Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
The Boy of Göttingen: 1815-1898 A tall, slender boy, followed by a great Danish hound, walked down the main street of the German town of Göttingen in Hanover one spring morning in 1832. The small round cap, gay with colors, told the world that the boy was a student at the University, and also that he belonged to one of the students' clubs, or fighting corps, as they were called.
But this boy looked quite a dandy.
A wide sash was tied about his waist, high-polished boots came up to his knees, and he wore a knot of colors on his breast, the same colors he sported in his cap, the emblem that he belonged to the Brunswick student corps.
Moreover he carried himself with rather a haughty manner, and the big dog, following at his heels, walked in much the same way.
Presently there came strolling along the street a group of a half dozen boys who wore the round caps of the Hanoverian Club.
Something about the boy with the dog struck them as comical, and they began to laugh, and nudge each other, and when they came up to the boy they stopped and stared at him in undisguised amusement.
Quick color sprang to his cheeks, he hesitated, and then came to a full stop.
It was not pleasant to be singled out as a laughing-stock in the main street of Göttingen.
"Well, what are you laughing at?"
he demanded, looking squarely at the group of boys.
One of them waved his hand airily in answer.
"At the magnificence of our new little Brunswicker," he answered mockingly.
"So?
And are you accustomed to laugh at magnificence?"
The boy's brows were bent and his lips had set in a very stern line.
"When it amuses us we laugh," put in one of the others.
"Then I'd have you know it's ill manners to laugh, and I'll teach you better as soon as we get schlägers in our hands."
"And who may you be?"
asked the one who had spoken first.
"My name is Otto von Bismarck.
I come from Prussia, and I'm a new student here."
"And which of us will you fight?"
"I'll fight you all.
Send your man to me at my room, and I'll agree on any time and place."
Then, with his head held very high the boy walked on, and the great Dane followed at his heels.
"Bismarck?"
said one of the Hanover boys to the others.
"It seems to me I've heard of him.
They say he's splendid company."
"He's surely got pluck enough," agreed another.
"I like the way he faced the lot of us."
So they went on down the street, discussing the new student.
Otto, no whit daunted by his adventure, shortly after returned to his room.
He lighted a big china-bowled pipe, and was smoking and reading when the messenger from the boys he had challenged came to see him.
Otto offered him a pipe, and the two were soon eagerly discussing horses and dogs and telling about the fine hunting there was to be had in the different parts of Germany in which their homes lay.
They got on together famously, and finally the visitor, who was the chief of his corps, said, "What a shame we got into this trouble over nothing.
You're too good a fellow for any of us to fight.
We shouldn't have guyed you that way.
Let me see if I can't fix matters up."
"I'm quite ready to fight them all," said Otto stoutly.
"I told them so, and I always stand by my word."
"I know," said the other, who by now had taken a great liking to the young Prussian.
"But you're not the sort to get really angry at such a little thing, and I like you too much to want to cross swords with you."
"And I like you," answered Otto warmly, "but remember I'm quite ready if the others aren't of your way of thinking."
The Hanover boy went back to his clubmates, and told them the result of his talk with Otto.
He said the latter was not a coxcomb or a dandy, but one of the best humored fellows he had ever met, and if he had been driven to showing his temper on the street that morning it was the result of their rudeness, and not Otto's ill will.
The other boys quite agreed with what their captain said, and he was asked to carry their regrets to Otto for the unfortunate meeting and their hope that the duels might not be fought.
The reconciliation was at once carried out, but the adventure did not end there as far as the young paladin named Bismarck was concerned.
The Hanover captain, who was a year or two older than Otto, and knew much more about the University, became his best friend, and soon one boy was rarely seen without the other.
There was no regular Prussian student corps at Göttingen, and so Otto, when he had reached the University and had been invited to join the Brunswick Club, had at once accepted.
Now his chum began to show him how much better the Hanover corps was than that of Brunswick, and argued with him that as it was not a matter of home pride, but simply a question as to which boys he liked best, he had better join his new friends' club.
It took little persuasion to convince Otto that his wishes really all lay that way, and so he resigned from the corps of Brunswick and was received into that of Hanover.
As soon as this news spread through the University the Brunswickers were very indignant.
They declared they had been grossly insulted, and that Otto von Bismarck should be made to pay for this slight upon them.
Their captain and best swordsman at once challenged Otto to fight with the schläger.
Otto accepted, and the duel quickly took place.
This schläger fighting was an old custom of all the German universities, and every boy who belonged to a corps was pretty sure to fight one or more such duels.
The schläger is very heavy and clumsy compared with a dueling sword, and requires a very strong wrist and arm.
Instead of dexterous fencing the fighting is done by downright slashing and cutting and usually ends when one or the other fighter has received a cut on the face.
The duel takes place with a great deal of ceremony, each student being attended by a number of his own club, and each corps values as its highest honor the reputation of having the best fighters in the university.
Otto proved his strength in this first duel with the Brunswick captain.
He himself received a number of hard blows, but he gave more than he took, and finally cut his opponent on the cheek.
That ended the duel, and each boy retired satisfied, Otto because he had won, and the Brunswick captain because he had another scar to prove his fighting spirit.
But the Brunswickers were not yet satisfied that their reputation was entirely cleared, and so in a few days Otto received a challenge from the next best fighter of their corps, and having fought him was challenged by another, and so the affair continued until he had met and defeated almost every student in the Brunswick corps.
He fought twenty schläger duels during his first year at the University, and came out of them so well that he was ranked as one of the best fighters at Göttingen, and the Hanoverians were very proud of him.
In only one encounter was the young Prussian wounded.
He was fighting with a student named Biederwig, and the latter's sword-blade snapped in two as Otto was parrying his fierce attack.
The broken edge gave Bismarck a slight cut on the cheek, and Biederwig at once claimed a victory.
The officers of the clubs, however, decided that the duel was a drawn encounter.
By this time Otto, who was just eighteen, had become the leader among the students of Göttingen.
Such customs seem strange and almost barbarous to Anglo-Saxon boys, but this dueling played a large part in the college life of Germans at that time.
Otto was not by nature quarrelsome, but he was bound to hold his own with his friends, and to do that he felt that he must take his part in the rough life about him.
Very soon after the fight with Biederwig he was drawn into a much more serious affair.
Among his close friends was a young German baron who had fallen out with an English student named Knight.
Each of them felt that their quarrel demanded serious settlement and they determined to fight with pistols instead of swords.
At first Otto refused to have anything to do with the meeting, but at the last minute the Baron's second withdrew, and the Baron begged Otto to take his place.
Otto could not refuse this appeal of his friend, and so reluctantly consented.
When the two met Otto paced out a much longer distance than was usual in such cases, and had them stand very far apart.
When the word was given each student fired, but both were so nervous that their shots went very wide.
Then Otto at once interfered, stating that the honor of each was now fully satisfied, and refusing to let them continue.
Here he showed that masterfulness of character which had already made him a leader, and which now at once compelled the duelists to submit.
Such a meeting as this was, however, contrary to the laws of the University, and all the boys who took part in it were at once severely punished.
The other students told how Otto had ended the fight and begged that he be let off, but the rector would not listen to their requests, and Bismarck was ordered to undergo eleven days of solitary confinement.
When he was released he was welcomed back by all the student corps, and became more of a hero than ever.
But Otto von Bismarck's college life was not all fighting.
Although he was not much of a student, he was keenly interested in everything about him, and fond of arguing on all sorts of subjects.
History was his favorite study; he devoured stories of great kings and statesmen and soldiers, his keen mind always intent on discovering the reason for the success or failure of each.
There was then at Göttingen a young American, by name John Lothrop Motley, who was as much interested in history as was Otto, and even more fond of an argument.
The two became close friends, and often sat up half the night to settle some dispute between them.
Motley was the more eager, and often the young German would wake in the morning to find his American friend sitting on the edge of his bed waiting to go on with their discussion of the night before.
It was Motley also who interested Otto so much in American history that he took a leading part in celebrating the Fourth of July at Göttingen.
His college life taught the young Prussian student many valuable things that are not told in books.
He grew up with a fine knowledge of the boys of his own age, and with a strength and courage which made him admired by all his friends.
A little later, when he was at home on a vacation, he was riding with several neighbors around a pond.
The banks of the pond were very steep.
Suddenly Otto heard a cry behind him.
Turning he saw that a groom's horse had stumbled and pitched the rider into deep water.
The man was terribly frightened, and it was evident that he either did not know how to swim or was too excited to try to do so.
The other horsemen stood still, doing nothing but call to the groom.
Otto, however, tore off his coat and sword, and plunged in.
The man caught at him, and clung to him so tightly that it looked as though Otto would be pulled down with him.
Once both disappeared entirely under water, but Otto's great strength saved him, and after a short time he was able to drag the groom to shore.
Great events call for great men, and usually find them.
The adventures of his college life had never found the Prussian boy wanting in nerve or courage; he had always seized his chance and made the most of it.
He did the same thing as he grew into manhood, and tried for a time life in the army, then on his father's farmland, and then in Parliament.
Great changes were coming over Europe as Otto grew to manhood; old countries were falling apart, and new ones being formed, and there was need of strong men to advise and to check the people.
Especially was this true of Germany, which was then a collection of small kingdoms loosely joined together.
When these kingdoms needed a man to steer them through the troubled waters that were gathering around them Otto von Bismarck saw his opportunity and took it.
He became the great statesman of Germany, the "Iron Chancellor" as he was often called, the man who built the present German Empire, and gave its crown to his own sovereign, William I, of Prussia.
He was a man of tremendous power, aggressive, fearless, masterful, showing the same sturdy traits that had made him in his youth the most feared and admired schläger-fighter in all Göttingen.
*** END OF THE PROJECT GUTENBERG EBOOK HISTORIC BOYHOODS ***
Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.
In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.
gutenberg.
org.
Section 3.
Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.
S.
federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.
gutenberg.
org/contact Section 4.
Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.
Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.
We do not solicit donations in locations where we have not received written confirmation of compliance.
To SEND DONATIONS or determine the status of compliance for any particular state visit www.
gutenberg.
org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.
U.
S.
laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses.
Donations are accepted in a number of other ways including checks, online payments and credit card donations.
To donate, please visit: www.
gutenberg.
org/donate.
Section 5.
General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone.
For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.
Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U. S.
unless a copyright notice is included.
Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.
gutenberg.
org.
This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: