Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
Chapter 30: Home.
The fire of the batteries increased, and by the 13th of January the enemy's fire was completely silenced.
The provisions in the town were wholly exhausted, and on the 16th the town surrendered, and the next morning the English took possession.
Three days afterwards Lally was embarked on board ship, to be taken a prisoner to Madras; and so much was he hated that the French officers and civilians assembled, and hissed and hooted him; and, had he not been protected by his guard, would have torn him to pieces.
After his return to France he was tried for having, by his conduct, caused the loss of the French possessions in India, and being found guilty of the offence, was beheaded.
At Pondicherry two thousand and seventy-two military prisoners were taken, and three hundred and eighty-one civilians.
Five hundred cannon and a hundred mortars, fit for service; and immense quantities of ammunition, arms, and military stores fell into the hands of the captors.
Pondicherry was handed over to the Company; who, a short time afterwards, entirely demolished both the fortress and town.
This hard measure was the consequence of a letter which had been intercepted, from the French government to Lally, ordering him to raze Madras to the ground, when it fell into his hands.
Charlie, after the siege, in which he had rendered great services, received from the Company, at Colonel Coote's earnest recommendation, his promotion to the step of lieutenant colonel; while Peters was raised to that of major.
A fortnight after the fall of Pondicherry, they returned to Madras, and thence took the first ship for England.
It was now just ten years since they had sailed, and in that time they had seen Madras and Calcutta rise, from the rank of two trading stations, in constant danger of destruction by their powerful neighbours, to that of virtual capitals of great provinces.
Not as yet, indeed, had they openly assumed the sovereignty of these territories; but Madras was, in fact, the absolute master of the broad tract of land extending from the foot of the mountains to the sea, from Cape Comorin to Bengal; while Calcutta was master of Bengal and Oressa, and her power already threatened to extend itself as far as Delhi.
The conquest of these vast tracts of country had been achieved by mere handfuls of men, and by a display of heroic valour and constancy scarce to be rivalled in the history of the world.
The voyage was a pleasant one, and was, for the times, quick, occupying only five months.
But to the young men, longing for home after so long an absence, it seemed tedious in the extreme.
Tim and Hossein were well content with their quiet, easy life, after their long toils.
They had nothing whatever to do, except that they insisted upon waiting upon Charlie and Peters, at meals.
The ship carried a large number of sick and wounded officers and men, and as these gained health and strength, the life on board ship became livelier, and more jovial.
Singing and cards occupied the evenings, while in the daytime they played quoits, rings of rope being used for that purpose, and other games with which passengers usually wile away the monotony of long voyages.
It was late in June when the Madras sailed up the Thames; and, as soon as she came to anchor, the two officers and their followers landed.
The din and bustle of the streets seemed almost as strange, to Charlie, as they had done when he came up a boy, from Yarmouth.
Hossein was astonished at the multitude of white people, and inquired of Charlie why, when there were so many men, England had sent so few soldiers to fight for her in India; and for once, Charlie was unable to give a satisfactory reply.
"It does seem strange," he said to Peters, "that when such mighty interests were at stake, a body of even ten thousand troops could not have been raised, and sent out.
Such a force would have decided the struggle at once; and in three months the great possessions, which have cost the Company twelve years' war, would have been at their feet.
It would not have cost them more; indeed, nothing like as much as it now has done, nor one tithe of the loss in life.
Somehow, England always seems to make war in driblets."
Charlie knew that his mother and Kate had, for some years, been residing at a house which their uncle had taken, in the fashionable quarter of Chelsea.
They looked in at the office, however, to see if Charlie's uncle was there; but found that he was not in the city, and, indeed, had now almost retired from the business.
They therefore took a coach, placed the small articles of luggage which they had brought with them, from the ship, on the front seats; and then, Hossein and Tim taking their places on the broad seat beside the driver, they entered the coach and drove to Chelsea.
Charlie had invited Peters, who had no home of his own, to stay with him, at least for a while.
Both were now rich men, from their shares of the prize money of the various forts and towns, in whose capture they had taken part; although Charlie possessed some twenty thousand pounds more than his friend, this being the amount of the presents he had received, from the Rajah of Ambur.
Alighting from the carriage, Charlie ran up to the door and knocked.
Inquiring for Mrs. Marryat, he was shown into a room in which a lady, somewhat past middle age, and three younger ones were sitting.
They looked up, in surprise, as the young man entered.
Ten years had changed him almost beyond recognition, but one of the younger ones at once leaped to her feet, and exclaimed, "Charlie!"
His mother rose with a cry of joy, and threw herself into his arms.
After rapturously kissing her, he turned to the others.
Their faces were changed, yet all seemed equally familiar to him, and in his delight he equally embraced them all.
"Hullo!"
he exclaimed, when he freed himself from their arms.
"Why, there are three of you!
What on earth am I doing?
I have somebody's pardon to beg; and yet, although your faces are changed, they seem equally familiar to me.
Which is it?
"But I need not ask," he said, as a cloud of colour flowed over the face of one of the girls, while the others smiled mischievously.
"You are Katie," he said, "and you are Lizzie, certainly, and this is--why, it is Ada!
"This is a surprise, indeed; but I sha'n't beg your pardon, Ada, for I kissed you at parting, and quite intended to do so when I met again, at least if you had offered no violent objection.
"How you are all grown and changed, while you, Mother, look scarcely older than when I left you.
"But there, I have quite forgotten Peters.
He has come home with me, and will stay till he has formed his own plans."
He hurried out and brought in Peters; who, not wishing to be present at the family meeting, had been paying the coachman, and seeing to the things being brought into the house.
He was warmly received, by the ladies, as the friend and companion of Charlie in his adventures;
scarcely a letter having been received, from the latter, without mention having been made of his comrade.
In a minute or two Mr. Tufton, who had been in the large garden behind the house, hurried in.
He was now quite an old man; and under the influence of age, and the cheerful society of Mrs. Marryat and her daughters, he had lost much of the pomposity which had before distinguished him.
"Ah!
Nephew," he said, when the happy party had sat down to dinner, their number increased by the arrival of Mrs. Haines, who had a house close by; "wilful lads will go their own way.
I wanted to make a rich merchant of you, and you have made of yourself a famous soldier.
But you've not done badly for yourself after all; for you have, in your letters, often talked about prize money."
"Yes, Uncle.
I have earned, in my way, close upon a hundred thousand pounds; and I certainly shouldn't have made that if I had stuck to the office at Madras, even with the aid of the capital you offered to lend me, to trade with on my own account."
There was a general exclamation of surprise and pleasure, at the mention of the sum; although this amount was small, in comparison to that which many acquired, in those days, in India.
"And you're not thinking of going back again, Charlie?"
his mother said, anxiously.
"There can be no longer any reason for your exposing yourself to that horrible climate, and that constant fighting."
"The climate is not so bad, Mother, and the danger and excitement of a soldier's life there, at present, render it very fascinating.
But I have done with it.
Peters and I intend, on the expiration of our leave, to resign our commissions in the Company's service, and to settle down under our own vines and fig trees.
Tim has already elected himself to the post of my butler, and Hossein intends to be my valet and body servant."
Immediately after their arrival, Charlie had brought in his faithful followers and introduced them to the ladies; who, having often heard of their devotion and faithful services, had received them with a kindness and cordiality which had delighted them.
Lizzie, whose appearance at home had been unexpected by Charlie, for her husband was a landed gentleman at Seven Oaks, in Kent, was, it appeared, paying a visit of a week to her mother; and her three children, two boys and a little girl, were duly brought down to be shown to, and admired by, their Uncle Charles.
"And how is it you haven't married, Katie?
With such a pretty face as yours, it is scandalous that the men have allowed you to reach the mature age of twenty-two, unmarried."
"It is the fault of the hussy herself," Mr. Tufton said.
"It is not from want of offers, for she has had a dozen, and among them some of the nobility at court; for it is well known that John Tufton's niece will have a dowry such as many of the nobles could not give, to their daughters."
"This is too bad, Kate," Charlie said, laughing.
"What excuse have you to make for yourself for remaining single, with all these advantages of face and fortune?"
"Simply that I didn't like any of them," Katie said.
"The beaux of the present day are contemptible.
I would as soon think of marrying a wax doll.
When I do marry; that is, if ever I do, it shall be a man, and not a mere tailor's dummy."
"You are pert, miss," her uncle said.
"Do what I will, Charlie, I cannot teach the hussy to order her tongue."
"Katie's quite right, Uncle," Charlie laughed.
"And I must make it my duty to find a man who will suit her taste; though, according to your account of her, he will find it a hard task to keep such a Xanthippe in order."
Katie tossed her head.
"He'd better not try," she said saucily, "or it will be worse for him."
Two days later, Charlie's elder sister returned with her family to her house at Sevenoaks; where Charlie promised, before long, to pay her a visit.
After she had gone, Charlie and Peters, with Katie, made a series of excursions to all the points of interest, round London; and on these occasions Ada usually accompanied them.
The natural consequences followed.
Charlie had, for years, been the hero of Ada's thoughts; while Katie had heard so frequently of Peters that she was, from the first, disposed to regard him in the most favourable light.
Before the end of two months, both couples were engaged; and as both the young officers possessed ample means, and the ladies were heiresses, there was no obstacle to an early union.
The weddings took place a month later; and Tim was, in the exuberance of his delight, hilariously drunk for the first and only time during his service with Charlie.
Both gentlemen bought estates in the country, and later took their seats in Parliament, where they vigorously defended their former commander, Lord Clive, in the assaults which were made upon him.
Tim married, seven or eight years after his master, and settled down in a nice little house upon the estate.
Although, henceforth, he did no work whatever; he insisted, to the end of his life, that he was still in Colonel Marryat's service.
Hossein, to the great amusement of his master and mistress, followed Tim's example.
The pretty cook of Charlie's establishment made no objection to his swarthy hue.
Charlie built a snug cottage for them, close to the house, where they took up their residence; but Hossein, though the happy father of a large family, continued, to the end of a long life, to discharge the duties of valet to his master.
Both he and Tim were immense favourites with the children of Charlie and Peters, who were never tired of listening to their tales of the exploits of their fathers, when with Clive in India.
*** END OF THE PROJECT GUTENBERG EBOOK WITH CLIVE IN INDIA; OR, THE BEGINNINGS OF AN EMPIRE *** Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.
In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.
gutenberg.
org.
Section 3.
Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.
S.
federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.
gutenberg.
org/contact Section 4.
Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.
Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.
We do not solicit donations in locations where we have not received written confirmation of compliance.
To SEND DONATIONS or determine the status of compliance for any particular state visit www.
gutenberg.
org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.
U.
S.
laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses.
Donations are accepted in a number of other ways including checks, online payments and credit card donations.
To donate, please visit: www.
gutenberg.
org/donate.
Section 5.
General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone.
For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.
Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U. S.
unless a copyright notice is included.
Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.
gutenberg.
org.
This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: