Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
XXVII
The snow rarely falls in Krasnoiarsk.
It is a little oasis in the great winter desert of Siberia.
Rezanov, his face turned to the window, could see the red banks on the opposite side of the river.
The sun transformed the gilded cupolas and crosses into dazzling points of light, and the sky above the spires and towers, the stately square and narrow dirty streets of the bustling little capital, was as blue and unflecked as that which arched so high above a land where Castilian roses grew, and one woman among a gay and thoughtless people dreamed, with all the passion of her splendid youth, of the man to whom she had pledged an eternal troth.
Rezanov's mind was clear in those last moments, but something of the serenity and the selfishness of death had already descended upon him.
He heard with indifference the sobs of Jon, crouched at the foot of his bed.
Tears and regrets were a part of the general futility of life, insignificant enough at the grand threshold of death.
No doubt that his great schemes would die with him, and were he remembered at all it would be as a dreamer; or as a failure because he had died before accomplishing what his brain and energy and enthusiasm alone could force to fruition.
None realized better than he the paucity of initiative and executive among the characteristics of the Slav.
What mattered it?
He had had glimpses more than once of the apparently illogical sequence of life, the vanity of human effort, the wanton cruelty of Nature.
He had known men struck down before in the maturity of their usefulness, cities destroyed by earthquake or hurricane in the fairest and most promising of their days: public men, priests, parents, children, wantons, criminals, blotted out with equal impartiality by a brutal force that would seem to have but a casual use for the life she flung broadcast on her planets.
Man was the helpless victim of Nature, a calf in a tiger's paws.
If she overlooked him, or swept him contemptuously into the class of her favorites, well and good; otherwise he was her sport, the plaything of her idler moments.
Those that cried "But why?"
"What reason?"
"What use?"
were those that had never looked over the walls of their ego at the great dramatic moments in the career of Nature, when she made immortal fame for herself at the expense of millions of pigmies.
And if his energies, his talents, his usefulness, were held of no account, at least he could look back upon a past when he would have seemed to be one of the few supreme favorites of the forces that shaped man's life and destiny.
Until he had started from Kronstadt four years before on a voyage that had humiliated his proud spirit more than once, and undermined as splendid a physique as ever was granted to even a Russian, he had rolled the world under his foot.
With an appearance and a personal magnetism, gifts of mind and manner and character that would have commanded attention amid the general flaccidity of his race and conquered life without the great social advantages he inherited, he had enjoyed power and pleasure to a degree that would have spoiled a coarser nature long since.
True, the time had come when he had cared little for any of his endowments save as a means to great ends, when all his energies had concentrated in the determination to live a life of the highest possible usefulness--without which man's span was but existence--his ambitions had cohered and been driven steadily toward a permanent niche in history; then paled and dissolved for an hour in the glorious vision of human happiness.
And wholly as he might realize man's insignificance among the blind forces of nature, he could accept it philosophically and die with his soul uncorroded by misanthropy, that final and uncompromising admission of failure.
The misanthrope was the supreme failure of life because he had not the intelligence to realize, or could not reconcile himself to, the incomplete condition of human nature.
Man was made up of little qualities, and aspirations for great ones.
Many yielded in the struggle and sank into impotent discontent among the small material things of life, instead of uplifting themselves with the picture of the inevitable future when development had run its course, and indulgently pitying the children of their own period who so often made life hateful with their greed, selfishness, snobbery--most potent obstacle to human endeavor--and injustice.
The bad judgment of the mass!
How many careers it had balked, if not ruined, with its poor ideals, its mean heroes, its instinctive avoidance of superior qualities foreign to itself, its contemptible desire to be identified with a fashion.
It was this low standard of the crowd that induced misanthropy in many otherwise brave spirits who lacked the insight to discern the divine spark underneath, the persistence, sure of reward, to fight their way to this spark and reveal it to the gaze of astonished and flattered humanity.
Rezanov's very arrogance had led him to regard the mass of mankind as but one degree removed from the nursery; his good nature and philosophical spirit to treat them with an indulgence that kept sourness out of his cynicism and inevitably recurring weariness and disgust; his ardent imagination had consoled itself with the vision of a future when man should live in a world made reasonable by the triumph of ideals that now lurked half ashamed in the high spaces of the human mind.
He looked back in wonder at the moment of wild regret and protest--the bitterer in its silence--when they had told him he must die; when in the last rally of the vital forces he had believed his will was still strong enough to command his ravaged body, to propel his brain, still teeming with a vast and complicated future, his heart, still warm and insistent with the image it cherished, on to the ultimates of ambition and love.
How brief it had been, that last cry of mortality, with its accompaniment of furious wonder at his unseemly and senseless cutting off.
In the adjustment and readjustment of political and natural forces the world ambled on philosophically, fulfilling its inevitable destiny.
If he had not been beyond humor, he would have smiled at the idea that in the face of all eternity it mattered what nation on one little planet eventually possessed a fragment called California.
To him that fair land was empty and purposeless save for one figure, and even of her he thought with the terrible calm of dissolution.
During these last months of illness and isolation he had been less lonely than at any time of his life save during those few weeks in California, for he had lived with her incessantly in spirit; and in that subtle imaginative communion had pressed close to a profound and complex soul, revealed before only in flashes to a vision astray in the confusion of the senses.
He had felt that her response to his passion was far more vital and enduring than dwelt in the capacity of most women; he had appreciated her gifts of mind, her piquant variousness that scotched monotony, the admirable characteristics that would give a man repose and content in his leisure, and subtly advance his career.
But in those long reveries, at the head of his forlorn caravan or in the desolate months of convalescence, he had arrived at an absolute understanding of what she herself had divined while half comprehending.
Theirs was one of the few immortal loves that reveal the rarely sounded deeps of the soul while in its frail tenement on earth; and he harbored not a doubt that their love was stronger than mortality and that their ultimate union was decreed.
Meanwhile, she would suffer, no one but he could dream how completely, but her strong soul would conquer, and she would live the life she had visioned in moments of despair; not of cloistered selfishness, but of incomparable usefulness to her little world; and far happier, in her eternal youthfulness of heart, in that divine life of the imagination where he must always be with her as she had known him briefly at his best, than in the blunt commonplaceness of daily existence, the routine and disillusionment of the world.
Perhaps--who knew?
--he had, after all, given her the best that man can offer to a woman of exalted nature; instead of taking again with his left hand what his right had bestowed; completed the great gift of life with the priceless beacon of death.
How unlike was life to the old Greek tragedies!
He recalled his prophetic sense of impending happiness, success, triumph, as he entered California, the rejuvenescence of his spirit in the renewal of his wasted forces even before he loved the woman.
Every event of the past year, in spite of the obstacles that mortal must expect, had marched with his ambitions and desires, and straight toward a future that would have given him the most coveted of all destinies, a station in history.
There had not been a hint that his brain, so meaningly and consummately equipped, would perish in the ruins of his body in less than a twelvemonth from that fragrant morning when he had entered the home of Concha Arguello tingling with a pagan joy in mere existence, a sudden rush of desire for the keen, wild happiness of youth-- His eyes wandered from the bright cross above the little cemetery where he was to lie, and contracted with an expression of wonder.
Where had Jon found Castilian roses in this barren land?
No man had ever been more blest in a servant, but could even he--here-- With the last triumph of will over matter he raised his head, his keen, searching gaze noting every detail of the room, bare and unlovely save for its altar and ikons, its kneeling priests and nuns.
His eyes expanded, his nostrils quivered.
As he sank down in the embrace of that final delusion, his unconquerably sanguine spirit flared high before a vision of eternal and unthinkable happiness.
So died Rezanov; and with him the hope of Russians and the hindrance of Americans in the west; and the mortal happiness and earthly dross of the saintliest of California's women.
Note: I have made the following changes to the text: PAGE LINE ORIGINAL CHANGED TO
ii 13 unforgetable unforgettable ii 26 vizu- visu- vi 29 Krasnioarsk Krasnoiarsk 14 22 Arguella Arguello 15 28 Anna Ana 15 28 Gertrudes Gertrudis 16 6 Ignacia Ignacio 18 17 Dios de mi alma!
_Dios de mi alma!
_* 20 11 Madre de Dios!"
_Madre de Dios!
_"* 23 3 Ay yi!
_Ay yi!
* 23 4 Dios, Dios_,* 23 20 Propietario Proprietario 23 23 plebian plebeian 23 26 Madre de Dios!
_Madre de Dios!
_* 25 18 Dios mio!
_Dios mio!
25 19 mio!"
mio!
_"* 33 17 embarassing embarrassing 33 24 Nadesha Nadeshda 40 10 commercal commercial 40 13 momentuous momentous 43 28 disintergrating disintegrating 51 5 He lover Her lover 55 4 Morga Moraga 71 22 Rafella Rafaella 72 3 straights straits 75 9 "You "Your 94 16 inexhautible inexhaustible 103 2 embarassed embarrassed 105 3 preciptate precipitate 106 28 Bueno Buena 111 8 Madre de Dios, _Madre de Dios_,* 117 30 prefer, prefer.
118 20 I "I
128 10 Arillaga Arrillaga 128 18 ride of rid of 133 8 Arillaga Arrillaga 133 22 Arillaga Arrillaga 135 10 Are "Are 137 28 Arrilaga Arrillaga 137 29 Nakasaki Nagasaki 146 21 refuse--' refuse--" 155 24 dumfounded dumbfounded 169 29 Moragas Moraga 171 7 twice--' twice--" 177 14 said said he said 178 16 phasis."
phasis.
178 26 modoties modities 195 17 civilized that civilized than 200 27 gente de _gente de_* 201 1 razon _razon_* 201 21 silk silks 204 29 Duena duena 209 2 beneficient beneficent 211 13 Ay yi!
_Ay yi!
* 211 14 yi!
yi!
_* 212 22 Ay yi!
_Ay yi!
_* 213 3 ay yi!
_ay yi!
_* I have also omitted the accents over proper names such as Rezanov, Baranhov, and Jose, and have omitted the umlaut over the u in Arguello.
* indicates that the italics were NOT used as emphasis, but merely as indicators of SOME of the non-English words, and were eventually stripped of their italicism for easier reading.
The first words of each chapter were also capitalized on paper, as least most of them.
These have also been uncapitalized.
*** END OF THE PROJECT GUTENBERG EBOOK REZANOV ***
Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.
In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.
gutenberg.
org.
Section 3.
Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.
S.
federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.
gutenberg.
org/contact Section 4.
Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.
Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.
We do not solicit donations in locations where we have not received written confirmation of compliance.
To SEND DONATIONS or determine the status of compliance for any particular state visit www.
gutenberg.
org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.
U.
S.
laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses.
Donations are accepted in a number of other ways including checks, online payments and credit card donations.
To donate, please visit: www.
gutenberg.
org/donate.
Section 5.
General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone.
For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.
Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U. S.
unless a copyright notice is included.
Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.
gutenberg.
org.
This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: