Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
CXXVI
O thou, my lovely boy, who in thy power Dost hold Time’s fickle glass, his fickle hour;
Who hast by waning grown, and therein show’st Thy lovers withering, as thy sweet self grow’st. If Nature, sovereign mistress over wrack, As thou goest onwards, still will pluck thee back, She keeps thee to this purpose, that her skill May time disgrace and wretched minutes kill.
Yet fear her, O thou minion of her pleasure!
She may detain, but not still keep, her treasure: Her audit (though delayed) answered must be, And her quietus is to render thee.
CXXVII
In the old age black was not counted fair, Or if it were, it bore not beauty’s name;
But now is black beauty’s successive heir, And beauty slander’d with a bastard shame: For since each hand hath put on Nature’s power, Fairing the foul with Art’s false borrowed face, Sweet beauty hath no name, no holy bower, But is profan’d, if not lives in disgrace.
Therefore my mistress’ eyes are raven black, Her eyes so suited, and they mourners seem At such who, not born fair, no beauty lack, Sland’ring creation with a false esteem: Yet so they mourn becoming of their woe, That every tongue says beauty should look so.
CXXVIII
How oft when thou, my music, music play’st, Upon that blessed wood whose motion sounds With thy sweet fingers when thou gently sway’st The wiry concord that mine ear confounds, Do I envy those jacks that nimble leap, To kiss the tender inward of thy hand, Whilst my poor lips which should that harvest reap, At the wood’s boldness by thee blushing stand!
To be so tickled, they would change their state And situation with those dancing chips, O’er whom thy fingers walk with gentle gait, Making dead wood more bless’d than living lips.
Since saucy jacks so happy are in this, Give them thy fingers, me thy lips to kiss.
CXXIX
The expense of spirit in a waste of shame Is lust in action: and till action, lust Is perjur’d, murderous, bloody, full of blame, Savage, extreme, rude, cruel, not to trust;
Enjoy’d no sooner but despised straight;
Past reason hunted; and no sooner had, Past reason hated, as a swallow’d bait, On purpose laid to make the taker mad: Mad in pursuit and in possession so;
Had, having, and in quest, to have extreme;
A bliss in proof, and proved, a very woe;
Before, a joy propos’d; behind a dream.
All this the world well knows; yet none knows well To shun the heaven that leads men to this hell.
CXXX
My mistress’ eyes are nothing like the sun;
Coral is far more red, than her lips red: If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damask’d, red and white, But no such roses see I in her cheeks;
And in some perfumes is there more delight Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know That music hath a far more pleasing sound: I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground: And yet by heaven, I think my love as rare, As any she belied with false compare.
CXXXI
Thou art as tyrannous, so as thou art, As those whose beauties proudly make them cruel;
For well thou know’st to my dear doting heart Thou art the fairest and most precious jewel.
Yet, in good faith, some say that thee behold, Thy face hath not the power to make love groan;
To say they err I dare not be so bold, Although I swear it to myself alone.
And to be sure that is not false I swear, A thousand groans, but thinking on thy face, One on another’s neck, do witness bear Thy black is fairest in my judgement’s place.
In nothing art thou black save in thy deeds, And thence this slander, as I think, proceeds.
CXXXII
Thine eyes I love, and they, as pitying me, Knowing thy heart torment me with disdain, Have put on black and loving mourners be, Looking with pretty ruth upon my pain.
And truly not the morning sun of heaven Better becomes the grey cheeks of the east, Nor that full star that ushers in the even, Doth half that glory to the sober west, As those two mourning eyes become thy face: O!
let it then as well beseem thy heart To mourn for me since mourning doth thee grace, And suit thy pity like in every part.
Then will I swear beauty herself is black, And all they foul that thy complexion lack.
CXXXIII
Beshrew that heart that makes my heart to groan For that deep wound it gives my friend and me!
Is’t not enough to torture me alone, But slave to slavery my sweet’st friend must be?
Me from myself thy cruel eye hath taken, And my next self thou harder hast engross’d: Of him, myself, and thee I am forsaken;
A torment thrice three-fold thus to be cross’d: Prison my heart in thy steel bosom’s ward, But then my friend’s heart let my poor heart bail;
Whoe’er keeps me, let my heart be his guard;
Thou canst not then use rigour in my jail: And yet thou wilt; for I, being pent in thee, Perforce am thine, and all that is in me.
CXXXIV
So, now I have confess’d that he is thine, And I my self am mortgag’d to thy will, Myself I’ll forfeit, so that other mine Thou wilt restore to be my comfort still: But thou wilt not, nor he will not be free, For thou art covetous, and he is kind;
He learn’d but surety-like to write for me, Under that bond that him as fast doth bind.
The statute of thy beauty thou wilt take, Thou usurer, that putt’st forth all to use, And sue a friend came debtor for my sake;
So him I lose through my unkind abuse.
Him have I lost; thou hast both him and me: He pays the whole, and yet am I not free.
CXXXV
Whoever hath her wish, thou hast thy ‘Will,’ And ‘Will’ to boot, and ‘Will’ in over-plus;
More than enough am I that vex’d thee still, To thy sweet will making addition thus.
Wilt thou, whose will is large and spacious, Not once vouchsafe to hide my will in thine?
Shall will in others seem right gracious, And in my will no fair acceptance shine?
The sea, all water, yet receives rain still, And in abundance addeth to his store;
So thou, being rich in ‘Will,’ add to thy ‘Will’ One will of mine, to make thy large will more.
Let no unkind ‘No’ fair beseechers kill;
Think all but one, and me in that one ‘Will.
’ CXXXVI
If thy soul check thee that I come so near, Swear to thy blind soul that I was thy ‘Will’, And will, thy soul knows, is admitted there;
Thus far for love, my love-suit, sweet, fulfil.
‘Will’, will fulfil the treasure of thy love, Ay, fill it full with wills, and my will one.
In things of great receipt with ease we prove Among a number one is reckon’d none: Then in the number let me pass untold, Though in thy store’s account I one must be;
For nothing hold me, so it please thee hold That nothing me, a something sweet to thee: Make but my name thy love, and love that still, And then thou lov’st me for my name is ‘Will.
’ CXXXVII
Thou blind fool, Love, what dost thou to mine eyes, That they behold, and see not what they see?
They know what beauty is, see where it lies, Yet what the best is take the worst to be.
If eyes, corrupt by over-partial looks, Be anchor’d in the bay where all men ride, Why of eyes’ falsehood hast thou forged hooks, Whereto the judgement of my heart is tied?
Why should my heart think that a several plot, Which my heart knows the wide world’s common place?
Or mine eyes, seeing this, say this is not, To put fair truth upon so foul a face?
In things right true my heart and eyes have err’d, And to this false plague are they now transferr’d. CXXXVIII
When my love swears that she is made of truth, I do believe her though I know she lies, That she might think me some untutor’d youth, Unlearned in the world’s false subtleties.
Thus vainly thinking that she thinks me young, Although she knows my days are past the best, Simply I credit her false-speaking tongue: On both sides thus is simple truth suppressed: But wherefore says she not she is unjust?
And wherefore say not I that I am old?
O!
love’s best habit is in seeming trust, And age in love, loves not to have years told: Therefore I lie with her, and she with me, And in our faults by lies we flatter’d be.
CXXXIX O!
call not me to justify the wrong That thy unkindness lays upon my heart;
Wound me not with thine eye, but with thy tongue: Use power with power, and slay me not by art, Tell me thou lov’st elsewhere; but in my sight, Dear heart, forbear to glance thine eye aside: What need’st thou wound with cunning, when thy might Is more than my o’erpress’d defence can bide?
Let me excuse thee: ah!
my love well knows Her pretty looks have been mine enemies;
And therefore from my face she turns my foes, That they elsewhere might dart their injuries: Yet do not so; but since I am near slain, Kill me outright with looks, and rid my pain.
CXL
Be wise as thou art cruel; do not press My tongue-tied patience with too much disdain;
Lest sorrow lend me words, and words express The manner of my pity-wanting pain.
If I might teach thee wit, better it were, Though not to love, yet love to tell me so, As testy sick men, when their deaths be near, No news but health from their physicians know.
For, if I should despair, I should grow mad, And in my madness might speak ill of thee;
Now this ill-wresting world is grown so bad, Mad slanderers by mad ears believed be.
That I may not be so, nor thou belied, Bear thine eyes straight, though thy proud heart go wide.
CXLI
In faith I do not love thee with mine eyes, For they in thee a thousand errors note;
But ’tis my heart that loves what they despise, Who, in despite of view, is pleased to dote.
Nor are mine ears with thy tongue’s tune delighted;
Nor tender feeling, to base touches prone, Nor taste, nor smell, desire to be invited To any sensual feast with thee alone: But my five wits nor my five senses can Dissuade one foolish heart from serving thee, Who leaves unsway’d the likeness of a man, Thy proud heart’s slave and vassal wretch to be: Only my plague thus far I count my gain, That she that makes me sin awards me pain.
CXLII
Love is my sin, and thy dear virtue hate, Hate of my sin, grounded on sinful loving: O!
but with mine compare thou thine own state, And thou shalt find it merits not reproving;
Or, if it do, not from those lips of thine, That have profan’d their scarlet ornaments And seal’d false bonds of love as oft as mine, Robb’d others’ beds’ revenues of their rents.
Be it lawful I love thee, as thou lov’st those Whom thine eyes woo as mine importune thee: Root pity in thy heart, that, when it grows, Thy pity may deserve to pitied be.
If thou dost seek to have what thou dost hide, By self-example mayst thou be denied!
CXLIII
Lo, as a careful housewife runs to catch One of her feather’d creatures broke away, Sets down her babe, and makes all swift dispatch In pursuit of the thing she would have stay;
Whilst her neglected child holds her in chase, Cries to catch her whose busy care is bent To follow that which flies before her face, Not prizing her poor infant’s discontent;
So runn’st thou after that which flies from thee, Whilst I thy babe chase thee afar behind;
But if thou catch thy hope, turn back to me, And play the mother’s part, kiss me, be kind;
So will I pray that thou mayst have thy ‘Will,’ If thou turn back and my loud crying still.
CXLIV
Two loves I have of comfort and despair, Which like two spirits do suggest me still: The better angel is a man right fair, The worser spirit a woman colour’d ill.
To win me soon to hell, my female evil, Tempteth my better angel from my side, And would corrupt my saint to be a devil, Wooing his purity with her foul pride.
And whether that my angel be turn’d fiend, Suspect I may, yet not directly tell;
But being both from me, both to each friend, I guess one angel in another’s hell: Yet this shall I ne’er know, but live in doubt, Till my bad angel fire my good one out.
CXLV
Those lips that Love’s own hand did make, Breathed forth the sound that said ‘I hate’, To me that languish’d for her sake: But when she saw my woeful state, Straight in her heart did mercy come, Chiding that tongue that ever sweet Was us’d in giving gentle doom;
And taught it thus anew to greet;
‘I hate’ she alter’d with an end, That followed it as gentle day, Doth follow night, who like a fiend From heaven to hell is flown away.
‘I hate’, from hate away she threw, And sav’d my life, saying ‘not you’.
CXLVI
Poor soul, the centre of my sinful earth, My sinful earth these rebel powers array, Why dost thou pine within and suffer dearth, Painting thy outward walls so costly gay?
Why so large cost, having so short a lease, Dost thou upon thy fading mansion spend?
Shall worms, inheritors of this excess, Eat up thy charge?
Is this thy body’s end?
Then soul, live thou upon thy servant’s loss, And let that pine to aggravate thy store;
Buy terms divine in selling hours of dross;
Within be fed, without be rich no more: So shall thou feed on Death, that feeds on men, And Death once dead, there’s no more dying then.
CXLVII
My love is as a fever longing still, For that which longer nurseth the disease;
Feeding on that which doth preserve the ill, The uncertain sickly appetite to please.
My reason, the physician to my love, Angry that his prescriptions are not kept, Hath left me, and I desperate now approve Desire is death, which physic did except.
Past cure I am, now Reason is past care, And frantic-mad with evermore unrest;
My thoughts and my discourse as madmen’s are, At random from the truth vainly express’d;
For I have sworn thee fair, and thought thee bright, Who art as black as hell, as dark as night.
CXLVIII
O me!
what eyes hath Love put in my head, Which have no correspondence with true sight;
Or, if they have, where is my judgement fled, That censures falsely what they see aright?
If that be fair whereon my false eyes dote, What means the world to say it is not so?
If it be not, then love doth well denote Love’s eye is not so true as all men’s: no, How can it?
O!
how can Love’s eye be true, That is so vexed with watching and with tears?
No marvel then, though I mistake my view;
The sun itself sees not, till heaven clears.
O cunning Love!
with tears thou keep’st me blind, Lest eyes well-seeing thy foul faults should find.
CXLIX
Canst thou, O cruel!
say I love thee not, When I against myself with thee partake?
Do I not think on thee, when I forgot Am of my self, all tyrant, for thy sake?
Who hateth thee that I do call my friend, On whom frown’st thou that I do fawn upon, Nay, if thou lour’st on me, do I not spend Revenge upon myself with present moan?
What merit do I in my self respect, That is so proud thy service to despise, When all my best doth worship thy defect, Commanded by the motion of thine eyes?
But, love, hate on, for now I know thy mind;
Those that can see thou lov’st, and I am blind.
CL O!
from what power hast thou this powerful might, With insufficiency my heart to sway?
To make me give the lie to my true sight, And swear that brightness doth not grace the day?
Whence hast thou this becoming of things ill, That in the very refuse of thy deeds There is such strength and warrantise of skill, That, in my mind, thy worst all best exceeds?
Who taught thee how to make me love thee more, The more I hear and see just cause of hate?
O!
though I love what others do abhor, With others thou shouldst not abhor my state: If thy unworthiness rais’d love in me, More worthy I to be belov’d of thee.
CLI
Love is too young to know what conscience is, Yet who knows not conscience is born of love?
Then, gentle cheater, urge not my amiss, Lest guilty of my faults thy sweet self prove: For, thou betraying me, I do betray My nobler part to my gross body’s treason;
My soul doth tell my body that he may Triumph in love; flesh stays no farther reason, But rising at thy name doth point out thee, As his triumphant prize.
Proud of this pride, He is contented thy poor drudge to be, To stand in thy affairs, fall by thy side.
No want of conscience hold it that I call Her ‘love,’ for whose dear love I rise and fall.
CLII
In loving thee thou know’st I am forsworn, But thou art twice forsworn, to me love swearing;
In act thy bed-vow broke, and new faith torn, In vowing new hate after new love bearing: But why of two oaths’ breach do I accuse thee, When I break twenty?
I am perjur’d most;
For all my vows are oaths but to misuse thee, And all my honest faith in thee is lost: For I have sworn deep oaths of thy deep kindness, Oaths of thy love, thy truth, thy constancy;
And, to enlighten thee, gave eyes to blindness, Or made them swear against the thing they see;
For I have sworn thee fair; more perjured I, To swear against the truth so foul a lie.
CLIII
Cupid laid by his brand and fell asleep: A maid of Dian’s this advantage found, And his love-kindling fire did quickly steep In a cold valley-fountain of that ground;
Which borrow’d from this holy fire of Love, A dateless lively heat, still to endure, And grew a seething bath, which yet men prove Against strange maladies a sovereign cure.
But at my mistress’ eye Love’s brand new-fired, The boy for trial needs would touch my breast;
I, sick withal, the help of bath desired, And thither hied, a sad distemper’d guest, But found no cure, the bath for my help lies Where Cupid got new fire; my mistress’ eyes.
CLIV
The little Love-god lying once asleep, Laid by his side his heart-inflaming brand, Whilst many nymphs that vow’d chaste life to keep Came tripping by; but in her maiden hand The fairest votary took up that fire Which many legions of true hearts had warm’d;
And so the general of hot desire Was, sleeping, by a virgin hand disarm’d. This brand she quenched in a cool well by, Which from Love’s fire took heat perpetual, Growing a bath and healthful remedy, For men diseased; but I, my mistress’ thrall, Came there for cure and this by that I prove, Love’s fire heats water, water cools not love.
*** END OF THE PROJECT GUTENBERG EBOOK SHAKESPEARE'S SONNETS *** Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: