentiment of what would happen: she felt the blind hostility of the audience, felt it growing: she read Christophe's thoughts, and she was sure he would not go through to the end without an explosion: she sat waiting for the explosion while agony grew in her: she stretched every nerve to try to prevent it; and when at last it came, it was so exactly what she had foreseen that she was overwhelmed by it, as by some fatal catastrophe against which there was nothing to be done.

And as she gazed at Christophe, who was staring insolently at the howling audience, their eyes met.

Christophe's eyes recognized her, greeted her, for the space of perhaps a second: but he was in such a state of excitement that his mind did not recognize her (he had not thought of her for long enough).

He disappeared while the audience yelled and hissed.

She longed to cry out: to say or do something: but she was bound hand and foot, and could not stir; it was like a nightmare.

It was some comfort to her to hear her brother at her side, and to know that, without having any idea of what was happening to her, he had shared her agony and indignation.

Olivier was a thorough musician, and he had an independence of taste which nothing could encroach upon: when he liked a thing, he would have maintained his liking in the face of the whole world.

With the very first bars of the symphony, he had felt that he was in the presence of something big, something the like of which he had never in his life come across.

He went on muttering to himself with heartfelt enthusiasm: "That's fine!

That's beautiful!

Beautiful!"

while his sister instinctively pressed close to him, gratefully.

After the symphony he applauded loudly by way of protest against the ironic indifference of the rest of the audience.

When it came to the great fiasco, he was beside himself: he stood up, shouted that Christophe was right, abused the booers, and offered to fight them: it was impossible to recognize the timid Olivier.

His voice was drowned in the uproar: he was told to shut up: he was called a "snotty little kid," and told to go to bed.

Antoinette saw the futility of standing up to them, and took his arm and said: "Stop!

Stop!

I implore you!

Stop!"

He sat down in despair, and went on muttering: "It's shameful!

Shameful!

The swine!..."

She said nothing and bore her suffering in silence: he thought she was insensible to the music, and said: "Antoinette, don't _you_ think it beautiful?"

She nodded.

She was frozen, and could not recover herself.

But when the orchestra began another piece, she suddenly got up, and whispered to her brother in a tone of savage hatred: "Come, come!

I can't bear the sight of these people!"

They hurried out.

They walked along arm-in-arm, and Olivier went on talking excitedly.

Antoinette said nothing.