Mysterious Island — 3-20 An Isolated Rock in the Pacific

Chapter 20

An isolated rock, thirty feet in length, twenty in breadth, scarcely ten from the water’s edge, such was the only solid point which the waves of the Pacific had not engulfed.

It was all that remained of the structure of Granite House!

The wall had fallen headlong and been then shattered to fragments, and a few of the rocks of the large room were piled one above another to form this point.

All around had disappeared in the abyss; the inferior cone of Mount Franklin, rent asunder by the explosion; the lava jaws of Shark Gulf, the plateau of Prospect Heights, Safety Islet, the granite rocks of Port Balloon, the basalts of Dakkar Grotto, the long Serpentine Peninsula, so distant nevertheless from the center of the eruption.

All that could now be seen of Lincoln Island was the narrow rock which now served as a refuge to the six colonists and their dog Top.

The animals had also perished in the catastrophe; the birds, as well as those representing the fauna of the island--all either crushed or drowned, and the unfortunate Jup himself had, alas!

found his death in some crevice of the soil.

If Cyrus Harding, Gideon Spilett, Herbert, Pencroft, Neb, and Ayrton had survived, it was because, assembled under their tent, they had been hurled into the sea at the instant when the fragments of the island rained down on every side.

When they reached the surface they could only perceive, at half a cable’s length, this mass of rocks, towards which they swam and on which they found footing.

On this barren rock they had now existed for nine days.

A few provisions taken from the magazine of Granite House before the catastrophe, a little fresh water from the rain which had fallen in a hollow of the rock, was all that the unfortunate colonists possessed.

Their last hope, the vessel, had been shattered to pieces.

They had no means of quitting the reef; no fire, nor any means of obtaining it.

It seemed that they must inevitably perish.

This day, the 18th of March, there remained only provisions for two days, although they limited their consumption to the bare necessaries of life.

All their science and intelligence could avail them nothing in their present position.

They were in the hand of God.

Cyrus Harding was calm, Gideon Spilett more nervous, and Pencroft, a prey to sullen anger, walked to and fro on the rock.

Herbert did not for a moment quit the engineer’s side, as if demanding from him that assistance he had no power to give.

Neb and Ayrton were resigned to their fate.

“Ah, what a misfortune!

what a misfortune!

” often repeated Pencroft.

“If we had but a walnut-shell to take us to Tabor Island!

But we have nothing, nothing!

” “Captain Nemo did right to die,” said Neb.

During the five ensuing days Cyrus Harding and his unfortunate companions husbanded their provisions with the most extreme care, eating only what would prevent them from dying of starvation.

Their weakness was extreme.

Herbert and Neb began to show symptoms of delirium.

Under these circumstances was it possible for them to retain even the shadow of a hope?

No!

What was their sole remaining chance?

That a vessel should appear in sight of the rock?

But they knew only too well from experience that no ships ever visited this part of the Pacific.

Could they calculate that, by a truly providential coincidence, the Scotch yacht would arrive precisely at this time in search of Ayrton at Tabor Island?

It was scarcely probable; and, besides, supposing she should come there, as the colonists had not been able to deposit a notice pointing out Ayrton’s change of abode, the commander of the yacht, after having explored Tabor Island without results, would again set sail and return to lower latitudes.

No!

no hope of being saved could be retained, and a horrible death, death from hunger and thirst, awaited them upon this rock.

Already they were stretched on the rock, inanimate, and no longer conscious of what passed around them.

Ayrton alone, by a supreme effort, from time to time raised his head, and cast a despairing glance over the desert ocean.

But on the morning of the 24th of March Ayrton’s arms were extended toward a point in the horizon; he raised himself, at first on his knees, then upright, and his hand seemed to make a signal.

A sail was in sight off the rock.

She was evidently not without an object.

The reef was the mark for which she was making in a direct line, under all steam, and the unfortunate colonists might have made her out some hours before if they had had the strength to watch the horizon.

“The ‘Duncan’!

” murmured Ayrton--and fell back without sign of life.

When Cyrus Harding and his companions recovered consciousness, thanks to the attention lavished upon them, they found themselves in the cabin of a steamer, without being able to comprehend how they had escaped death.

A word from Ayrton explained everything.

“The ‘Duncan’!

” he murmured.

“The ‘Duncan’!

” exclaimed Cyrus Harding.

And raising his hand to Heaven, he said, “Oh!

Almighty God!

mercifully hast Thou preserved us!

” It was, in fact, the “Duncan,” Lord Glenarvan’s yacht, now commanded by Robert, son of Captain Grant, who had been despatched to Tabor Island to find Ayrton, and bring him back to his native land after twelve years of expiation.

The colonists were not only saved, but already on the way to their native country.

“Captain Grant,” asked Cyrus Harding, “who can have suggested to you the idea, after having left Tabor Island, where you did not find Ayrton, of coming a hundred miles farther northeast?

” “Captain Harding,” replied Robert Grant, “it was in order to find, not only Ayrton, but yourself and your companions.

” “My companions and myself?

” “Doubtless, at Lincoln Island.

” “At Lincoln Island!

” exclaimed in a breath Gideon Spilett, Herbert, Neb, and Pencroft, in the highest degree astonished.

“How could you be aware of the existence of Lincoln Island?

” inquired Cyrus Harding, “it is not even named in the charts.

” “I knew of it from a document left by you on Tabor Island,” answered Robert Grant.

“A document!

” cried Gideon Spilett.

“Without doubt, and here it is,” answered Robert Grant, producing a paper which indicated the longitude and latitude of Lincoln Island, “the present residence of Ayrton and five American colonists.

” “It is Captain Nemo!

” cried Cyrus Harding, after having read the notice, and recognized that the handwriting was similar to that of the paper found at the corral.

“Ah!

” said Pencroft, “it was then he who took our ‘Bonadventure’ and hazarded himself alone to go to Tabor Island!

” “In order to leave this notice,” added Herbert.

“I was then right in saying,” exclaimed the sailor, “that even after his death the captain would render us a last service.

” “My friends,” said Cyrus Harding, in a voice of the profoundest emotion, “may the God of mercy have had pity on the soul of Captain Nemo, our benefactor.

” The colonists uncovered themselves at these last words of Cyrus Harding, and murmured the name of Captain Nemo.

Then Ayrton, approaching the engineer, said simply, “Where should this coffer be deposited?

” It was the coffer which Ayrton had saved at the risk of his life, at the very instant that the island had been engulfed, and which he now faithfully handed to the engineer.

“Ayrton!

Ayrton!

” said Cyrus Harding, deeply touched.

Then, addressing Robert Grant, “Sir,” he added, “you left behind you a criminal; you find in his place a man who has become honest by penitence, and whose hand I am proud to clasp in mine.

” Robert Grant was now made acquainted with the strange history of Captain Nemo and the colonists of Lincoln Island.

Then, observation being taken of what remained of this shoal, which must henceforward figure on the charts of the Pacific, the order was given to make all sail.

A few weeks afterwards the colonists landed in America, and found their country once more at peace after the terrible conflict in which right and justice had triumphed.

Of the treasures contained in the coffer left by Captain Nemo to the colonists of Lincoln Island, the larger portion was employed in the purchase of a vast territory in the State of Iowa.

One pearl alone, the finest, was reserved from the treasure and sent to Lady Glenarvan in the name of the castaways restored to their country by the “Duncan.

” There, upon this domain, the colonists invited to labor, that is to say, to wealth and happiness, all those to whom they had hoped to offer the hospitality of Lincoln Island.

There was founded a vast colony to which they gave the name of that island sunk beneath the waters of the Pacific.

A river there was called the Mercy, a mountain took the name of Mount Franklin, a small lake was named Lake Grant, and the forests became the forests of the Far West.

It might have been an island on terra firma.

There, under the intelligent hands of the engineer and his companions, everything prospered.

Not one of the former colonists of Lincoln Island was absent, for they had sworn to live always together.

Neb was with his master; Ayrton was there ready to sacrifice himself for all; Pencroft was more a farmer than he had ever been a sailor; Herbert, who completed his studies under the superintendence of Cyrus Harding, and Gideon Spilett, who founded the New Lincoln Herald, the best-informed journal in the world.

There Cyrus Harding and his companions received at intervals visits from Lord and Lady Glenarvan, Captain John Mangles and his wife, the sister of Robert Grant, Robert Grant himself, Major McNab, and all those who had taken part in the history both of Captain Grant and Captain Nemo.

There, to conclude, all were happy, united in the present as they had been in the past; but never could they forget that island upon which they had arrived poor and friendless, that island which, during four years had supplied all their wants, and of which there remained but a fragment of granite washed by the waves of the Pacific, the tomb of him who had borne the name of Captain Nemo.

*** END OF THE PROJECT GUTENBERG EBOOK THE MYSTERIOUS ISLAND *** Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U. S.

copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!

) can copy and distribute it in the United States without permission and without paying copyright royalties.

Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.

Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.

If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.

You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.

Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.

copyright law.

Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.

gutenberg.

org/license.

Section 1.

General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.

By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.

If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.

If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.

8. 1. B.

“Project Gutenberg” is a registered trademark.

It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.

There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.

See paragraph 1. C below.

There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.

See paragraph 1. E below.

1. C.

The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.

Nearly all the individual works in the collection are in the public domain in the United States.

If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.

Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.

You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1. D.

The copyright laws of the place where you are located also govern what you can do with this work.

Copyright laws in most countries are in a constant state of change.

If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.

The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1. E.

Unless you have removed all references to Project Gutenberg: 1. E.

1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.

You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.

gutenberg.

org.

If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1. E.

2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.

copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.

If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.

1 through 1. E.

7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.

8 or 1. E.

9. 1. E.

3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.

1 through 1. E.

7 and any additional terms imposed by the copyright holder.

Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1. E.

4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1. E.

5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.

1 with active links or immediate access to the full terms of the Project Gutenberg License.

1. E.

6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.

However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.

gutenberg.

org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.

Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.

1. 1. E.

7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.

8 or 1. E.

9. 1. E.

8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.

The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.

Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.

Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.

” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.

You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

• You provide, in accordance with paragraph 1. F.

3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1. E.

9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.

Contact the Foundation as set forth in Section 3 below.

1. F.

1. F.

1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.

copyright law in creating the Project Gutenberg™ collection.

Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1. F.

2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.

3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.

YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT

LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.

F.

3. YOU AGREE THAT THE FOUNDATION, THE

TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1. F.

3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.

If you received the work on a physical medium, you must return the medium with your written explanation.

The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.

If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.

If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1. F.

4. Except for the limited right of replacement or refund set forth in paragraph 1. F.

3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1. F.

5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.

If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.

The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1. F.

6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2.

Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.

It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.

In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.

To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.

gutenberg.

org.

Section 3.

Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.

The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.

S.

federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.

gutenberg.

org/contact Section 4.

Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.

Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.

Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.

We do not solicit donations in locations where we have not received written confirmation of compliance.

To SEND DONATIONS or determine the status of compliance for any particular state visit www.

gutenberg.

org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.

U.

S.

laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses.

Donations are accepted in a number of other ways including checks, online payments and credit card donations.

To donate, please visit: www.

gutenberg.

org/donate.

Section 5.

General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone.

For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U. S.

unless a copyright notice is included.

Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.

gutenberg.

org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.