Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
THE SENATOR'S LAUNDRY
Signora Mirandolina Rocca, who was the landlady of the house where the Club were lodging, was a widow, of about forty years of age, still fresh and blooming, with a merry dark eye, and much animation of features.
Sitting usually in the small room which they passed on the way to their apartments, they had to stop to get their keys, or to leave them when they went out, and Buttons and Dick frequently stopped to have a little conversation.
The rest, not being able to speak Italian, contented themselves with smiles; the Senator particularly, who gave the most beaming of smiles both on going and on returning.
Sometimes he even tried to talk to her in his usual adaptation of broken English, spoken in loud tones to the benighted but fascinating foreigner.
Her attention to Dick during his sickness increased the Senator's admiration, and he thought her one of the best, one of the most kind-hearted and sympathetic of beings.
One day, toward the close of their stay in Rome, the Senator was in a fix.
He had not had any washing done since he came to the city.
He had run through all his clean linen, and came to a dead stand.
Before leaving for another place it was absolutely necessary to attend to this.
But how?
Buttons was off with the Spaniards; Dick had gone out on a drive.
No one could help him, so he tried it himself.
In fact, he had never lost confidence in his powers of making himself understood.
It was still a fixed conviction of his that in cases of necessity any intelligent man could make his wants known to intelligent foreigners.
If not, there is stupidity somewhere.
Had he not done so in Paris and in other places?
So he rang and managed to make the servant understand that he wished to see the landlady.
The landlady had always shown a great admiration for the manly, not to say gigantic charms of the Senator.
Upon him she bestowed her brightest smile, and the quick flush on her face and heaving breast told that the Senator had made wild work with her too susceptible heart.
So now when she learned that the Senator wished to see her, she at once imagined the cause to be any thing and every thing except the real one.
Why take that particular time, when all the rest were out?
she thought.
Evidently for some tender purpose.
Why send for her?
Why not come down to see her?
Evidently because he did not like the publicity of her room at the Conciergerie.
She arrayed herself, therefore, in her brightest and her best charms;
gave an additional flourish to her dark hair that hung wavingly and luxuriantly, and still without a trace of gray, over her forehead;
looked at herself with her dark eyes in the glass to see if she appeared to the best advantage; and finally, in some agitation, but with great eagerness, she went to obey the summons.
Meantime the Senator had been deliberating how to begin.
He felt that he could not show his bundle of clothes to so fair and fine a creature as this, whose manners were so soft and whose smile so pleasant.
He would do anything first.
He would try a roundabout way of making known his wishes, trusting to his own powers and the intelligence of the lady for a full and complete understanding.
Just as he had come to this conclusion there was a timid knock at the door.
"Come in," said the Senator, who began to feel a little awkward already.
"_E permesso?
_" said a soft, sweet voice, "_se puo entrare?
_" and Signora Mirandolina Rocca advanced into the room, giving one look at the Senator, and then casting down her eyes.
"_Umilissima serva di Lei, Signore, mi commandi.
_" But the Senator was in a quandary.
What could he do?
How begin?
What gesture would be the most fitting for a beginning?
The pause began to be embarrassing.
The lady, however, as yet was calm--calmer, in fact, than when she entered.
So she spoke once more.
"_Di che ha Ella bisogna, Illustrissimo?
_" The Senator was dreadfully embarrassed.
The lady was so fair in his eyes.
Was this a woman who could contemplate the fact of soiled linen?
Never.
"Ehem!"
said he.
Then he paused.
"_Serva devota_," said Signora Mirandolina.
"_Che c'e, Signore.
_" Then, looking up, she saw the face of the Senator, all rosy red, turned toward her with a strange confusion and embarrassment in his eye; yet it was a kind eye--a soft, kind eye.
"_Egli e forse innamorato di me_," murmured the lady, gathering new courage as she saw the timidity of the other.
"_Che grandezza!
_" she continued, loud enough for the Senator to hear, yet speaking as if to herself.
"_Che bellezza!
un galantuomo, certamente--e quest' e molto piacevole.
_" She glanced at the manly figure of the Senator with a tender admiration in her eye, which she could not repress, and which was so intelligible to the Senator that he blushed more violently than ever, and looked helplessly around him.
"_E innamorato di me, senza dubio_," said the Signora, "_vergogna non vuol che si sapesse.
_" The Senator at length found voice.
Advancing toward the lady he looked at her very earnestly, and as she thought very piteously held out both his hands, then smiled, then spread his hands apart, then nodded and smiled again, and said: "Me--me--want--ha--hum--ah!
You know--me--gentleman--hum--me----Confound the luck!"
he added, in profound vexation.
"_Signore_," said Mirandolina, "_la di Lei gentelezza me confonde.
_" The Senator turned his eyes all around, everywhere, in a desperate, half-conscious search for escape from an embarrassing situation.
"_Signore noi ci siamo sole, nessuno ci senti_," remarked the Signora encouragingly.
"Me want to tell you this!"
burst forth the Senator.
"Clothes--you know--washy--washy."
Whereupon he elevated his eyebrows, smiled, and brought the tips of his fingers together.
"_Io non so che cosa vuol dir mi, Illustrissimo_," said the Signora, in bewilderment.
"You--you--you know.
Ah?
Washy?
Hey?
No, no," shaking his head, "not washy, but _get_ washy."
The landlady smiled.
The Senator, encouraged by this, came a step nearer.
"_Che cosa?
Il cuor me palpita.
Io tremo_," murmured La Rocca.
She retreated a step.
Whereupon the Senator at once fell back again in great confusion.
"Washy, washy," he repeated mechanically, as his mind was utterly vague and distrait.
"_Uassi-Uassi?
_" repeated the other interrogatively.
"Me----" "_Tu_," said she, with tender emphasis.
"Wee, mounseer," said he, with utter desperation.
The Signora shook her head.
"_Non capisco.
Ma quelle, balordaggini ed intormentimente, che sono si non segni manifesti d'amore?
_" "I don't understand, marm, a single word of that."
The Signora smiled.
The Senator took courage again.
"The fact is this, marm," said he firmly, "I want to get my clothes washed somewhere.
Of course you don't do it, but you can tell me, you know.
Hm?"
"_Non capisco.
_" "Madame," said he, feeling confident that she would understand that word at least, and thinking, too, that it might perhaps serve as a key to explain any other words which he might append to it, "my clothes--I want to get them washed--laundress--washy--soap and water--clean 'em all up--iron 'em--hang 'em out to dry.
Ha?"
While saying this he indulged in an expressive pantomime.
When alluding to his clothes he placed his hands against his chest, when mentioning the drying of them he waved them in the air.
The landlady comprehended this.
How not?
When a gentleman places his hand on his heart, what is his meaning?
"_O sottigliezza d'amore!
_" murmured she.
"_Che cosa cerca_," she continued, looking up timidly but invitingly.
The Senator felt doubtful at this, and in fact a little frightened.
Again he placed his hands on his chest to indicate his clothes; he struck that manly chest forcibly several times, looking at her all the time.
Then he wrung his hands.
"_Ah, Signore_," said La Rocca, with a melting glance, "_non è d'uopo di desperazione.
_" "Washy, washy----" "_Eppure, se Ella vuol sposarmi, non ce difficoltà_," returned the other, with true Italian frankness.
"Soap and water----" "_Non ho il coraggio di dir di no. _" The Senator had his arms outstretched to indicate the hanging-out process.
Still, however, feeling doubtful if he were altogether understood, he thought he would try another form of pantomime.
Suddenly he fell down on his knees, and began to imitate the action of a washer-woman over her tub, washing, wringing, pounding, rubbing.
"_O gran' cielo!
_" cried the Signora, her pitying heart filled with tenderness at the sight of this noble being on his knees before her, and, as she thought, wringing his hands in despair.
"_O gran' cielo!
Egli è innamorato di me non puo parlar Italiano e cosi non puo dirmelo.
_" Her warm heart prompted her, and she obeyed its impulse.
What else could she do?
She flung herself into his outstretched arms as he raised himself to hang out imaginary clothes on an invisible line.
The Senator was thunderstruck, confounded, bewildered, shattered, overcome, crushed, stupefied, blasted, overwhelmed, horror-stricken, wonder-smitten, annihilated, amazed, horrified, shocked, frightened, terrified, nonplussed, wilted, awe-struck, shivered, astounded, dumfounded.
He did not even struggle.
He was paralysed.
"_Ah, carissimo_," said a soft and tender voice in his ear, a low, sweet voice, "_se veramenta me ami, saro lo tua carissima sposa----_" At that moment the door opened and Buttons walked in.
In an instant he darted out.
The Signora hurried away.
"_Addio, bellissima, carissima gioia!
_" she sighed.
The Senator was still paralysed.
After a time he went with a pale and anxious face to see Buttons.
That young man promised secrecy, and when the Senator was telling his story tried hard to look serious and sympathetic.
In vain.
The thought of that scene, and the cause of it, and the blunder that had been made overwhelmed him.
Laughter convulsed him.
At last the Senator got up indignantly and left the room.
But what was he to do now?
The thing could not be explained.
How could he get out of the house?
He would have to pass her as she sat at the door.
He had to call on Buttons again and implore his assistance.
The difficulty was so repugnant, and the matter so very delicate, that Buttons declared he could not take the responsibility of settling it.
It would have to be brought before the Club.
The Club had a meeting about it, and many plans were proposed.
The stricken Senator had one plan, and that prevailed.
It was to leave Rome on the following day.
For his part he had made up his mind to leave the house at once.
He would slip out as though he intended to return, and the others could settle his bill, and bring with them the clothes that had caused all this trouble.
He would meet them in the morning outside the gates of the city.
This resolution was adopted by all, and the Senator, leaving money to settle for himself, went away.
He passed hurriedly out of the door.
He dared not look.
He heard a soft voice pronounce the word "_Gioia!
_" He fled.
Now that one who owned the soft voice afterward changed her feelings so much toward her "gioia" that opposite his name in her house-book she wrote the following epithets: _Birbone_, _Villano_, _Zolicaccio_, _Burberone_, _Gaglioffo_, _Meschino_, _Briconaccio_, _Anemalaccio_.
End of Project Gutenberg's Humour of the North, by Lawrence J. Burpee *** END OF THE PROJECT GUTENBERG EBOOK HUMOUR OF THE NORTH *** Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.
In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.
gutenberg.
org.
Section 3.
Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.
S.
federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.
gutenberg.
org/contact Section 4.
Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.
Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.
We do not solicit donations in locations where we have not received written confirmation of compliance.
To SEND DONATIONS or determine the status of compliance for any particular state visit www.
gutenberg.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: