Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
Miscellaneous Notes The earliest mention of the wild pigeon I have been able to find is the following, taken from _Forest and Stream_, to which it was contributed by F. C.
Browne, Framingham, Mass.
It is from an old print entitled, "Two Voyages to New England, Made During the Years 1638-63," by John Josselyn, Gent.
Published in 1674. I am not so fortunate as to possess an original copy.
This extract is from the Boston reprint of 1865, and is from the "Second Voyage" (1663), which has a full account of the wild beasts, birds and fishes of the new settlement: "The Pidgeons, of which there are millions of millions.
I have seen a flight of Pidgeons in the Spring, and at Michaelmas when they return back to the South-ward, for four or five miles, that to my thinking had neither beginning nor ending, length nor breadth, and so thick that I could see no Sun.
They join Nest to Nest and Tree to Tree by their Nests many miles together in Pine-Trees.
I have bought at Boston a dozen Pidgeons ready pulled and garbidged for three pence.
But of late they are much diminished, the English taking them with Nets."
It will be noted that the wild pigeons began to be "much diminished" even at that early date.
The following extract is from the journal of the voyage of Father Gravier in the year 1700: "Through the Country of the Illinois to the Mouth of the Mississippi."
Under date of October 7th he says: "Below the mouth of the Ouabache (meaning the Wabash River), we saw such a great quantity of wild pigeons that the air was darkened and quite covered by them."
The journal of Alexander Henry, the younger, written in August, 1800, states that large numbers of wild pigeons were seen and used for food by his party.
This was at a point on the Red River not far north of what is now Grand Forks, N. D.
The Passenger Pigeon found a place in a book called "Quebec and Its Environments; Being a Picturesque Guide to the Stranger."
Printed by Thomas Cary & Co. , Freemasons' Hall, Buade Street, 1831. A rare copy was found in the library of the late Charles Dean, having been purchased by him while visiting Quebec in 1841. It is now in the possession of Ruthven Deane of Chicago.
I quote from this old guide-book as follows: [Illustration: PIGEON NET Taken from an old etching] "At one period of the year numerous and immense flights of pigeons visit Canada, when the population make a furious war against them both by guns and nets; they supply the inhabitants with a material part of their subsistence, and are sold in the market at Quebec remarkably cheap, often as low as a shilling per dozen, and sometimes even at a less rate.
It appears that the pigeon prefers the loftiest and most leafless tree to settle on.
In addition to the natural beauty of St. Ann and its environs, the process by which the inhabitants take the pigeons is worth remarking.
Upon the loftiest tree, long bare poles are slantingly fixed; small pieces of wood are placed transversely across this pole, upon which the birds crowd; below, in ambush, the sportsman with a long gun enfilades the whole length of the pole, and, when he fires, few if any escape.
Innumerable poles are prepared at St. Ann for this purpose.
The other method they have of taking them is by nets, by which means they are enabled to preserve them alive, and kill them occasionally for their own use or for the market, when it has ceased to be glutted with them.
Behind Madam Fontane's this sport may be seen in perfection.
The nets, which are very large, are placed at the end of an avenue of trees (for it appears the pigeons choose an avenue to fly down); opposite a large tree, upon erect poles two nets are suspended, one facing the avenue, the other the tree; another is placed over them, which is fixed at one end, and supported by pulleys and two perpendicular poles at the opposite; a man is hid in a small covered house under the tree, with a rope leading from the pulleys in his hand.
Directly the pigeons fly against the perpendicular nets, he pulls the rope, when the top net immediately falls and incloses the whole flock;
by this process vast numbers are taken."
"Tanner's Narrative," a story (authentic) of thirty years among the Indians, published in 1830, refers frequently to great numbers of pigeons, and gives their range from the Kentucky, Big Miami and Ohio Rivers to Lake Winnipeg, or "The Lake of Dirty Waters."
Mr. Osborn further adds: "Tanner was a United States Indian interpreter at the Soo."
William Glazier made a trip to the headwaters of the Mississippi River in 1881 and wrote a book entitled "Down the Mississippi River."
In three different places in this book he mentions seeing wild pigeons.
In one place he says that a small flock of pigeons dropped down in the tops of some tall pines near him.
In Hayden's Survey Report, Interior Department, as given in Coues' "Birds of the Northwest," 1874, it is mentioned that wild pigeons were found on the Pacific coast, and Cooper reports them in the Rocky Mountains.
[High authority, but it must have referred to the band-tailed pigeon.
--W.
B.
M.
] From the foregoing chapters I have summarized the latest reports of the presence of the wild pigeon in its former haunts.
These instances have been reported as follows: N.
W.
Judy & Co. , St. Louis, Mo.
, the largest dealers in poultry and game in that section, said, in 1895, they had had no wild pigeons for two years; the last they received were from Siloam Springs, Ark.
This would mean that they were on the market during the season of 1893. Until 1890 frequent reports were recorded of pigeons seen singly, in pairs and in small flocks.
In 1891 Mr. F.
M.
Woodruff, Assistant Curator of the Chicago Academy of Sciences, secured a pair at Lake Forest, Ill.
A nest with two eggs and two birds were collected by C. B.
Brown of Chicago in the spring of 1893 at English Lake, Ind.
In September, 1893, three were reported in Lake County, Ill.
In April of the same year, a male pigeon was reported as having been seen in Lincoln Park, Ill.
Mr. R.
W.
Stafford of Chicago, Ill.
, reported seeing a flock in the latter part of September, 1894, at Marengo, Ill.
Mr. John L. Stockton, Highland Park, Ill.
, reported that while trout fishing on the Little Oconto River, Wis.
, early in June, 1895, he saw a flock of ten pigeons for several consecutive days near his camp.
A young female was killed at Lake Forest, Ill.
, in August, 1895. In October, 1895, Dr. Ernest Copeland of Milwaukee killed one in Delta, Northern Peninsula, Mich.
On December 17, 1896, C. N.
Holden, Jr. , while hunting quail in Oregon County, Mo.
, observed a flock of about fifty birds.
Chief Pokagon reports there was a small nesting of pigeons near the head waters of the Au Sable River in Michigan, during the spring of 1896. A.
Fugleburg of Oshkosh, Wis.
, reports that on the morning of August 14, 1897, he saw a flock of pigeons flying over Lake Winnebago from Fisherman's Island to Stony Brook.
This flock was followed by six more flocks containing from thirty-five to eighty pigeons each.
The same observer reports that on September 2, 1897, a friend of his reported having seen a flock of about twenty-five near Lake Butte des Mortes, Wis.
W.
F.
Rightmire reports that while driving along the highway north of Cook, Johnson County, Neb.
, August 18, 1897, he saw a flock of seventy-five to one hundred birds; some feeding on the ground, others perched in the trees.
A.
B.
Covert of Ann Arbor, President at one time of the Michigan Ornithological Club, reports seeing stray birds during 1892 and 1894, and states also that on October 1, 1898, he saw a flock of 200 and watched them nearly all day.
T.
E.
Douglas of Grayling reports seeing a flock of ten near West Branch, Mich.
, in 1895, and in 1900 he saw three on one of the branches of the Au Sable River in Michigan.
In 1897 C. S.
Osborn of Sault Ste Marie reported having seen a single wild bird flying with the tame pigeons around the town.
In 1897 or 1898 C. E.
Jennison of Bay City saw six or seven at Thunder Bay Island near Alpena, Mich.
In 1900 Neal Brown of Wausau, Wis.
, killed one near Babcock, Wis.
, in September.
George King of Otsego County, Mich.
, in 1900 saw a flock of one dozen or more birds on the Black River, and he says he heard two "holler" in 1902, but was unable to find them.
In May, 1905, he is certain he saw six near Vanderbilt, Mich.
John Burroughs reports that a friend of his, Charles W. Benton, saw a large flock of wild pigeons near Prattsville, Greene County, N. Y.
, in April, 1906. EARLY LEGISLATION TO SAVE THE PIGEON
Wild pigeons were used largely by trap-shooters for tournaments.
In 1881, 20,000 of them were killed in one of these trap-shooting butcheries on Coney Island, N. Y.
The following editorial protest against this outrage appeared in _Forest and Stream_, July 14, 1881: _Mr.
Bergh's Anti-Pigeon Bill.
_--Just as we go to press we learn that the Senate has passed the bill prepared by Mr. Henry Bergh prohibiting the trap-shooting of pigeons.
The bill awaits Governor Cornell's signature before becoming a law.
Its provisions are: Section 1.
Any person who shall keep or use any live pigeon, fowl, or other bird or animal for the purpose of a target or to be shot at either for amusement or as a test of skill in marksmanship, and any person who shall shoot at any pigeon, fowl, or other bird or animal, as aforesaid, or be a party to any such shooting of any pigeon, fowl or other bird or animal; and any person who shall rent any building, shed, room, yard, field, or other premises, or shall suffer or permit the use of any building, shed, room, yard, field, or other premises for the purpose of shooting any pigeon, fowl, or other bird or animal, as aforesaid, shall be guilty of a misdemeanor.
Section 2.
Nothing herein contained shall apply to the shooting of any wild game in its wild state.
The bill is a direct and not wholly unexpected result of the Coney Island pigeon-killing tournament of the New York State Association for the Protection of Fish and Game.
Had the sport of pigeon shooting been confined to individual clubs of gentlemen testing their skill at the traps, it is doubtful if the matter ever would have received, as it would not have merited, public attention.
But when a society, which organized ostensibly for the protection of game, treats the public to such a spectacle as that at Coney Island, neglects the matter with which it should be concerned and devotes 20,000 pigeons brought from their nesting ground to its wholesale slaughter, its members can hardly look for any other public sentiment than exactly that feeling which has been aroused.
An afternoon's shoot at a few pigeons, and a ten days' shoot at unlimited numbers of helpless birds--many of them squabs, unable to fly, and others too exhausted to do so--are regarded by the public as two very different things.
* * * * * * Transcriber's note: Obvious punctuation and spelling errors were corrected.
One 'signature' of Ruthven Deane was modified from the printed version to match the others.
Where quotations began and were not closed, a closing quotation mark was placed at the end of that paragraph: p. 155 "There are no wild pigeons in Iosco County...
p. 171 "In three years' time...
*** END OF THE PROJECT GUTENBERG EBOOK THE PASSENGER PIGEON *** Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.
In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.
gutenberg.
org.
Section 3.
Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.
S.
federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.
gutenberg.
org/contact Section 4.
Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.
Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.
We do not solicit donations in locations where we have not received written confirmation of compliance.
To SEND DONATIONS or determine the status of compliance for any particular state visit www.
gutenberg.
org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.
U.
S.
laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses.
Donations are accepted in a number of other ways including checks, online payments and credit card donations.
To donate, please visit: www.
gutenberg.
org/donate.
Section 5.
General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone.
For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.
Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U. S.
unless a copyright notice is included.
Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.
gutenberg.
org.
This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: