Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
PIG WIT.
This was a proceeding _in limine_, by which the plaintiff sought reparation for violence done to his religious scruples and bodily health, by the act of the defendant; inasmuch as he, the plaintiff, being a _Jew_, the defendant, on Wednesday, the twelfth of that present December, at eleven o'clock in the forenoon, in the parish of St. Paul, Covent Garden, did, with malice afore-thought, knock him down with a _pig's head_, contrary to the statute, and against the peace of our Sovereign Lord the King, his crown and dignity.
Both plaintiff and defendant pleaded each for himself; no counsel being retained on either side.
Ephraim Ephraim deposed, that he was by profession an orange merchant, carrying on his business in Covent-garden Market; that the defendant, Richard Stewart, was a dealer in pork and poultry in the said Market; and that he, the said Richard Stewart, on the day and hour above stated, did thrust a "_pig's face_" against his cheek with such violence, as to throw him backwards into a chest of oranges, whereby he sustained great damage both in mind, body, and merchandise.
Plaintiff stated, moreover, that he had previously, and on sundry occasions, forewarned the said Richard that it was contrary to the tenets of his religion to come in contact with pork; and yet, nevertheless, the said Richard did frequently, and from time to time, obtrude pork upon his attention, by holding it up aloft in the market, and calling to him--"Ephraim!
will you have a mouthful?"
All this, he humbly submitted, betokened great malice and wickedness in the said Richard, and he therefore besought the magistrate to interpose the protection of the law in his behalf.
The magistrate observed, that he was astonished a person of Mr. Stewart's appearance and respectability should be guilty of such conduct; and having explained to him that the law afforded equal protection to the professors of every religion, he called upon him for his defence.
[Illustration: PIG WIT.
] "May it please your worship," said Mr. Richard Stewart--an elderly, well-fed man, of a jolly and pleasant countenance--"May it please your worship, I keeps a stand in Covent-garden Market, and have done so any time these ten years; and Mr. Ephraim's stand is next to mine.
Now, your worship, on Wednesday morning I'd a hamper o' pork up out o' Hertfordshire; and so I opened the hamper; and, at the top on it, lay a nice head; off of as sweet a pig as ever suck'd; and I takes the head, and holds it up; and, says I, 'Here's a bootiful head!'
says I. 'Did ever any body see such a handsome un?'
--And sure enough, your worship, it was the most bootiful as ever was; and would have done anybody's heart good to see it--it was cut so clean off the quarter (drawing his finger slowly and scientifically across the brawn of his own neck,) and was so short i' the snout, and as white as a sheet it was, your worship; quite remarkable handsome.
And so I said, says I, 'Look here!
Did ever anybody see sich a picture?'
holding it up just in this manner.
With that, 'Ah!'
says Mr. Ephraim, says he, 'now my dream's out--I dreamt last night that I saw two pigs' heads together, and there they are!'
--meaning my head and the pig's head, your worship.
Well, I took no notice o' that, but I goes me gently behind Mr. Ephraim, and slides the pig's head by the side of his head, claps my own o' the other side--all a-row--with the pig's i' the middle, your worship; and says I to the folks, says I, 'Now, who'll say which is the honestest face of the three?'
With that, your worship, all the folks fell a laughing, and I goes myself quietly back again to my stall.
But poor Ephraim fell in such a passion!
--Lord!
Lord!
it were a moral to see what a pucker he were in!
--he danced, and he capered, and he rubbed his whiskers--though I verily believe the pig's head never touched him--and he jumped and fidgeted about all as one as if he was mad, till at last he tumbled into the orange-chest, your worship, of his own accord, as it were; and that's the long and short of it, your worship, as my neighbours here can specify."
His worship having listened attentively to these conflicting statements, decided that the defendant had acted indecently in insulting the religious feelings of the plaintiff; though, at the same time, the affair was hardly worth carrying to the sessions, and therefore he would recommend the plaintiff to be satisfied with an apology.
The defendant expressed the greatest willingness to apologise--"For," says he, leaning over the table, and sinking his voice to a whisper, "I asked another Jew what could make Mr. Ephraim in such a passion, and he told me, your worship, that if you get a rale Jew and rub him with a bit o' pork, it's the greatest crime as ever was."
Plaintiff and defendant then retired, and the matter was compromised.
[Illustration] AN IRISH TAILOR.
Edward Leonard was charged with having assaulted Mary, the wife of Thomas Reid.
This was a watch-house charge, and appeared to have originated thus:--Mr. Leonard lodges in the house of Mr. Reid, and like most of his countrymen of the like class, he is given to imbibing more beer than his brains will bear.
This seems to have been the case with him on Saturday night, for he came home at a most unseasonable hour, and because Mr. Reid would not get up and light a candle for him, he most unconscionably threatened to fracture his skull, break his back, and put his nose out of joint.
Now Mr. Reid is a quiet, harmless, little man, and, being at that time warm and comfortable in his bed, he thought it best to lie still and take no notice.
But Mrs. Reid--knowing Ted Leonard's furious propensities, and fearing he would really attempt to do some one or other of those things he had mentioned--got up to remonstrate with him; and in so doing she was rudely pushed about by Ted Leonard, who talked of the liberties he ought to be allowed as a lodger.
The d----l a bit he cared for the whole house put together, he said; and, if it was not for the trouble of it, he would make every man and woman in the place fly out of the top of the chimney!
And still he kept calling upon poor Mr. Reid to get up and have his nose put out of joint; and he made such a tremendous hubbub, not only in the house, but in the whole neighbourhood, that at last, by common consent, he was sent off to the watch-house.
The poor woman was either so unwell, or so much agitated, whilst she was telling this story, that the magistrate ordered her a chair, and Mr. Reid himself was pale as death with fear!
but nevertheless they both said they had no wish to proceed in the business--all they wanted was to be allowed to sleep more quietly in future.
As for Teddy Leonard himself, he seemed perfectly at his ease, though he was in wretched case for so high-spirited a person!
His principal garment had doubtless done good service to at least a dozen proprietors in succession, his inexpressibles (drab _slacks_) were napless, grease-spotted, and ventilated at the knees; and he had only one shoe--but then he had plenty of black eyes, and his large small-pox-indented cheeks were very handsomely overlaid with a fret-work of scratches.
When Mr. and Mrs. Reid had said all that they had to say, he never attempted to reply; but stood lounging against the bar, sucking his teeth and twirling his hat, until the magistrate called upon him for his defence, and thereupon ensued the following colloquy:-- "What have you to say to all this, Mr. Leonard?"
"Humph, I don't know!
they've served me pretty tidy going along, I think, punching at me with their shilaleghs as they would at a woolsack!"
"Perhaps you did not go along quietly?"
"No, 'faith, I wasn't likely, for I was thinking of going to bed at that time; and there's no fun in being pulled away to a watch-house when a man's thinking of going to bed."
"What are you?
what is your trade?"
"My trade?
--why I'm a tailor--the more's my luck!"
"Please your worship," said one of the watchmen--seemingly quite surprised at finding he had had so much trouble with a _tailor_--"please your worship, as we were taking him to the watch-house, he took up his fist and knocked me down like a bullock!"
"Are you the man that poked your stick in my eye?"
said Teddy Leonard--turning very leisurely to the speaker--"When a watchman had hold of the two sides of me, each of 'em fast and sure; there was he jumping before me, and poking his stick at me like a cock sparrow.
Och!
but I wish I know'd you when I see'd you this morning!"
"Well, you know him now," said the magistrate.
"Know him!"
replied Teddy Leonard--"not I faith, for it's a disgrace to be after knowing such a consarn; and by the same token, your worship, he, or some of the rest of 'em, pocketed my shoe that night--and I hav'n't got it since, but another."
"But how came you to alarm these honest people in the way you have done?"
said the magistrate--"have you a wife of your own?"
"No, indeed--nor like to have; for I'm quite alone, and comfortable."
"Well, then," said his worship, "we must endeavour to make you let other folks be as comfortable as yourself, by calling upon you to find securities for your keeping the peace in future."
"Very good, your worship--that's all very right--and I dare say I'll keep the peace longer nor the peace keeps me," replied comfortable Teddy; and so saying he followed the jailer to his uncomfortable apartments.
BOX-LOBBY LOUNGERS.
Among the watch-house rubbish brought before the magistrate one morning, were three of that description of _bipeds_ commonly called "_Lobby Loungers_," or "Box-Lobby-loungers," or "Half-and-half swells;" that is to say, half sharp and half flat--half a bottle and half price, half bully and half boor--in plain terms, idle young men, with empty heads and full stomachs; who, in all the magnificence of a full pint of cape, strut into a theatre at half price, and manifest their gentility by swaggering from box to box, pinching the strumpets, d----g the box-keepers, and annoying the sensible part of the audience as much as they dare.
Our three prisoners strutted into the box department at the English Opera-house, on the preceding night, at half price, and _half seas over_--whether with cape, black strap, or blue ruin, did not appear.
Two of them were _particularly half seas over_, viz.
--Mr. Bob Briggs, and Mr. Simeon Buck;--the other, Mr. Frederic William Diggles, was but so so.
They first addressed themselves to the dress circle, when Mr. Bob Briggs, a slight-made, half-grown, flaxen-haired youth, instead of waiting for the box-keeper to open the door of the box in which he wished to make his _debut_, set about kicking it with all his might.
What gentleman of spirit would waste his breath in bawling for a box-keeper, when his own foot, well applied to the door, must inevitably compel the "spooneys" within to open it?
--And so it turned out; some of the quiet ones within, hearing such a magnificent thundering, did open it; and Mr. Bob Briggs was just setting himself to make his _entree_, room or no room, when one of the box-keepers came up and assured him the box was full, at the same time endeavouring to close the door again.
"What d'ye mean by that, ye _rascal_!"
cried Mr. Bob Briggs, "is that the way to treat a _gentleman_?"
"Sir," said the box-keeper, "I mean no offence, and if you will walk this way I will endeavour to find you a seat upstairs."
"Up stairs be d----d!"
retorted Mr. Bob Briggs, "I shall go in here, come what come may, as old what's his name says; so come along, Sim Buck!
--_Hiccup.
_" They instantly tried to force themselves into the box; the box-keeper and the company tried to keep them out; the constable was called; and, with some ado, he prevailed upon them to relinquish their attempt upon that particular box.
But Mr. Constable had scarcely let them go, when the hubbub was renewed;
and turning back, he found they had got the box-keeper up in a corner, and were trying, as he said, "to squeeze their money out of him;"--for they had made up their minds to stick to the dress circle, and since there was no room for them in the dress circle, they insisted upon having their half-crowns back again--"_so fork out the blunt_, you little rascal!"
There was a great row; the entrance to the lobby was blocked up; the constable again interfered: Mr. Simeon Buck collared the constable; the constable collared Mr. Simeon Buck; Mr. Frederic W. Diggles caught hold of Mr. Simeon Buck's coat tail, and tried to pull him away from the constable; the constable only held him the faster, determined to send him to the watch-house; and there was poor Mr. Simeon Buck, see-sawing backwards and forwards, with the constable pulling away at his neck, and Mr. Frederic W. Diggles at his tail, for nearly ten minutes; whilst Mr. Bobby popped about the lobby like a pea upon a tobacco-pipe; squeaking for help, and wishing all contumacious constables, and "blackguard box-keepers," at the very _diable_!
At length the constable prevailed, and Mr. Simeon Buck, half-strangled, and sadly damaged in his cravattery, was led away to the watch-house, followed by Mr. Bob Briggs, and Mr. Frederic W.
Diggles; and there all three were safely stowed away for the night.
When brought before the magistrate, they defended themselves vigorously--alleging that there was plenty of room in the box they sought to enter, and that they had done nothing worthy of the misery that had been inflicted on them.
The magistrate told them he could see plainly how their case stood.
They were young men of great respectability, he had no doubt; but on the night in question they had taken a little too much wine; and the wine had made them a little too presuming; and the presumption had excited them to disorderly conduct; a riot had ensued, assaults had been committed, and by a very natural consequence, they passed the remainder of the night in the watch-house.
Messrs. Simeon Buck and Bob Briggs were then ordered to find bail for the general riot; and Mr. Frederic W. Diggles, for assaulting the constable in the execution of his duty.
IRISH GALLANTRY.
Mrs. O'Reilly, wife of Laurence O'Reilly, "coal and potaty merchant, handy by _Clear_ market," charged Mr. Ralph Hogan, a comely young man, of five-and-twenty, with attempting to make her a false woman to her own lawful married husband!
"And please your magistrate," said Mrs. O'Reilly, "Misther Hogan is a lodger of ours, and a civilish sort of a jantleman in gineral, and turncock to the New River Company"-- "Faith that I am, Misthress O'Reilly," responded Mr. Hogan, "any time these three years--come a fortnight after last St. Patrick's-day!"
"Very good, Misther Hogan; and ye see I wouldn't be telling a lie for the matter--why should I?"
rejoined Mrs. O'Reilly very complacently;--and then, turning to the magistrate, she proceeded--"And plase your magistrate, Misther Hogan is a nice civilish sort of a young jantleman as a body would wish to be spaking to--ounly that time he couldna withstand _timptation_; and that was last Sathurday, after tay, when my husband wasn't in the place, and the childer were abed, and I was ironing their best bits of frocks for the Sunday, plase your magistrate.
And Misther Hogan sat down by the fire mighty quiet--'And what do I owe you, Misthress O'Reilly,' says he--'for the rint?'
says he.
'Just one week of it, Misther Hogan,' say I, 'for you're a nice man, and always true for the rint, and I likes to have you for a lodger overmuch.'
Och!
bad luck to me for saying that!
for Mr. Hogan couldna stand the kind word at all, but must be flinging out his coortships at me--against both the law and the gospel--saving your magistrate's presence.
'And what would ye be after, Misther Hogan?'
says I--'Don't you know I'm the mother of my husband's childer any time these thirteen long years--and himself coming in every minute may be, Misther Hogan!'
says I. 'Gad's blood!
Misthress O'Reilly,' says he, 'to the devil I will pitch him, for myself can't do without ye any longer at all!'
and down on his knees he went to me at that time, mighty queer; and up he gathers himself again, and comed at me; and I tried to smooth him down with the hot-iron, but he wouldn't be quiet by no manes for me; and a noise comed to the door, and I squaled, and the neighbours comed trembling into the place, and there was an end on't--plase your magistrate."
Whilst Mrs. O'Reilly was telling her story, Mr. Hogan stood carefully wiping his hat; and when she had done, the magistrate asked him what he had to say for himself; at the same time telling him he thought he had behaved very grossly.
"Devil burn me!
your worchip," replied Mr. Hogan--"but I'm just fit to split for spaking!
Och!
woman, woman!
what is there half?
----but my _honour's_ consarned, your worchip, and I won't--I won't say nothing, come what will!"
The gallant Turncock persisted in this generous forbearance, and he was held to bail to answer for the loving assault at the ensuing Sessions.
THE END.
Footnotes: [1] This was before the passing of the _New Vagrant Act_-- "When free to follow nature was the mode, And tyrant _tread-mills_ had not shackled man."
[2] A tailor, when asked what he is, never replies simply, "I am a _tailor_;" but, "I am a tailor, by _trade_"--thereby seeming to signify that he is not a _tailor_ by _nature_.
[3] An _ultra_-napped driving, or box coat.
[4] _Toggery_, from the Roman _toga_.
[5] _Gumption_, strength, either bodily or mental.
[6] _Peel_, to strip, to disrobe.
[7] _Done_, caught, beat.
[8] A dram, a drop of _max_.
[9] _Spouted_--Pawned.
The business of the pawnbrokers has so much increased in London of late years, that they find it necessary to have extensive ware-rooms at the top of the house; and in order to save the trouble of running up and down stairs, they have invented a spout of communication between the ware-rooms and the shop.
So that, whenever an unfortunate takes his unmentionables, or any other article to pledge, the pawnbroker places them at the bottom of the spout, and "by some cantrip slight" or other, up the spout they go slap into the ware-rooms in an instant, where they remain until the day of redemption, and then, up goes the duplicate ticket, and down comes the unmentionables again.
[10] _The Waits_--Those wandering minstrels, who, on the approach of Christmas, nightly serenade the sleeping public by license of the king's sergeant trumpeter.
[11] _Bread-basket_, _dumpling depot_, _victualling office_, _&c. _, are terms given by the "Fancy" to the digestive organ.
[12] Gin.
--_Deady_ is, or was, a celebrated distiller of that lively liquid.
[13] _Charley_--Corinthianish for _Watchman_.
[14] _Canisters_--Corinthianish for _Heads_.
[15] _Riddled it_--made it full of holes, like a riddle.
[16] _Bilk_, from the Gothic _Bilaican_, to cheat, to defraud.
[17] What a pity it is that the poor gentleman never thought of cutting his boots away with a knife!
But _nemo mortalium, &c. _ [18] Something which may be drank in a short time, and yet have a lengthy effect.
[19] A _dodger_ is ginshop-ish for a _dram_.
[20] "This is a _sessionable_ assault; that is to say, an assault worthy of trial at Quarter Sessions."
--_Country Justice.
_ [21] _Kennedy_--St. Giles's for the _poker_, from a man of that name being killed by a poker, or a man of that name killing another with that instrument.
[22] Query _inured_.
[23] _Gal_--cockney for _girl_.
[24] _Heavy wet_--Porter;--because, the more a man drinks of it, the heavier he becomes.
[25] A back room on the third floor.
[26] A _jemmy_ is a sheep's head--a favourite dish with those who can get no other.
For _jugg'd_, see Dr. Kitchiner on "jugg'd hare," &c. [27] _Max-upon-tick_--pronounced, maxapontic--a very gentleman-like term, invented by certain learned tailors, signifying _scored gin_--or _gin upon credit--max_ being cockneyish for gin, and _tick_ being synonymous with credit, all the world over.
[28] "Bleak winter wears a _coat_ of snow."
_Recit.
_--Mr. Gluckman.
"A _lily-white benjamin_--is it not so?"
_Air_--Lord Mops.
[29] These lads were tried at the Old Bailey, and being found guilty, they were sentenced to seven years' transportation,--which sentence was afterwards commuted to five years' imprisonment in the Millbank Penitentiary.
[30] _Squad_--diminutive of _squadron_; applied generally to little parties, of little sense--as, an awkward squad, a blackguard squad, a squandering squad, &c. [31] _Seedy_--a highly fashionable term, applied chiefly to dress.
Thus when a man's coat begins to manifest symptoms of worn-out-ishness, he is said to look _seedy_--run to seed, and ready for _cutting_; and whenever this is the case, all his acquaintance cut him as fast as they can, until he is quite cut down and done with.
Holywell-street is a famous mart for these ripe garments.
[32] _Bub_ and _Grub_--drink and victual-- --"And we'll broach a tub, Of humming bub, With lots of hot and chilly grub, To welcome you home with a rub a dub dub."
_Old Song.
_ [33] _Ramshackle_--corrupted from _ramshatter_, to shatter as with a battering ram.
[34] A resplendent _gas-light_ was just then shedding its radiance over the happy pair.
<pre id="pg-footer"> *** END OF THE PROJECT GUTENBERG EBOOK MORNINGS AT BOW STREET *** Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.
In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.
gutenberg.
org.
Section 3.
Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.
S.
federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.
gutenberg.
org/contact Section 4.
Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.
Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.
We do not solicit donations in locations where we have not received written confirmation of compliance.
To SEND DONATIONS or determine the status of compliance for any particular state visit www.
gutenberg.
org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.
U.
S.
laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: