Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
_CROCODILUS LUCIUS.
_ CUV.
The enormous Reptile from which this genus derives its name belongs to the same subdivision of that class as the agile Lizard and the many-hued Chamæleon, with which it was comprehended by Linnæus under the single generic title of Lacerta.
This group has subsequently been elevated to the rank of an order, consisting of numerous genera, among which the Crocodiles are distinguished by the following characters.
Their toes are five in number on the anterior feet, and four on the posterior; their sharp and conical teeth are arranged in a single series in each jaw;
their tongue is flat, fleshy, and closely attached almost to its very edge; and their bodies are clothed with large, thick, square scales, the upper of which are surmounted by a strong keel, those of the tail forming superiorly a dentated crest, double at its origin.
The Alligators constitute a natural subdivision of the genus, in which the snout is broad, blunt, and less produced than in the true Crocodiles;
the fourth tooth on each side of the lower jaw enters a hole in the upper when the mouth is closed; and the toes are only half-webbed.
They appear to be exclusively natives of America.
The present species is distinguished by its broad and flat snout, with nearly parallel sides, united in front by a curved line; by the peculiar arrangement of its nuchal scales; and by the elevated internal margins of its orbits.
Its colour is dark brown above, and somewhat lighter beneath.
It is one of the most dreadful scourges of the countries which it inhabits, preying upon all kinds of animals that come within its reach, and sometimes even upon man himself.
Our specimen was apparently very young, not measuring more than three feet in length; but during two years that it was kept in the Menagerie it was not observed to have at all increased in size.
It was fed once a week upon raw beef.
[Illustration] [Illustration] THE INDIAN BOA.
_PYTHON TIGRIS.
_ DAUD.
The Serpents form a division of the Reptile Class too well known by their elongated scaly bodies, and their total deprivation of external members, to require any minute description of their organization.
They are also held by the generality of mankind in so much abhorrence, and regarded for the most part with such strong feelings of unmitigated disgust, that we feel but little inclined to dwell upon their history, how much soever they may on many accounts be considered as deserving of a more extended notice.
They are frequently divided into two great sections; the one, which is by far the most numerous, comprehending all those in which the poison-fangs are wanting, and which are consequently dangerous only in proportion to the extent of their muscular force; and the other consisting of those in which the fangs are present, and the bite of which is accompanied with the pouring out of a venomous secretion.
At the head of the first of these divisions rank the Boas, which in the Linnean arrangement comprehended all those snakes, whether venomous or not, whose under surface was covered with narrow transverse plates, and whose tail was destitute of rattle.
Later zoologists have, however, confined that appellation to those among the Linnean Boas, which are without poisonous fangs and have claws near the vent, and have regarded as a distinct genus the snakes which in addition to these latter characters have the scales of the under surface of the tail so arranged as to form two distinct rows.
To the latter, which inhabit the Old Continent exclusively (while the former are all of them natives of America), they have assigned the name of Python.
The present species, which is commonly exhibited under the popular but erroneous title of the Boa Constrictor, appears to be the Pedda Poda of Dr. Russell’s Indian Serpents.
It is said by that writer to attain a length of eight or ten feet; but living specimens have been brought to this country of twice that size, and some of those now in the Tower are fifteen or sixteen feet long.
The number of transverse plates on the under surface of the body is stated to be two hundred and fifty-two, and that of the pairs of scales beneath the tail sixty-two.
The back is elegantly marked with a series of large irregular brown blotches bordered with black; and numerous smaller spots are scattered along the sides.
The ground colour is yellowish brown, lighter beneath.
The extent of muscular power which these serpents possess in common with the Boas is truly wonderful.
To the smaller among them the lesser quadrupeds and even birds fall an easy prey; but the larger, when excited by the stimulus of hunger, are capable of crushing within their spiral folds the largest and most powerful of beasts.
The sturdy buffalo and the agile stag become alike the victims of their fatal embrace; and the bulk of these animals presents but little obstacle to their being swallowed entire by the tremendous reptile, which crushes them as it were into a mass, lubricates them with the fetid mucus secreted in its stomach, and then slowly distending its jaws and œsophagus to an extent proportioned to the magnitude of the object to be devoured, and frequently exceeding by many times its own previous size, swallows it by one gradual and long-continued effort.
Of the mode in which this operation is effected, a detailed description is contained in Macleod’s Voyage of His Majesty’s Ship Alceste; and an excellent account has been subsequently given by Mr. Broderip in the second volume of the Zoological Journal from actual observation of the specimens now in the Tower.
The vivid description of the latter almost brings before the reader’s eye the lightning dash of the serpent; the single scream of its instantly enfolded victim, whose heaving flanks proclaimed that it still breathed; and its last desperate effort, succeeded by the application of another and a deadly coil.
With equal force and fidelity it sketches the continuation of the scene, when the serpent, after slowly disengaging his folds, placed his head opposite to that of his victim, coiled himself once more around it to compress it into the narrowest possible compass, and then gradually propelled it into his separated jaws and dilated throat; and finally presents a disgusting picture of the snake when his meal was at an end, with his loose and apparently dislocated jaws dropping with the superfluous mucus which had been poured forth.
The individual figured at the head of the present article is a female;
a fact which was proved by the remarkable circumstance of her producing in May last, after having been more than two years in the Menagerie, a cluster of eggs, fourteen or fifteen in number, none of which, however, were hatched, although the mother evinced the greatest anxiety for their preservation, coiling herself around them in the form of a cone, of which her head formed the summit, and guarding them from external injury with truly maternal solicitude.
They were visible only when she was occasionally roused; in which case she raised her head, which formed as it were the cover of the receptacle in which they were enclosed, but replaced it again as quickly as possible, allowing to the spectator only a momentary glance at her cherished treasures.
[Illustration] [Illustration] THE ANACONDA.
_PYTHON TIGRIS_, Var.
The Anaconda is a name which, like that of the Boa Constrictor, has been popularly applied to all the larger and more powerful snakes.
It appears to be of Ceylonese origin, and may therefore belong of right, as well as of usage, to the present Indian species.
The serpent which passes under this title at the Tower, and which is figured above, seems to differ in no essential respects from the Boa of the preceding article, the only appreciable distinctions between them consisting in the lighter colour, the greater comparative size of the head, and the acuteness of the tail of that which at present engages our attention.
Happily the appetite of these gigantic snakes bears no proportion to their means of gratifying it, as a full meal is uniformly succeeded by a state of torpor, which frequently lasts for a month or six weeks, or, during the cold season, even for a longer period.
Those in the Tower, which are kept in a state of artificial warmth, usually feed about every five or six weeks, and a fowl or a rabbit generally suffices for a meal.
These are held by the keeper within view of the serpent to ascertain whether he is inclined to take his prey or not.
About three years ago Mr. Cops, while thus engaged in offering a fowl to one of the Boas, had nearly met with a serious accident; the snake, which was almost blind from the approaching change of its skin, missing the fowl, and seizing upon the keeper’s thumb instead, around which and its own head it instantaneously threw two coils, and then, as if surprised at the unexpected resistance, cast an additional fold round his neck, and fixed itself by its tail to one of the posts of its cage in such a manner as nearly to throttle him.
His own exertions, however, aided by those of the under keepers, at length disengaged him from his perilous situation; but so determined was the attack of the snake that it could not be compelled to relinquish its hold until two of its teeth had been broken off and left in the thumb.
[Illustration] [Illustration] THE RATTLESNAKE.
_CROTALUS HORRIDUS.
_ LINN.
If the Boas furnish the most terrible examples of the tremendous powers of destruction possessed by a few of that division of the Serpent tribe, whose bite is unattended with the effusion of venom, the Rattlesnakes afford a no less remarkable instance of the dreadful malignity of the poison with which others of the tribe are so abundantly supplied.
This poison is secreted by a gland of considerable size situated beneath the eye, the excretory duct of which terminates on each side at the base of a long and tubular fang in the upper jaw, which is concealed while the animal is at rest in a fold of the gum, but is capable of being instantaneously erected when he is irritated, and affords at the same time the means of inflicting the wound and of insinuating into it the deadly fluid with which it is charged.
In the Rattlesnakes these two fangs are the only visible teeth implanted in the upper jaw; but behind each of them are several rudiments of others by which they are from time to time replaced.
Their other distinguishing characters consist in the whole of the transverse plates which cover the under surface of the body and of the tail being simple, and in the singular apparatus by which the latter is terminated, and which is formed of a series, more or less numerous according to the age of the individual, of flattened rings loosely attached one within the other in such a manner as to produce a peculiar rattling sound when the tail is moved with any degree of quickness.
The number of rings commonly varies from five to twelve; but in very old specimens it is said to have been found to exceed forty.
All the known species are natives of America, in the vast forests of which they may be said literally to swarm; but happily, like most of the other venomous snakes, they never exert their terrible qualities upon man except in self-defence, and the warning rattle is always heard to give notice of their approach.
Their bite is almost uniformly fatal even to the largest animals, and the latter frequently evince such an instinctive dread of them, that, according to M. Bosc, it is almost impossible to compel a horse or a dog to advance towards them.
Their food consists principally of the smaller quadrupeds, such as squirrels and rabbits, of other reptiles, and of birds, although they rarely climb trees in pursuit of their prey.
It was long believed, and the notion is still popularly current, that they possessed the power of fascinating their victims, which were thought to be so completely under the influence of their glance as to precipitate themselves of their own accord into the open throat of their enemy; but the truth appears to be that they actually inspire so great a degree of terror that the animals selected for their attacks are commonly rendered incapable of offering such resistance as might otherwise be in their power, or even of attempting to escape from their pursuit.
Like most reptiles they retire during the winter into holes, in which they remain in a torpid state until the return of spring; and during this period they may be taken or destroyed without danger.
Their flesh is eaten by the negroes, who also apply their fat, as well as their rattles, to various medicinal or superstitious uses.
The number at present in the Tower exceeds a hundred, varying from four to six feet in length, and differing very considerably from each other both in colour and markings.
[Illustration] CHISWICK:
PRINTED BY CHARLES WHITTINGHAM,
COLLEGE HOUSE.
End of Project Gutenberg's The Tower Menagerie, by Edward Turner Bennett *** END OF THE PROJECT GUTENBERG EBOOK THE TOWER MENAGERIE *** Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.
In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.
gutenberg.
org.
Section 3.
Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.
S.
federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.
gutenberg.
org/contact Section 4.
Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.
Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.
We do not solicit donations in locations where we have not received written confirmation of compliance.
To SEND DONATIONS or determine the status of compliance for any particular state visit www.
gutenberg.
org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.
U.
S.
laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses.
Donations are accepted in a number of other ways including checks, online payments and credit card donations.
To donate, please visit: www.
gutenberg.
org/donate.
Section 5.
General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone.
For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.
Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U. S.
unless a copyright notice is included.
Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.
gutenberg.
org.
This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: