Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
[Adapted from Folk-lore Bresilien.
] The Knights of the Fish Once upon a time there lived an old cobbler who worked hard at his trade from morning till night, and scarcely gave himself a moment to eat.
But, industrious as he was, he could hardly buy bread and cheese for himself and his wife, and they grew thinner and thinner daily.
For a long while whey pretended to each other that they had no appetite, and that a few blackberries from the hedges were a great deal nicer than a good strong bowl of soup.
But at length there came a day when the cobbler could bear it no longer, and he threw away his last, and borrowing a rod from a neighbour he went out to fish.
Now the cobbler was as patient about fishing as he had been about cobbling.
From dawn to dark he stood on the banks of the little stream, without hooking anything better than an eel, or a few old shoes, that even he, clever though he was, felt were not worth mending.
At length his patience began to give way, and as he undressed one night he said to himself: “Well, I will give it one more chance; and if I don’t catch a fish to-morrow, I will go and hang myself.
” He had not cast his line for ten minutes the next morning before he drew from the river the most beautiful fish he had ever seen in his life.
But he nearly fell into the water from surprise, when the fish began to speak to him, in a small, squeaky voice: “Take me back to your hut and cook me; then cut me up, and sprinkle me over with pepper and salt.
Give two of the pieces to your wife, and bury two more in the garden.
” The cobbler did not know what to make of these strange words; but he was wiser than many people, and when he did not understand, he thought it was well to obey.
His children wanted to eat all the fish themselves, and begged their father to tell them what to do with the pieces he had put aside; but the cobbler only laughed, and told them it was no business of theirs.
And when they were safe in bed he stole out and buried the two pieces in the garden.
By and by two babies, exactly alike, lay in a cradle, and in the garden were two tall plants, with two brilliant shields on the top.
Years passed away, and the babies were almost men.
They were tired of living quietly at home, being mistaken for each other by everybody they saw, and determined to set off in different directions, to seek adventures.
So, one fine morning, the two brothers left the hut, and walked together to the place where the great road divided.
There they embraced and parted, promising that if anything remarkable had happened to either, he would return to the cross roads and wait till his brother came.
The youth who took the path that ran eastwards arrived presently at a large city, where he found everybody standing at the doors, wringing their hands and weeping bitterly.
“What is the matter?
” asked he, pausing and looking round.
And a man replied, in a faltering voice, that each year a beautiful girl was chosen by lot to be offered up to a dreadful fiery dragon, who had a mother even worse than himself, and this year the lot had fallen on their peerless princess.
“But where IS the princess?
” said the young man once more, and again the man answered him: “She is standing under a tree, a mile away, waiting for the dragon.
” This time the Knight of the Fish did not stop to hear more, but ran off as fast as he could, and found the princess bathed in tears, and trembling from head to foot.
She turned as she heard the sound of his sword, and removed her handkerchief from his eyes.
“Fly,” she cried; “fly while you have yet time, before that monster sees you.
” She said it, and she mean it; yet, when he had turned his back, she felt more forsaken than before.
But in reality it was not more than a few minutes before he came back, galloping furiously on a horse he had borrowed, and carrying a huge mirror across its neck.
“I am in time, then,” he cried, dismounting very carefully, and placing the mirror against the trunk of a tree.
“Give me your veil,” he said hastily to the princess.
And when she had unwound it from her head he covered the mirror with it.
“The moment the dragon comes near you, you must tear off the veil,” cried he; “and be sure you hide behind the mirror.
Have no fear; I shall be at hand.
” He and his horse had scarcely found shelter amongst some rocks, when the flap of the dragon’s wings could be plainly heard.
He tossed his head with delight at the sight of her, and approached slowly to the place where she stood, a little in front of the mirror.
Then, still looking the monster steadily in the face, she passed one hand behind her back and snatched off the veil, stepping swiftly behind the tree as she did so.
The princess had not known, when she obeyed the orders of the Knight of the Fish, what she expected to happen.
Would the dragon with snaky locks be turned to stone, she wondered, like the dragon in an old story her nurse had told her; or would some fiery spark dart from the heart of the mirror, and strike him dead?
Neither of these things occurred, but, instead, the dragon stopped short with surprise and rage when he saw a monster before him as big and strong as himself.
He shook his mane with rage and fury; the enemy in front did exactly the same.
He lashed his tail, and rolled his red eyes, and the dragon opposite was no whit behind him.
Opening his mouth to its very widest, he gave an awful roar; but the other dragon only roared back.
This was too much, and with another roar which made the princess shake in her shoes, he flung himself upon his foe.
In an instant the mirror lay at his feet broken into a thousand pieces, but as every piece reflected part of himself, the dragon thought that he too had been smashed into atoms.
It was the moment for which the Knight of the Fish had watched and waited, and before the dragon could find out that he was not hurt at all, the young man’s lance was down his throat, and he was rolling, dead, on the grass.
Oh!
what shouts of joy rang through the great city, when the youth came riding back with the princess sitting behind him, and dragging the horrible monster by a cord.
Everybody cried out that the king must give the victor the hand of the princess; and so he did, and no one had ever seen such balls and feasts and sports before.
And when they were all over the young couple went to the palace prepared for them, which was so large that it was three miles round.
The first wet day after their marriage the bridegroom begged the bride to show him all the rooms in the palace, and it was so big and took so long that the sun was shining brightly again before they stepped on to the roof to see the view.
“What castle is that out there,” asked the knight; “it seems to be made of black marble?
” “It is called the castle of Albatroz,” answered the princess.
“It is enchanted, and no one that has tried to enter it has ever come back.
” Her husband said nothing, and began to talk of something else; but the next morning he ordered his horse, took his spear, called his bloodhound, and set off for the castle.
It needed a brave man to approach it, for it made your hair stand on end merely to look at it; it was as dark as the night of a storm, and as silent as the grave.
But the Knight of the Fish knew no fear, and had never turned his back on an enemy; so he drew out his horn, and blew a blast.
The sound awoke all the sleeping echoes in the castle, and was repeated now loudly, now softly; now near, and now far.
But nobody stirred for all that.
“Is there anyone inside?
” cried the young man in his loudest voice;
“anyone who will give a knight hospitality?
Neither governor, nor squire, not even a page?
” “Not even a page!
” answered the echoes.
But the young man did not heed them, and only struck a furious blow at the gate.
Then a small grating opened, and there appeared the tip of a huge nose, which belonged to the ugliest old woman that ever was seen.
“What do you want?
” said she.
“To enter,” he answered shortly.
“Can I rest here this night?
Yes or No?
” “No, No, No!
” repeated the echoes.
Between the fierce sun and his anger at being kept waiting, the Knight of the Fish had grown so hot that he lifted his visor, and when the old woman saw how handsome he was, she began fumbling with the lock of the gate.
“Come in, come in,” said she, “so fine a gentleman will do us no harm.
” “Harm!
” repeated the echoes, but again the young man paid no heed.
“Let us go in, ancient dame,” but she interrupted him.
“You must call me the Lady Berberisca,” she answered, sharply; “and this is my castle, to which I bid you welcome.
You shall live here with me and be my husband.
” But at these words the knight let his spear fall, so surprised was he.
“I marry YOU?
why you must be a hundred at least!
” cried he.
“You are mad!
All I desire is to inspect the castle and then go.
” As he spoke he heard the voices give a mocking laugh; but the old woman took no notice, and only bade the knight follow her.
Old though she was, it seemed impossible to tire her.
There was no room, however small, she did not lead him into, and each room was full of curious things he had never seen before.
At length they came to a stone staircase, which was so dark that you could not see your hand if you held it up before your face.
“I have kept my most precious treasure till the last,” said the old woman; “but let me go first, for the stairs are steep, and you might easily break your leg.
” So on she went, now and then calling back to the young man in the darkness.
But he did not know that she had slipped aside into a recess, till suddenly he put his foot on a trap door which gave way under him, and he fell down, down, as many good knights had done before him, and his voice joined the echoes of theirs.
“So you would not marry me!
” chuckled the old witch.
“Ha!
ha!
Ha!
ha!
” Meanwhile his brother had wandered far and wide, and at last he wandered back to the same great city where the other young knight had met with so many adventures.
He noticed, with amazement, that as he walked through the streets the guards drew themselves up in line, and saluted him, and the drummers played the royal march; but he was still more bewildered when several servants in livery ran up to him and told him that the princess was sure something terrible had befallen him, and had made herself ill with weeping.
At last it occurred to him that once more he had been taken for his brother.
“I had better say nothing,” thought he; “perhaps I shall be able to help him after all.
” So he suffered himself to be borne in triumph to the palace, where the princess threw herself into his arms.
“And so you did go to the castle?
” she asked.
“Yes, of course I did,” answered he.
“And what did you see there?
” “I am forbidden to tell you anything about it, until I have returned there once more,” replied he.
“Must you really go back to that dreadful place?
” she asked wistfully.
“You are the only man who has ever come back from it.
” “I must,” was all he answered.
And the princess, who was a wise woman, only said: “Well, go to bed now, for I am sure you must be very tired.
” But the knight shook his head.
“I have sworn never to lie in a bed as long as my work in the castle remains standing.
” And the princess again sighed, and was silent.
Early next day the young man started for the castle, feeling sure that some terrible thing must have happened to his brother.
At the blast of his horn the long nose of the old woman appeared at the grating, but the moment she caught sight of his face, she nearly fainted from fright, as she thought it was the ghost of the youth whose bones were lying in the dungeon of the castle.
“Lady of all the ages,” cried the new comer, “did you not give hospitality to a young knight but a short time ago?
” “A short time ago!
” wailed the voices.
“And how have you ill-treated him?
” he went on.
“Ill-treated him!
” answered the voices.
The woman did not stop to hear more; she turned to fly; but the knight’s sword entered her body.
“Where is my brother, cruel hag?
” asked he sternly.
“I will tell you,” said she; “but as I feel that I am going to die I shall keep that piece of news to myself, till you have brought me to life again.
” The young man laughed scornfully.
“How do you propose that I should work that miracle?
” “Oh, it is quite easy.
Go into the garden and gather the flowers of the everlasting plant and some of dragon’s blood.
Crush them together and boil them in a large tub of water, and then put me into it.
” The knight did as the old witch bade him, and, sure enough, she came out quite whole, but uglier than ever.
She then told the young man what had become of his brother, and he went down into the dungeon, and brought up his body and the bodies of the other victims who lay there, and when they were all washed in the magic water their strength was restored to them.
And, besides these, he found in another cavern the bodies of the girls who had been sacrificed to the dragon, and brought them back to life also.
As to the old witch, in the end she died of rage at seeing her prey escape her; and at the moment she drew her last breath the castle of Albatroz fell into ruins with a great noise.
[From Cuentos, Oraciones, Adivinas recogidos por Fernan Caballaro.
] *** END OF THE PROJECT GUTENBERG EBOOK THE BROWN FAIRY BOOK *** Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.
In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.
gutenberg.
org.
Section 3.
Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.
S.
federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.
gutenberg.
org/contact Section 4.
Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.
Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.
We do not solicit donations in locations where we have not received written confirmation of compliance.
To SEND DONATIONS or determine the status of compliance for any particular state visit www.
gutenberg.
org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.
U.
S.
laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses.
Donations are accepted in a number of other ways including checks, online payments and credit card donations.
To donate, please visit: www.
gutenberg.
org/donate.
Section 5.
General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone.
For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.
Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U. S.
unless a copyright notice is included.
Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.
gutenberg.
org.
This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: