Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
MR.
LOVELACE, TO JOHN BELFORD, ESQ.
If, Belford, thou likest not my plot upon Miss Howe, I have three or four more as good in my own opinion; better, perhaps, they will be in thine: and so 'tis but getting loose from thy present engagement, and thou shalt pick and choose.
But as for thy three brethren, they must do as I would have them: and so, indeed, must thou--Else why am I your general?
But I will refer this subject to its proper season.
Thou knowest, that I never absolutely conclude upon a project, till 'tis time for execution; and then lightning strikes not quicker than I. And now to the subject next my heart.
Wilt thou believe me, when I tell thee, that I have so many contrivances rising up and crowding upon me for preference, with regard to my Gloriana, that I hardly know which to choose?
--I could tell thee of no less than six princely ones, any of which must do.
But as the dear creature has not grudged giving me trouble, I think I ought not, in gratitude, to spare combustibles for her; but, on the contrary, to make her stare and stand aghast, by springing three or four mines at once.
Thou remembrest what Shakespeare, in his Troilus and Cressida, makes Hector, who, however, is not used to boast, say to Achilles in an interview between them; and which, applied to this watchful lady, and to the vexation she has given me, and to the certainty I now think I have of subduing her, will run thus: supposing the charmer before me; and I meditating her sweet person from head to foot: Henceforth, O watchful fair-one, guard thee well: For I'll not kill thee there!
nor there!
nor there!
But, by the zone that circles Venus' waist, I'll kill thee ev'ry where; yea, o'er and o'er.
-- Thou, wisest Belford, pardon me this brag: Her watchfulness draws folly from my lips;
But I'll endeavour deeds to match the words, Or I may never---- Then I imagine thee interposing to qualify my impatience, as Ajax did to Achilles: ----Do not chafe thee, cousin: ----And let these threats alone, Till accident or purpose bring thee to it.
All that vexes me, in the midst of my gloried-in devices, is, that there is a sorry fellow in the world, who has presumed to question, whether the prize, when obtained, is worthy of the pains it costs me: yet knows, with what patience and trouble a bird-man will spread an acre of ground with gins and snares; set up his stalking horse, his glasses; plant his decoy- birds, and invite the feathered throng by his whistle; and all his prize at last (the reward of early hours, and of a whole morning's pains) only a simple linnet.
To be serious, Belford, I must acknowledge, that all our pursuits, from childhood to manhood, are only trifles of different sort and sizes, proportioned to our years and views: but then is not a fine woman the noblest trifle, that ever was or could be obtained by man?
--And to what purpose do we say obtained, if it be not in the way we wish for?
--If a man is rather to be her prize, than she his?
*** And now, Belford, what dost think?
That thou art a cursed fellow, if-- If--no if's--but I shall be very sick to-morrow.
I shall, 'faith.
Sick!
--Why sick?
What a-devil shouldst thou be sick for?
For more good reasons than one, Jack.
I should be glad to hear but one.
--Sick, quotha!
Of all thy roguish inventions I should not have thought of this.
Perhaps thou thinkest my view to be, to draw the lady to my bedside.
That's a trick of three or four thousand years old; and I should find it much more to my purpose, if I could get to her's. However, I'll condescend to make thee as wise as myself.
I am excessively disturbed about this smuggling scheme of Miss Howe.
I
have no doubt, that my fair-one, were I to make an attempt, and miscarry, will fly from me, if she can.
I once believed she loved me: but now I doubt whether she does or not: at least, that it is with such an ardour, as Miss Howe calls it, as will make her overlook a premeditated fault, should I be guilty of one.
And what will being sick do for thee?
Have patience.
I don't intend to be so very bad as Dorcas shall represent me to be.
But yet I know I shall reach confoundedly, and bring up some clotted blood.
To be sure, I shall break a vessel: there's no doubt of that: and a bottle of Eaton's styptic shall be sent for; but no doctor.
If she has humanity, she will be concerned.
But if she has love, let it have been pushed ever so far back, it will, on this occasion, come forward, and show itself; not only in her eye, but in every line of her sweet face.
I will be very intrepid.
I will not fear death, or any thing else.
I
will be sure of being well in an hour or two, having formerly found great benefit by this astringent medicine, on occasion of an inward bruise by a fall from my horse in hunting, of which perhaps this malady may be the remains.
And this will show her, that though those about me may make the most of it, I do not; and so can have no design in it.
Well, methinks thou sayest, I begin to think tolerably of this device.
I knew thou wouldst, when I explained myself.
Another time prepare to wonder; and banish doubt.
Now, Belford, I shall expect, that she will show some concern at the broken vessel, as it may be attended with fatal effects, especially to one so fiery in his temper as I have the reputation to be thought to be: and the rather, as I shall calmly attribute the accident to the harasses and doubts under which I have laboured for some time past.
And this will be a further proof of my love, and will demand a grateful return-- And what then, thou egregious contriver?
Why then I shall have the less remorse, if I am to use a little violence: for can she deserve compassion, who shows none?
And what if she shows a great deal of concern?
Then shall I be in hopes of building on a good foundation.
Love hides a multitude of faults, and diminishes those it cannot hide.
Love, when acknowledged, authorizes freedom; and freedom begets freedom; and I shall then see how far I can go.
Well but, Lovelace, how the deuce wilt thou, with that full health and vigour of constitution, and with that bloom in thy face, make any body believe thou art sick?
How!
--Why, take a few grains of ipecacuanha; enough to make me reach like a fury.
Good!
--But how wilt thou manage to bring up blood, and not hurt thyself?
Foolish fellow!
Are there no pigeons and chickens in every poulterer's shop?
Cry thy mercy.
But then I will be persuaded by Mrs. Sinclair, that I have of late confined myself too much; and so will have a chair called, and be carried to the Park; where I will try to walk half the length of the Mall, or so;
and in my return, amuse myself at White's or the Cocoa.
And what will this do?
Questioning again!
--I am afraid thou'rt an infidel, Belford--Why then shall I not know if my beloved offers to go out in my absence?
--And shall I not see whether she receives me with tenderness at my return?
But this is not all: I have a foreboding that something affecting will happen while I am out.
But of this more in its place.
And now, Belford, wilt thou, or wilt thou not, allow, that it is a right thing to be sick?
--Lord, Jack, so much delight do I take in my contrivances, that I shall be half sorry when the occasion for them is over; for never, never, shall I again have such charming exercise for my invention.
Mean time these plaguy women are so impertinent, so full of reproaches, that I know not how to do any thing but curse them.
And then, truly, they are for helping me out with some of their trite and vulgar artifices.
Sally, particularly, who pretends to be a mighty contriver, has just now, in an insolent manner, told me, on my rejecting her proffered aids, that I had no mind to conquer; and that I was so wicked as to intend to marry, though I would not own it to her.
Because this little devil made her first sacrifice at my altar, she thinks she may take any liberty with me: and what makes her outrageous at times is, that I have, for a long time, studiously, as she says, slighted her too-readily-offered favours: But is it not very impudent in her to think, that I will be any man's successor?
It is not come to that neither.
This, thou knowest, was always my rule--Once any other man's, and I know it, and never more mine.
It is for such as thou, and thy brethren, to take up with harlots.
I have been always aiming at the merit of a first discoverer.
The more devil I, perhaps thou wilt say, to endeavour to corrupt the uncorrupted.
But I say, not; since, hence, I have but very few adulteries to answer for.
One affair, indeed, at Paris, with a married lady [I believe I never told thee of it] touched my conscience a little: yet brought on by the spirit of intrigue, more than by sheer wickedness.
I'll give it thee in brief: 'A French marquis, somewhat in years, employed by his court in a public function at that of Madrid, had put his charming young new-married wife under the controul and wardship, as I may say, of his insolent sister, an old prude.
'I saw the lady at the opera.
I liked her at first sight, and better at second, when I knew the situation she was in.
So, pretending to make my addresses to the prude, got admittance to both.
'The first thing I had to do, was to compliment the prude into shyness by complaints of shyness: next, to take advantage of the marquise's situation, between her husband's jealousy and his sister's arrogance; and to inspire her with resentment; and, as I hoped, with a regard to my person.
The French ladies have no dislike to intrigue.
'The sister began to suspect me: the lady had no mind to part with the company of the only man who had been permitted to visit her; and told me of her sister's suspicions.
I put her upon concealing the prude, as if unknown to me, in a closet in one of her own apartments, locking her in, and putting the key in her own pocket: and she was to question me on the sincerity of my professions to her sister, in her sister's hearing.
'She complied.
My mistress was locked up.
The lady and I took our seats.
I owned fervent love, and made high professions: for the marquise put it home to me.
The prude was delighted with what she heard.
'And how dost thou think it ended?
--I took my advantage of the lady herself, who durst not for her life cry out; and drew her after me to the next apartment, on pretence of going to seek her sister, who all the time was locked up in the closet.'
No woman ever gave me a private meeting for nothing; my dearest Miss Harlowe excepted.
'My ingenuity obtained my pardon: the lady being unable to forbear laughing throughout the whole affair, to find both so uncommonly tricked;
her gaoleress her prisoner, safe locked up, and as much pleased as either of us.'
The English, Jack, do not often out-wit the French.
'We had contrivances afterwards equally ingenious, in which the lady, the ice once broken [once subdued, always subdued] co-operated.
But a more tender tell-tale revealed the secret--revealed it, before the marquise could cover the disgrace.
The sister was inveterate; the husband irreconcilable; in every respect unfit for a husband, even for a French one--made, perhaps, more delicate to these particulars by the customs of a people among whom he was then resident, so contrary to those of his own countrymen.
She was obliged to throw herself into my protection--nor thought herself unhappy in it, till childbed pangs seized her: then penitence, and death, overtook her the same hour!'
Excuse a tear, Belford!
--She deserved a better fate!
What hath such a vile inexorable husband to answer for!
--The sister was punished effectually--that pleases me on reflection--the sister effectually punished!
--But perhaps I have told thee this story before.
END OF VOL.
4 End of Project Gutenberg's Clarissa, Volume 4 (of 9), by Samuel Richardson *** END OF THE PROJECT GUTENBERG EBOOK CLARISSA HARLOWE; OR THE HISTORY OF A YOUNG LADY — VOLUME 4 *** Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.
In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.
gutenberg.
org.
Section 3.
Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.
S.
federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.
gutenberg.
org/contact Section 4.
Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.
Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.
We do not solicit donations in locations where we have not received written confirmation of compliance.
To SEND DONATIONS or determine the status of compliance for any particular state visit www.
gutenberg.
org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.
U.
S.
laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses.
Donations are accepted in a number of other ways including checks, online payments and credit card donations.
To donate, please visit: www.
gutenberg.
org/donate.
Section 5.
General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone.
For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.
Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U. S.
unless a copyright notice is included.
Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.
gutenberg.
org.
This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: