Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
The jury were unanimous, and immediately pronounced against the claims of the petitioner, Mrs. Ryves, whose wonderful documents and marvellous certificates were all ordered to be impounded.
Since that trial, the claims of Mrs. Ryves and her offspring appear to have passed into oblivion.
JOHN SOBIESKI AND CHARLES EDWARD STUART, "COUNTS OF ALBANY," OF ENGLAND.
1847-1880. The story of Prince Charles Edward Stuart, the "bonnie Prince Charlie" of song, is too well known to need recapitulation here.
That he died in 1788, without leaving any legitimate offspring, is a fact equally well known; as also that his brother Henry Stuart, Cardinal York, who died in 1807, was the last of his ill-fated race.
Notwithstanding the incontrovertible nature of these circumstances, attempts have been made within the last thirty or forty years to prove that Prince Charles did leave a legitimate son, the child of his wife the Princess Louisa; and that two brothers, who until quite recently were residing in London under the pseudonyms of "Counts d'Albanie," were the children of this unknown royal prince, and therefore grandchildren of "Charles the Third."
This myth was first publicly propagated in a work entitled "Tales of the Century; or, Sketches of the Romance of History between the years 1746 and 1846," published in 1847, and purporting to be by "John Sobieski and Charles Edward Stuart."
Some suggestive hints, it is true, had been thrown out as early as 1822, in a volume of poems by one of these brothers; but that book was published as by "John Hay Allen," and no definite assumption of royal lineage would appear to have been made until the Edinburgh publication of 1847. According to the legend detailed in the three sections into which the work was divided, in 1831 an ancient medical man, of extreme Jacobite views, finding himself dying, confided to a young Highland gentleman, who was visiting him in London, the long-hoarded secret that the Gaels "have yet a king."
The young Scotchman is naturally inquisitive as to the meaning of this mysterious communication, and has his curiosity gratified by a recital of the following romantic story by Dr. Beaton.
According to that deceased gentleman, he chanced to be making a tour in Italy, in 1773, and as he was walking along the road from Parma to Florence, he was startled by the passing of a carriage with scarlet outriders.
On glancing into the conveyance he was still more startled by beholding the not-to-be-forgotten countenance of his beloved "Prince Charlie," seated by a lady's side.
On the evening of the same day, whilst meditating on what he had seen, he was accosted by a man of military appearance, and asked whether he was Dr. Beaton, the Scotch physician.
On replying in the affirmative, he was informed that his immediate attendance was required in a case of urgency, and all his questions as to the nature of the patient's malady were disposed of in a very unceremonious manner.
His reluctance to be blindfolded before entering a carriage that was in waiting was overcome by the intimation that it was on behalf of him whom both recognised as their royal chief, that is to say, Prince Charles.
After the usual style of such mystic tales, Dr. Beaton was taken to a secluded palace, and after being led through the usual corridors and apartments of such abodes, had his mask removed, and was permitted to inspect the magnificent chamber into which he had been inducted.
His conductor did not allow much time for investigation, but rang a silver bell, and his summons being responded to by a little page in scarlet, he was enabled to inform the doctor, after a short conversation in German with the boy, that the _accouchement_ of the lady he had been called in to attend, owing to the absence of her own regular medical attendant, was over, and apparently "without more than exhaustion."
The news communicated through so uncustomary a channel was followed by the request that he would render such services as were necessary.
He was taken into a gorgeous bedroom, where a lady who spoke English led him towards the bed, wherein he beheld the face of the lady he had seen in the carriage with Prince Charles, whilst by the bedside was a woman holding the newly-born babe wrapped in a mantle.
The patient was in a somewhat critical condition, so Dr. Beaton hastily turned to a writing-table near at hand to write a prescription for her, and in so doing beheld among the trinkets on the table a miniature of Prince Charles, attired in the very uniform the doctor had seen him in at Culloden.
The lady who had spoken English approached the table as if looking for something, and when Beaton looked again, the portrait had been turned on its face.
Having performed his duties, the doctor was persuaded to take an oath on a crucifix, "never to speak of what he had seen, heard, or thought on that night, unless it should be in the service of his king--King Charles;" he was, also, desired to leave Tuscany that night, and then conducted from the dwelling in the same needlessly mysterious manner as he had been taken to it.
The doctor obeyed his injunctions to the letter, and at once departed from the neighbourhood.
A few days later he arrived at a certain seaport, and one night, soon after his arrival, he was strolling along the beach when his attention was attracted by an English-looking vessel anchored off the coast.
Upon inquiry this proved to be the _Albina_, an English frigate, commanded by Commodore O'Haleran.
Whilst he was watching the vessel he beheld a small close carriage, accompanied by a horseman, whom he recognized as his guide on the night he was conducted to the residence of Prince Charles.
His curiosity aroused by this singular coincidence, he stopped to watch what happened, and beheld a lady, bearing a babe in her arms, descend from the mysterious vehicle.
This lady and her infantile charge were then conveyed on board the frigate, and no sooner had they got on board than the vessel hoisted sail and slowly disappeared.
The babe, it is implied, was the legitimate son and heir of Prince Charles, thus mysteriously smuggled off in order to preserve it from the machinations of the English government.
Many years are supposed to have elapsed, and the boy born at St. Rosalie, in 1773, is next introduced as a grown man bearing the name of Captain O'Haleran, and supposed to be the son of the admiral formerly introduced as the commodore of that name.
This individual creates no slight sensation in the Highlands by his supposed resemblance to the unforgotten Prince Charlie, whose eagle eye and Stuart features he is said to have; one ancient chieftain, indeed, of somewhat clouded mind, when he beholds the mysterious stranger, who is known by the cognomen of the "Red Eagle," addresses him as "Prince Charles," and reminds his Royal Highness that their last meeting was at the fatal fight of Culloden.
Moreover, to make the reader understand the personage's rank beyond all question, his French attendant styles him "Monseigneur," and "Son Altesse Royal."
In the final section of this fiction, the "Red Eagle" makes a misalliance by marrying an untitled English lady, and becomes the father, it is natural to infer, of the two individuals whose names figure on the title-page of _Tales of the Century_.
The reader must not imagine that this marvellous romance was intended to be regarded as myth; every effort was made to persuade the public into accepting it as fact, and as fact several persons in Great Britain and abroad have accepted it.
But in the _Quarterly Review_ for June 1847, the whole story was thoroughly analysed and ruthlessly demolished by some one conversant with all the bearings of the whole case.
He undeniably proved that the implied son of Prince Charles was no other than Thomas, younger son of Admiral Allen, and himself an officer in the Navy, who married, in 1792, Catherine Manning, a clergyman's daughter; that in his will Admiral Allen termed him his son, and that the sons of this Thomas Allen, the _soi disant_ "John Sobieski and Charles Edward Stuart," had respectively published a volume of poems, and had taken a wife in their proper names of Allen, thus completely ignoring their pretended royal ancestry.
Even had not direct testimony been forthcoming, the circumstantial evidence against the allegation that Prince Charles had left a legitimate child is so strong that no amount of "Romance of History" could upset it.
In his latter days, when separated from his wife, the Princess Louisa, Prince Charles sent for his illegitimate daughter by Miss Walkinshaw; created her Duchess of Albany, made her mistress of his household, and left her by will almost everything that he possessed, including such family jewels and plate as were still in his possession.
Not only did he omit to make any provision for, or the slightest bequest to, his supposed son and heir, but, what is still less comprehensible, neither did the Princess Louisa, the child's mother, ever appear to make any inquiry after it; nor when she died in 1824, when this pretended son must have been fifty years of age, did she give any sign that she was aware of his existence; nor did he, this son, come forward at any period of time to prove his birth and assert his parentage.
After the death of Prince Charles, who, from the time of his father's decease, had borne the title of King of England, his brother, clearly ignorant of the existence of a nearer claimant to the distinction, also assumed the royal title, and caused himself to be addressed as a sovereign, and styled "Henry the Ninth, King of Great Britain and Ireland."
Many other proofs could be furnished of the utterly baseless nature of the claims of these pretenders to royalty, but it is needless; should any one desire to peruse a fuller exposition of this romance he may be referred to the number of the _Quarterly Review_ already alluded to.
"John Sobieski Stuart," the elder of these claimants, died in February 1872, leaving no issue; but the younger brother, the pretended "Charles Edward Stuart," who is alleged to have received the cross of the Legion d' Honneur from the hands of the first Napoleon for bravery on the field of Waterloo, died on Christmas Eve, 1880, leaving several grown-up children, all of whom, it is believed, have assumed the pseudonym of "Stuart" and sham title of "d'Albany."
Hazell, Watson, and Viney, Printers, London and Aylesbury.
<pre id="pg-footer"> *** END OF THE PROJECT GUTENBERG EBOOK CLAIMANTS TO ROYALTY *** Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.
In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.
gutenberg.
org.
Section 3.
Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.
S.
federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.
gutenberg.
org/contact Section 4.
Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.
Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.
We do not solicit donations in locations where we have not received written confirmation of compliance.
To SEND DONATIONS or determine the status of compliance for any particular state visit www.
gutenberg.
org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.
U.
S.
laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses.
Donations are accepted in a number of other ways including checks, online payments and credit card donations.
To donate, please visit: www.
gutenberg.
org/donate.
Section 5.
General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone.
For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.
Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U. S.
unless a copyright notice is included.
Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.
gutenberg.
org.
This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: