Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
APPENDIX F.
German Journals The daily journals of Hamburg, Frankfort, Baden, Munich, and Augsburg are all constructed on the same general plan.
I speak of these because I am more familiar with them than with any other German papers.
They contain no “editorials” whatever; no “personals”--and this is rather a merit than a demerit, perhaps; no funny-paragraph column;
no police-court reports; no reports of proceedings of higher courts;
no information about prize-fights or other dog-fights, horse-races, walking-machines, yachting-contents, rifle-matches, or other sporting matters of any sort; no reports of banquet speeches; no department of curious odds and ends of floating fact and gossip; no “rumors” about anything or anybody; no prognostications or prophecies about anything or anybody; no lists of patents granted or sought, or any reference to such things; no abuse of public officials, big or little, or complaints against them, or praises of them; no religious columns Saturdays, no rehash of cold sermons Mondays; no “weather indications”; no “local item” unveiling of what is happening in town--nothing of a local nature, indeed, is mentioned, beyond the movements of some prince, or the proposed meeting of some deliberative body.
After so formidable a list of what one can't find in a German daily, the question may well be asked, What CAN be found in it?
It is easily answered: A child's handful of telegrams, mainly about European national and international political movements; letter-correspondence about the same things; market reports.
There you have it.
That is what a German daily is made of.
A German daily is the slowest and saddest and dreariest of the inventions of man.
Our own dailies infuriate the reader, pretty often; the German daily only stupefies him.
Once a week the German daily of the highest class lightens up its heavy columns--that is, it thinks it lightens them up--with a profound, an abysmal, book criticism; a criticism which carries you down, down, down into the scientific bowels of the subject--for the German critic is nothing if not scientific--and when you come up at last and scent the fresh air and see the bonny daylight once more, you resolve without a dissenting voice that a book criticism is a mistaken way to lighten up a German daily.
Sometimes, in place of the criticism, the first-class daily gives you what it thinks is a gay and chipper essay--about ancient Grecian funeral customs, or the ancient Egyptian method of tarring a mummy, or the reasons for believing that some of the peoples who existed before the flood did not approve of cats.
These are not unpleasant subjects; they are not uninteresting subjects; they are even exciting subjects--until one of these massive scientists gets hold of them.
He soon convinces you that even these matters can be handled in such a way as to make a person low-spirited.
As I have said, the average German daily is made up solely of correspondences--a trifle of it by telegraph, the rest of it by mail.
Every paragraph has the side-head, “London,” “Vienna,” or some other town, and a date.
And always, before the name of the town, is placed a letter or a sign, to indicate who the correspondent is, so that the authorities can find him when they want to hang him.
Stars, crosses, triangles, squares, half-moons, suns--such are some of the signs used by correspondents.
Some of the dailies move too fast, others too slowly.
For instance, my Heidelberg daily was always twenty-four hours old when it arrived at the hotel; but one of my Munich evening papers used to come a full twenty-four hours before it was due.
Some of the less important dailies give one a tablespoonful of a continued story every day; it is strung across the bottom of the page, in the French fashion.
By subscribing for the paper for five years I judge that a man might succeed in getting pretty much all of the story.
If you ask a citizen of Munich which is the best Munich daily journal, he will always tell you that there is only one good Munich daily, and that it is published in Augsburg, forty or fifty miles away.
It is like saying that the best daily paper in New York is published out in New Jersey somewhere.
Yes, the Augsburg ALLGEMEINE ZEITUNG is “the best Munich paper,” and it is the one I had in my mind when I was describing a “first-class German daily” above.
The entire paper, opened out, is not quite as large as a single page of the New York HERALD.
It is printed on both sides, of course; but in such large type that its entire contents could be put, in HERALD type, upon a single page of the HERALD--and there would still be room enough on the page for the ZEITUNG's “supplement” and some portion of the ZEITUNG's next day's contents.
Such is the first-class daily.
The dailies actually printed in Munich are all called second-class by the public.
If you ask which is the best of these second-class papers they say there is no difference; one is as good as another.
I have preserved a copy of one of them; it is called the MÜNCHENER TAGES-ANZEIGER, and bears date January 25, 1879. Comparisons are odious, but they need not be malicious; and without any malice I wish to compare this journal, published in a German city of 170,000 inhabitants, with journals of other countries.
I know of no other way to enable the reader to “size” the thing.
A column of an average daily paper in America contains from 1,800 to 2,500 words; the reading-matter in a single issue consists of from 25,000 to 50,000 words.
The reading-matter in my copy of the Munich journal consists of a total of 1,654 words --for I counted them.
That would be nearly a column of one of our dailies.
A single issue of the bulkiest daily newspaper in the world--the London TIMES--often contains 100,000 words of reading-matter.
Considering that the DAILY ANZEIGER issues the usual twenty-six numbers per month, the reading matter in a single number of the London TIMES would keep it in “copy” two months and a half.
The ANZEIGER is an eight-page paper; its page is one inch wider and one inch longer than a foolscap page; that is to say, the dimensions of its page are somewhere between those of a schoolboy's slate and a lady's pocket handkerchief.
One-fourth of the first page is taken up with the heading of the journal; this gives it a rather top-heavy appearance;
the rest of the first page is reading-matter; all of the second page is reading-matter; the other six pages are devoted to advertisements.
The reading-matter is compressed into two hundred and five small-pica lines, and is lighted up with eight pica headlines.
The bill of fare is as follows: First, under a pica headline, to enforce attention and respect, is a four-line sermon urging mankind to remember that, although they are pilgrims here below, they are yet heirs of heaven; and that “When they depart from earth they soar to heaven.
” Perhaps a four-line sermon in a Saturday paper is the sufficient German equivalent of the eight or ten columns of sermons which the New-Yorkers get in their Monday morning papers.
The latest news (two days old) follows the four-line sermon, under the pica headline “Telegrams”--these are “telegraphed” with a pair of scissors out of the AUGSBURGER ZEITUNG of the day before.
These telegrams consist of fourteen and two-thirds lines from Berlin, fifteen lines from Vienna, and two and five-eights lines from Calcutta.
Thirty-three small-pica lines of telegraphic news in a daily journal in a King's Capital of one hundred and seventy thousand inhabitants is surely not an overdose.
Next we have the pica heading, “News of the Day,” under which the following facts are set forth: Prince Leopold is going on a visit to Vienna, six lines; Prince Arnulph is coming back from Russia, two lines; the Landtag will meet at ten o'clock in the morning and consider an election law, three lines and one word over; a city government item, five and one-half lines; prices of tickets to the proposed grand Charity Ball, twenty-three lines--for this one item occupies almost one-fourth of the entire first page; there is to be a wonderful Wagner concert in Frankfurt-on-the-Main, with an orchestra of one hundred and eight instruments, seven and one-half lines.
That concludes the first page.
Eighty-five lines, altogether, on that page, including three headlines.
About fifty of those lines, as one perceives, deal with local matters; so the reporters are not overworked.
Exactly one-half of the second page is occupied with an opera criticism, fifty-three lines (three of them being headlines), and “Death Notices,” ten lines.
The other half of the second page is made up of two paragraphs under the head of “Miscellaneous News.
” One of these paragraphs tells about a quarrel between the Czar of Russia and his eldest son, twenty-one and a half lines; and the other tells about the atrocious destruction of a peasant child by its parents, forty lines, or one-fifth of the total of the reading-matter contained in the paper.
Consider what a fifth part of the reading-matter of an American daily paper issued in a city of one hundred and seventy thousand inhabitants amounts to!
Think what a mass it is.
Would any one suppose I could so snugly tuck away such a mass in a chapter of this book that it would be difficult to find it again if the reader lost his place?
Surely not.
I will translate that child-murder word for word, to give the reader a realizing sense of what a fifth part of the reading-matter of a Munich daily actually is when it comes under measurement of the eye: “From Oberkreuzberg, January 21st, the DONAU ZEITUNG receives a long account of a crime, which we shortened as follows: In Rametuach, a village near Eppenschlag, lived a young married couple with two children, one of which, a boy aged five, was born three years before the marriage.
For this reason, and also because a relative at Iggensbach had bequeathed M400 () to the boy, the heartless father considered him in the way; so the unnatural parents determined to sacrifice him in the cruelest possible manner.
They proceeded to starve him slowly to death, meantime frightfully maltreating him--as the village people now make known, when it is too late.
The boy was shut in a hole, and when people passed by he cried, and implored them to give him bread.
His long-continued tortures and deprivations destroyed him at last, on the third of January.
The sudden (sic) death of the child created suspicion, the more so as the body was immediately clothed and laid upon the bier.
Therefore the coroner gave notice, and an inquest was held on the 6th.
What a pitiful spectacle was disclosed then!
The body was a complete skeleton.
The stomach and intestines were utterly empty; they contained nothing whatsoever.
The flesh on the corpse was not as thick as the back of a knife, and incisions in it brought not one drop of blood.
There was not a piece of sound skin the size of a dollar on the whole body;
wounds, scars, bruises, discolored extravasated blood, everywhere--even on the soles of the feet there were wounds.
The cruel parents asserted that the boy had been so bad that they had been obliged to use severe punishments, and that he finally fell over a bench and broke his neck.
However, they were arrested two weeks after the inquest and put in the prison at Deggendorf.
” Yes, they were arrested “two weeks after the inquest.
” What a home sound that has.
That kind of police briskness rather more reminds me of my native land than German journalism does.
I think a German daily journal doesn't do any good to speak of, but at the same time it doesn't do any harm.
That is a very large merit, and should not be lightly weighted nor lightly thought of.
The German humorous papers are beautifully printed upon fine paper, and the illustrations are finely drawn, finely engraved, and are not vapidly funny, but deliciously so.
So also, generally speaking, are the two or three terse sentences which accompany the pictures.
I remember one of these pictures: A most dilapidated tramp is ruefully contemplating some coins which lie in his open palm.
He says: “Well, begging is getting played out.
Only about five marks (. 25) for the whole day; many an official makes more!
” And I call to mind a picture of a commercial traveler who is about to unroll his samples: MERCHANT (pettishly).
--NO, don't. I don't want to buy anything!
DRUMMER.
--If you please, I was only going to show you-- MERCHANT.
--But I don't wish to see them!
DRUMMER (after a pause, pleadingly).
--But do you you mind letting ME look at them!
I haven't seen them for three weeks!
End of Project Gutenberg's A Tramp Abroad, by Mark Twain (Samuel Clemens) *** END OF THE PROJECT GUTENBERG EBOOK A TRAMP ABROAD ***
Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.
In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.
gutenberg.
org.
Section 3.
Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.
S.
federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.
gutenberg.
org/contact Section 4.
Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.
Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.
We do not solicit donations in locations where we have not received written confirmation of compliance.
To SEND DONATIONS or determine the status of compliance for any particular state visit www.
gutenberg.
org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.
U.
S.
laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses.
Donations are accepted in a number of other ways including checks, online payments and credit card donations.
To donate, please visit: www.
gutenberg.
org/donate.
Section 5.
General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone.
For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.
Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U. S.
unless a copyright notice is included.
Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.
gutenberg.
org.
This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: