Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
CHAPTER XXXVI
The End A stupor of grief succeeded to Leonard's passionate cries.
He became so much depressed, physically as well as mentally, before the end of the day, that Mr Davis was seriously alarmed for the consequences.
He hailed with gladness a proposal made by the Farquhars, that the boy should be removed to their house, and placed under the fond care of his mother's friend, who sent her own child to Abermouth the better to devote herself to Leonard.
When they told him of this arrangement, he at first refused to go and leave _her_; but when Mr Benson said: "_She_ would have wished it, Leonard!
Do it for her sake!"
he went away very quietly; not speaking a word, after Mr Benson had made the voluntary promise that he should see her once again.
He neither spoke nor cried for many hours; and all Jemima's delicate wiles were called forth, before his heavy heart could find the relief of tears.
And then he was so weak, and his pulse so low, that all who loved him feared for his life.
Anxiety about him made a sad distraction from the sorrow for the dead.
The three old people, who now formed the household in the Chapel-house, went about slowly and dreamily, each with a dull wonder at their hearts why they, the infirm and worn-out, were left, while she was taken in her lovely prime.
The third day after Ruth's death, a gentleman came to the door and asked to speak to Mr Benson.
He was very much wrapped up in furs and cloaks, and the upper, exposed part of his face was sunk and hollow, like that of one but partially recovered from illness.
Mr and Miss Benson were at Mr Farquhar's, gone to see Leonard, and poor old Sally had been having a hearty cry over the kitchen fire before answering the door-knock.
Her heart was tenderly inclined just then towards any one who had the aspect of suffering; so, although her master was out, and she was usually chary of admitting strangers, she proposed to Mr Donne (for it was he) that he should come in and await Mr Benson's return in the study.
He was glad enough to avail himself of her offer; for he was feeble and nervous, and come on a piece of business which he exceedingly disliked, and about which he felt very awkward.
The fire was nearly, if not quite, out; nor did Sally's vigorous blows do much good, although she left the room with an assurance that it would soon burn up.
He leant against the chimney-piece, thinking over events, and with a sensation of discomfort, both external and internal, growing and gathering upon him.
He almost wondered whether the proposal he meant to make with regard to Leonard could not be better arranged by letter than by an interview.
He became very shivery, and impatient of the state of indecision to which his bodily weakness had reduced him.
Sally opened the door and came in.
"Would you like to walk upstairs, sir?"
asked she, in a trembling voice, for she had learnt who the visitor was from the driver of the fly, who had run up to the house to inquire what was detaining the gentleman that he had brought from the Queen's Hotel; and, knowing that Ruth had caught the fatal fever from her attendance on Mr Donne, Sally imagined that it was but a piece of sad civility to invite him upstairs to see the poor dead body, which she had laid out and decked for the grave, with such fond care that she had grown strangely proud of its marble beauty.
Mr Donne was glad enough of any proposal of a change from the cold and comfortless room where he had thought uneasy, remorseful thoughts.
He fancied that a change of place would banish the train of reflection that was troubling him; but the change he anticipated was to a well-warmed, cheerful sitting-room, with signs of life, and a bright fire therein; and he was on the last flight of stairs,--at the door of the room where Ruth lay--before he understood whither Sally was conducting him.
He shrank back for an instant, and then a strange sting of curiosity impelled him on.
He stood in the humble low-roofed attic, the window open, and the tops of the distant snow-covered hills filling up the whiteness of the general aspect.
He muffled himself up in his cloak, and shuddered, while Sally reverently drew down the sheet, and showed the beautiful, calm, still face, on which the last rapturous smile still lingered, giving an ineffable look of bright serenity.
Her arms were crossed over her breast; the wimple-like cap marked the perfect oval of her face, while two braids of the waving auburn hair peeped out of the narrow border, and lay on the delicate cheeks.
He was awed into admiration by the wonderful beauty of that dead woman.
"How beautiful she is!"
said he, beneath his breath.
"Do all dead people look so peaceful--so happy?"
"Not all," replied Sally, crying.
"Few has been as good and as gentle as she was in their lives."
She quite shook with her sobbing.
Mr Donne was disturbed by her distress.
"Come, my good woman!
we must all die--" he did not know what to say, and was becoming infected by her sorrow.
"I am sure you loved her very much, and were very kind to her in her lifetime; you must take this from me to buy yourself some remembrance of her."
He had pulled out a sovereign, and really had a kindly desire to console her, and reward her, in offering it to her.
But she took her apron from her eyes, as soon as she became aware of what he was doing, and, still holding it midway in her hands, she looked at him indignantly, before she burst out: "And who are you, that think to pay for my kindness to her by money?
And I was not kind to you, my darling," said she, passionately addressing the motionless, serene body--"I was not kind to you.
I
frabbed you, and plagued you from the first, my lamb!
I came and cut off your pretty locks in this very room--I did--and you said never an angry word to me;--no!
not then, nor many a time after, when I was very sharp and cross to you.
--No!
I never was kind to you, and I dunnot think the world was kind to you, my darling,--but you are gone where the angels are very tender to such as you--you are, my poor wench!"
She bent down and kissed the lips, from whose marble, unyielding touch Mr Donne recoiled, even in thought.
Just then, Mr Benson entered the room.
He had returned home before his sister, and come upstairs in search of Sally, to whom he wanted to speak on some subject relating to the funeral.
He bowed in recognition of Mr Donne, whom he knew as the member for the town, and whose presence impressed him painfully, as his illness had been the proximate cause of Ruth's death.
But he tried to check this feeling, as it was no fault of Mr Donne's. Sally stole out of the room, to cry at leisure in her kitchen.
"I must apologise for being here," said Mr Donne.
"I was hardly conscious where your servant was leading me to, when she expressed her wish that I should walk upstairs."
"It is a very common idea in this town, that it is a gratification to be asked to take a last look at the dead," replied Mr Benson.
"And in this case I am glad to have seen her once more," said Mr Donne.
"Poor Ruth!"
Mr Benson glanced up at him at the last word.
How did he know her name?
To him she had only been Mrs Denbigh.
But Mr Donne had no idea that he was talking to one unaware of the connexion that had formerly existed between them; and, though he would have preferred carrying on the conversation in a warmer room, yet, as Mr Benson was still gazing at her with sad, lingering love, he went on: "I did not recognise her when she came to nurse me; I believe I was delirious.
My servant, who had known her long ago, in Fordham, told me who she was.
I cannot tell how I regret that she should have died in consequence of her love of me."
Mr Benson looked up at him again, a stern light filling his eyes as he did so.
He waited impatiently to hear more, either to quench or confirm his suspicions.
If she had not been lying there, very still and calm, he would have forced the words out of Mr Donne, by some abrupt question.
As it was, he listened silently, his heart quick-beating.
"I know that money is but a poor compensation,--is no remedy for this event, or for my youthful folly."
Mr Benson set his teeth hard together, to keep in words little short of a curse.
"Indeed, I offered her money to almost any amount before;--do me justice, sir," catching the gleam of indignation on Mr Benson's face;
"I offered to marry her, and provide for the boy as if he had been legitimate.
It's of no use recurring to that time," said he, his voice faltering; "what is done cannot be undone.
But I came now to say, that I should be glad to leave the boy still under your charge, and that every expense you think it right to incur in his education I will defray;--and place a sum of money in trust for him--say, two thousand pounds--or more: fix what you will.
Of course, if you decline retaining him, I must find some one else; but the provision for him shall be the same, for my poor Ruth's sake."
Mr Benson did not speak.
He could not, till he had gathered some peace from looking at the ineffable repose of the Dead.
Then, before he answered, he covered up her face; and in his voice there was the stillness of ice.
"Leonard is not unprovided for.
Those that honoured his mother will take care of him.
He shall never touch a penny of your money.
Every offer of service you have made, I reject in his name,--and in her presence," said he, bending towards the Dead.
"Men may call such actions as yours, youthful follies!
There is another name for them with God.
Sir!
I will follow you downstairs."
All the way down, Mr Benson heard Mr Donne's voice urging and entreating, but the words he could not recognise for the thoughts that filled his brain--the rapid putting together of events that was going on there.
And when Mr Donne turned at the door, to speak again, and repeat his offers of service to Leonard, Mr Benson made answer, without well knowing whether the answer fitted the question or not: "I thank God, you have no right, legal or otherwise, over the child.
And for her sake, I will spare him the shame of ever hearing your name as his father."
He shut the door in Mr Donne's face.
"An ill-bred, puritanical old fellow!
He may have the boy, I am sure, for aught I care.
I have done my duty, and will get out of this abominable place as soon as I can.
I wish my last remembrance of my beautiful Ruth was not mixed up with all these people."
Mr Benson was bitterly oppressed with this interview; it disturbed the peace with which he was beginning to contemplate events.
His anger ruffled him, although such anger had been just, and such indignation well deserved; and both had been unconsciously present in his heart for years against the unknown seducer, whom he met face to face by the death-bed of Ruth.
It gave him a shock which he did not recover from for many days.
He was nervously afraid lest Mr Donne should appear at the funeral; and not all the reasons he alleged to himself against this apprehension, put it utterly away from him.
Before then, however, he heard casually (for he would allow himself no inquiries) that he had left the town.
No!
Ruth's funeral passed over in calm and simple solemnity.
Her child, her own household, her friend, and Mr Farquhar, quietly walked after the bier, which was borne by some of the poor to whom she had been very kind in her lifetime.
And many others stood aloof in the little burying-ground, sadly watching that last ceremony.
They slowly dispersed; Mr Benson leading Leonard by the hand, and secretly wondering at his self-restraint.
Almost as soon as they had let themselves into the Chapel-house, a messenger brought a note from Mrs Bradshaw, with a pot of quince marmalade, which, she said to Miss Benson, she thought that Leonard might fancy, and if he did, they were to be sure and let her know, as she had plenty more; or, was there anything else that he would like?
She would gladly make him whatever he fancied.
Poor Leonard!
he lay stretched on the sofa, white and tearless, beyond the power of any such comfort, however kindly offered; but this was only one of the many homely, simple attentions, which all came round him to offer, from Mr Grey, the rector, down to the nameless poor who called at the back door to inquire how it fared with _her_ child.
Mr Benson was anxious, according to Dissenting custom, to preach an appropriate funeral sermon.
It was the last office he could render to her; it should be done well and carefully.
Moreover, it was possible that the circumstances of her life, which were known to all, might be made effective in this manner to work conviction of many truths.
Accordingly, he made great preparation of thought and paper; he laboured hard, destroying sheet after sheet--his eyes filling with tears between-whiles, as he remembered some fresh proof of the humility and sweetness of her life.
Oh, that he could do her justice!
but words seemed hard and inflexible, and refused to fit themselves to his ideas.
He sat late on Saturday, writing; he watched through the night till Sunday morning was far advanced.
He had never taken such pains with any sermon, and he was only half satisfied with it after all.
Mrs Farquhar had comforted the bitterness of Sally's grief by giving her very handsome mourning.
At any rate, she felt oddly proud and exulting when she thought of her new black gown; but when she remembered why she wore it, she scolded herself pretty sharply for her satisfaction, and took to crying afresh with redoubled vigour.
She spent the Sunday morning in alternately smoothing down her skirts and adjusting her broad hemmed collar, or bemoaning the occasion with tearful earnestness.
But the sorrow overcame the little quaint vanity of her heart, as she saw troop after troop of humbly-dressed mourners pass by into the old chapel.
They were very poor--but each had mounted some rusty piece of crape, or some faded black ribbon.
The old came halting and slow--the mothers carried their quiet, awe-struck babes.
And not only these were there--but others--equally unaccustomed to nonconformist worship: Mr Davis, for instance, to whom Sally acted as chaperone; for he sat in the minister's pew, as a stranger; and, as she afterwards said, she had a fellow-feeling with him, being a Church-woman herself, and Dissenters had such awkward ways; however, she had been there before, so she could set him to rights about their fashions.
From the pulpit, Mr Benson saw one and all--the well-filled Bradshaw pew--all in deep mourning, Mr Bradshaw conspicuously so (he would have attended the funeral gladly if they would have asked him)--the Farquhars--the many strangers--the still more numerous poor--one or two wild-looking outcasts, who stood afar off, but wept silently and continually.
Mr Benson's heart grew very full.
His voice trembled as he read and prayed.
But he steadied it as he opened his sermon--his great, last effort in her honour--the labour that he had prayed God to bless to the hearts of many.
For an instant the old man looked on all the upturned faces, listening, with wet eyes, to hear what he could say to interpret that which was in their hearts, dumb and unshaped, of God's doings as shown in her life.
He looked, and, as he gazed, a mist came before him, and he could not see his sermon, nor his hearers, but only Ruth, as she had been--stricken low, and crouching from sight, in the upland field by Llan-dhu--like a woeful, hunted creature.
And now her life was over!
her struggle ended!
Sermon and all was forgotten.
He sat down, and hid his face in his hands for a minute or so.
Then he arose, pale and serene.
He put the sermon away, and opened the Bible, and read the seventh chapter of Revelations, beginning at the ninth verse.
Before it was finished, most of his hearers were in tears.
It came home to them as more appropriate than any sermon could have been.
Even Sally, though full of anxiety as to what her fellow-Churchman would think of such proceedings, let the sobs come freely as she heard the words: And he said to me, These are they which came out of great tribulation, and have washed their robes, and made them white in the blood of the Lamb.
Therefore are they before the throne of God, and serve him day and night in his temple; and he that sitteth on the throne shall dwell among them.
They shall hunger no more, neither thirst any more;
neither shall the sun light on them, nor any heat.
For the Lamb which is in the midst of the throne shall feed them, and shall lead them unto living fountains of waters, and God shall wipe away all tears from their eyes.
"He preaches sermons sometimes," said Sally, nudging Mr Davis, as they rose from their knees at last.
"I make no doubt there was as grand a sermon in yon paper-book as ever we hear in church.
I've heard him pray uncommon fine--quite beyond any but learned folk."
Mr Bradshaw had been anxious to do something to testify his respect for the woman, who, if all had entertained his opinions, would have been driven into hopeless sin.
Accordingly, he ordered the first stonemason of the town to meet him in the chapel-yard on Monday morning, to take measurement and receive directions for a tombstone.
They threaded their way among the grassy heaps to where Ruth was buried, in the south corner, beneath the great Wych-elm.
When they got there, Leonard raised himself up from the new-stirred turf.
His face was swollen with weeping; but when he saw Mr Bradshaw he calmed himself, and checked his sobs, and, as an explanation of being where he was when thus surprised, he could find nothing to say but the simple words: "My mother is dead, sir."
His eyes sought those of Mr Bradshaw with a wild look of agony, as if to find comfort for that great loss in human sympathy; and at the first word--the first touch of Mr Bradshaw's hand on his shoulder--he burst out afresh.
"Come, come!
my boy!
--Mr Francis, I will see you about this to-morrow--I will call at your house.
--Let me take you home, my poor fellow.
Come, my lad, come!"
The first time, for years, that he had entered Mr Benson's house, he came leading and comforting her son--and, for a moment, he could not speak to his old friend, for the sympathy which choked up his voice, and filled his eyes with tears.
*** END OF THE PROJECT GUTENBERG EBOOK RUTH ***
Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.
In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.
gutenberg.
org.
Section 3.
Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.
S.
federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.
gutenberg.
org/contact Section 4.
Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.
Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.
We do not solicit donations in locations where we have not received written confirmation of compliance.
To SEND DONATIONS or determine the status of compliance for any particular state visit www.
gutenberg.
org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.
U.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: