Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
They waited yet a little while longer, and then the boom of a heavy gun in the forest told them that the enemy was advancing to begin the battle afresh.
Again it was the Southern army that attacked, although it was no surprise now.
Yet Beauregard and his generals were still sanguine of completing the victory.
Their scouts and skirmishers had failed to discover that the entire army of Buell also was now in front of them.
Bragg was gathering his division on the left to hurl it like a thunderbolt upon Grant's shattered brigades.
Hardee and the bishop-general were in the center, and Breckinridge led the right.
But as they moved forward to attack the Union troops came out to meet them.
Nelson had occupied the high ground between Lick and Owl Creeks, and his and the Southern troops met in a fierce clash shortly after dawn.
Beauregard, drawn by the firing at that point, and noticing the courage and tenacity with which the Northern troops held their ground, sending in volley after volley, divined at once that these were not the beaten troops of the day before, but new men.
This swarthy general, volatile and dramatic, nevertheless had great penetration.
He understood on the instant a fact that his soldiers did not comprehend until later.
He knew that the whole army of Buell was now before him.
For the moment it was Beauregard and Buell who were the protagonists, instead of Grant and Johnston as on the day before.
The Southern leader gathered all his forces and hurled them upon Nelson.
Weary though the Southern soldiers were, their attack was made with utmost fire and vigor.
A long and furious combat ensued.
A Southern division under Cheatham rushed to the help of their fellows.
Buell's forces were driven in again and again, and only his heavy batteries enabled him to regain his lost ground.
Buell led splendid troops that he had trained long and rigidly, and they had not been in the conflict the day before.
Fresh and with unbroken ranks, not a man wounded or missing, they had entered the battle and both Grant and Buell, as well as their division commanders, expected an easy victory where the Army of the Ohio stood.
Buell, to his amazement, saw himself reduced to the defensive.
He and Grant had reckoned that the decimated brigades of the South could not stand at all before him, but just as on the first day they came on with the fierce rebel yell, hurling themselves upon superior numbers, taking the cannon of their enemy, losing them, and retaking them and losing them again, but never yielding.
The great conflict increased in violence.
Buell, a man of iron courage, saw that his soldiers must fight to the uttermost, not for victory only, but even to ward off defeat.
The dawn was now far advanced.
The rain had ceased, and the sun again shot down sheaves of fiery rays upon a vast low cloud of fire and smoke in which thousands of men met in desperate combat.
Nine o'clock came.
It had been expected by Grant that Buell long before that time would have swept everything before him.
But for three hours Buell had been fighting to keep himself from being swept away.
The Southern troops seemed animated by that extraordinary battle fever and absolute contempt of death which distinguished them so often during this war.
Buell's army was driven in on both flanks, and only the center held fast.
It began to seem possible that the South, despite her reduced ranks might yet defeat both Northern armies.
Another battery dashed up to the relief of the men in blue.
It was charged at once by the men in gray so fiercely that the gunners were glad to escape with their guns, and once more the wild rebel yell of triumph swelled through the southern forest.
Dick, standing with his comrades on one of the ridges that they had defended so well, listened to the roar of conflict on the wing, ever increasing in volume, and watched the vast clouds of smoke gathering over the forest.
He could see from where he stood the flash of rifle fire and the blaze of cannon, and both eye and ear told him that the battle was not moving back upon the South.
“It seems that we do not make headway, sir,” he said to Colonel Winchester, who also stood by him, looking and listening.
“Not that I can perceive,” replied the colonel, “and yet with the rush of forty thousand fresh troops of ours upon the field I deemed victory quick and easy.
How the battle grows!
How the South fights!
” Colonel Winchester walked away presently and joined Sherman, who was eagerly watching the mighty conflict, into which he knew that his own worn and shattered troops must sooner or later be drawn.
He walked up and down in front of his lines, saying little but seeing everything.
His tall form was seen by all his men.
He, too, must have felt a singular thrill at that moment.
He must have known that his star was rising.
He, more than any other, with his valor, penetrating mind and decision had saved the Northern army from complete destruction the first day at Shiloh.
He had not been able to avert defeat, but he had prevented utter ruin.
His division alone had held together in the face of the Southern attack until night came.
Sherman must have recalled, too, how his statement that the North would need 200,000 troops in the west alone had been sneered at, and he had been called mad.
But he neither boasted nor predicted, continuing to watch intently the swelling battle.
“I had enough fighting yesterday to last me a hundred years,” said Warner to Dick, “but it seems that I'm to have more today.
If the Johnnies had any regard for the rules of war they'd have retreated long ago.
” “We'll win yet,” said Dick hopefully, “but I don't think we can achieve any big victory.
Look, there's General Grant himself.
” Grant was passing along his whole line.
While leaving the main battle to Buell he retained general command and watched everything.
He, too, observed the failure of Buell's army to drive the enemy before them, and he must have felt a sinking of the heart, but he did not show it.
Instead he spoke only of victory, when he made any comment at all, and sent the members of his staff to make new arrangements.
He must bring into action every gun and man he had or he would yet lose.
It was now 10 o'clock and the new battle had lasted with the utmost fury and desperation for four hours.
Dick, after General Grant rode on, felt as if a sudden thrill had run through the whole army.
He saw men rising from the earth and tightening their belts.
He saw gunners gathering around their guns and making ready with the ammunition.
He knew the remains of Grant's army were about to march upon the enemy, helping the Army of the Ohio to achieve the task that had proved so great.
Sherman, McClernand and other generals now passed among their troops, cheering them, telling them that the time had come to win back what they had lost the day before, and that victory was sure.
They called upon them for another great effort, and a shout rolled along the line of willing soldiers.
Sherman's whole division now raised itself up and rushed at the enemy, Dick and his comrades in the front of their own regiment.
The whole Northern line was now engaged.
Grant, true to his resolution, had hurled every man and every gun upon his foe.
The Southern generals felt the immense weight of the numbers that were now driving down upon them.
Their decimated ranks could not withstand the charge of two armies.
In the center where Buell's men, having stood fast from the first, were now advancing, they were compelled to give way and lost several guns.
On the wings the heavy Northern brigades were advancing also, and the whole Southern line was pushed back.
So much inferior was the South in numbers that her enemy began to overlap her on the flanks also.
A tremendous shout of exultation swept through the Northern ranks, as they felt themselves advancing.
The promises of their generals were coming true, and there is nothing sweeter than victory after defeat.
Fortune, after frowning upon her so long, was now smiling upon the North.
The exultant cheer swept through the ranks again, and back came the defiant rebel yell.
A young soldier often feels what is happening with as true instinct as a general.
Dick now knew that the North would recover the field, and that the South, cut down fearfully, though having performed prodigies of valor, must fight to save herself.
He felt that the resistance in front of them was no longer invincible.
He saw in the flash of the firing that the Southern ranks were thin, very thin, and he knew that there was no break in their own advance.
Now the sanguine Northern generals planned the entire destruction of the Southern army.
There was only one road by which Beauregard could retreat to Corinth.
A whole Northern division rushed in to block the way.
Sherman, in his advance, came again to the ground around the little Methodist chapel of Shiloh which he had defended so well the day before, and crowded his whole force upon the Southern line at that point.
Once more the primitive church in the woods looked down upon one of the most sanguinary conflicts of the whole war.
If Sherman could break through the Southern line here Beauregard's whole army would be lost.
But the Southern soldiers were capable of another and a mighty effort.
Their generals saw the danger and acted with their usual promptness and decision.
They gathered together their shattered brigades and hurled them like a thunderbolt upon the Union left and center.
The shock was terrific.
Sherman, with all his staunchness and the valor of his men, was compelled to give way.
McClernand, too, reeled back, others were driven in also.
Whole brigades and regiments were cut to pieces or thrown in confusion.
The Southerners cut a wide gap in the Northern army, through which they rushed in triumph, holding the Corinth road against every attack and making their rear secure.
Sherman's division, after its momentary repulse, gathered itself anew, and, although knowing now that the Southern army could not be entrapped, drove again with all its might upon the positions around the church.
They passed over the dead of the day before, and gathered increasing vigor, as they saw that the enemy was slowly drawing back.
Grant reformed his line, which had been shattered by the last fiery and successful attack of the South.
Along the whole long line the trumpets sang the charge, and brigades and batteries advanced.
But the end of Shiloh was at hand.
Despite the prodigies of valor performed by their men, the Southern generals saw that they could not longer hold the field.
The junction of Grant and Buell, after all, had proved too much for them.
The bugles sounded the retreat, and reluctantly they gave up the ground which they had won with so much courage and daring.
They retreated rather as victors than defeated men, presenting a bristling front to the enemy until their regiments were lost in the forest, and beating off every attempt of skirmishers or cavalry to molest them.
It was the middle of the afternoon when the last shot was fired, and the Southern army at its leisure resumed its march toward Corinth, protected on the flanks by its cavalry, and carrying with it the assurance that although not victorious over two armies it had been victorious over one, and had struck the most stunning blow yet known in American history.
When the last of the Southern regiments disappeared in the deep woods, Dick and many of those around him sank exhausted upon the ground.
Even had they been ordered to follow they would have been incapable of it.
Complete nervous collapse followed such days and nights as those through which they had passed.
Nor did Grant and Buell wish to pursue.
Their armies had been too terribly shaken to make another attack.
Nearly fifteen thousand of their men had fallen and the dead and wounded still lay scattered widely through the woods.
The South had lost almost as many.
Nearly a third of her army had been killed or wounded in the battle, and yet they retired in good order, showing the desperate valor of these sons of hers.
The double army which had saved itself, but which had yet been unable to destroy its enemy, slept that night in the recovered camp.
The generals discussed in subdued tones their narrow escape, and the soldiers, who now understood very well what had happened, talked of it in the same way.
“We knew that it was going to be a big war,” said Dick, “but it's going to be far bigger than we thought.
” “And we won't make that easy parade down to the Gulf,” said Warner.
“I'm thinking that a lot of lions are in the path.
” “But we'll win!
” said Dick.
“In the end we'll surely win!
” Then after dreaming a little with his eyes open he fell asleep, gathering new strength for mighty campaigns yet to come.
Appendix: Transcription notes: This etext was transcribed from a volume of the 22nd printing The following modifications were applied while transcribing the printed book to e-text: chapter 2
- Page 40, para 6, changed comma to period chapter 3
- Page 59, para 3, fixed mis-printed quotation mark chapter 4
- Page 73, para 6, fixed typo (“thy”) - Page 74, para 1, add missing end-quote chapter 5
- Page 95, para 3, add missing end-quote - Page 102, para 5, add missing comma chapter 6
- Page 118, para 3, fixed typo (“lenghening”) - Page 119, para 6, fixed typo (“untils”) - Page 120, para 3, fixed typo (“alrming”) chapter 7
- Page 139, para 4, add missing begin-quote chapter 9
- Page 184, para 2, add missing begin-quote chapter 10
- Page 197, para 7, fixed typo (“Your're”) chapter 15
- Page 299, para 2, fixed typo (“genuis”) chapter 16
- Page 331, para 2, fixed typo (changed “not” to “nor”) Limitations imposed by converting to plain ASCII: - Throughout the printed book, in any quasi-mathematical passages which use the variables “x” and “y”, those variable names are presented in italics.
Italics are not available in plain ASCII.
I did not modify: - The printed book sometimes uses the spelling “despatch”, other times “dispatch”.
Also, both “intrenchments” and “entrenchments”.
- Chapter 12, page 245, “grewsome” - There are a number of instances where the use of the comma in the printed book seems to me inappropriate, mainly in terms of commas inserted where I would not insert them, and also sometimes commas lacking where I would provide them.
However, I have adhered to the punctuation as printed (except for obvious printing errors, which are noted above).
For example: The hills rolled far away southward, and under the horizon's rim.
The three bade farewell to the young operator, then to almost all of Hubbard and proceeded in a trot for the pass.
One day Major Hertford sent Dick, Warner, and Sergeant Whitley, ahead to scout.
The two young aides carried away by success and the fire of battle, waved their swords continually and rushed at the enemy's lines.
Duck River, which Buell was compelled to cross, was swollen like all the other streams of the region, by the great rains and was forty feet deep.
- The author sometimes uses a technique whereby a paragraph introducing a quotation ends with a colon, with the quotation following as the next paragraph.
End of Project Gutenberg's The Guns of Shiloh, by Joseph A. Altsheler *** END OF THE PROJECT GUTENBERG EBOOK THE GUNS OF SHILOH: A STORY OF THE GREAT WESTERN CAMPAIGN *** Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.
In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.
gutenberg.
org.
Section 3.
Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.
S.
federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.
gutenberg.
org/contact Section 4.
Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.
Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.
We do not solicit donations in locations where we have not received written confirmation of compliance.
To SEND DONATIONS or determine the status of compliance for any particular state visit www.
gutenberg.
org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.
U.
S.
laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses.
Donations are accepted in a number of other ways including checks, online payments and credit card donations.
To donate, please visit: www.
gutenberg.
org/donate.
Section 5.
General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone.
For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.
Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U. S.
unless a copyright notice is included.
Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: