Immerse in Classic Audiobooks, then Master English
Thousands of timeless Project Gutenberg masterpieces — 100% free and completely ad-free! Experience LibriVox audio with word-by-word synchronized text, bilingual lookup, and an SRS vocabulary trainer.
"No--it's only a scratch.
But it was a close call."
"To cover!"
came from Jack Wumble.
"Quick, all of you!"
There was no need to call out, for all realized that they were in a dangerous position.
It was Arnold Baxter who fired on Dick.
Now Tom fired in return, and so true was his aim that the elder Baxter was hit in the left shoulder.
As soon as our friends were under cover they held a council of war.
"We ought to round 'em up," muttered Jack Wumble.
"Don't you think so, Jim?"
"I am with ye on it," answered the old trapper.
"We air five to three, although one o' the crowd is wounded."
"It's not much--only a scratch," said Dick, as he showed the wound.
"Yes, let us surround them if we can.
Anyway, it will be better if we get on the high ground above them.
It's useless to think of staking off the claim while they are in the vicinity.
They'll pull up our stakes, and shoot us in the bargain."
Their talk was interrupted by a crashing of the bushes, and looking up they saw that their enemies were beginning to roll rocks down toward them.
One rock, weighing several tons, tumbled within two yards of them.
"All right, we'll try some o' that when we're on top," said Slim Jim.
It had threatened rain, and now the drops began to come down, at first scatteringly, and then in a steady downpour.
In this rain they moved off through the brush, leading their horses and following the old hunter, who knew more of the old Indian trails than did even Jack Wumble.
It was necessary to make a long detour, for the rocks at one point were so steep that mounting them was all out of the question.
This took them an eighth of a mile to the northward of the claim.
It was now raining so hard that the water seemed to come down in sheets, and they felt compelled to seek temporary shelter.
It had also begun to lightning, and the thunder roared and rumbled among the mountains in a manner that was deafening.
"This is about as bad as that tornado we encountered in Africa," observed Sam, as he crouched close to his brothers.
"Don't you remember it and how the lightning struck that baobab tree?"
Yes, both remembered it well.
"It was awful," said Tom.
"I hope the lightning doesn't come near us here."
If anything, the rain now came down heavier than before, until Jack Wumble declared it to be the greatest downpour he had ever witnessed in that section of the country.
The water leaped over the rocks in tiny waterfalls, and soon Larkspur Creek became a raging torrent.
The sky was inky black, and they could not see a dozen paces in any direction.
Suddenly a strange rumble reached their ears, a rumble that made both Wumble and Slim Jim turn pale and look at each other with faces full of fear.
The rumble rose and fell, shaking the earth beneath them, and mingling with a grinding and crashing and ripping that seemed to strike each one to the very heart.
"What is it?
The end of the world?"
gasped Sam.
"A landslide," answered Wumble.
"Please God, it doesn't come this way!"
They waited, and the next half-minute seemed an eternity.
The ground continued to tremble beneath them, and the rumble kept coming closer and closer.
"We are doomed!"
wailed Tom, but then the rumble and crashing passed them by and was slowly lost in the distance, until with one last crash it came to a sudden end.
"It's over!"
said Slim Jim.
"Thank Heaven, we escaped it!"
"You are sure it was a landslide?"
asked Dick, when he felt able to speak.
"Yes, my lad, and a putty big one, too.
Somewhar along this mountain side you will find a furrow cut down to the creek, an' find thet tons an' tons o' stone and dirt have slid down fer quarter o' a mile or more.
Perhaps the slide has filled up the creek entirely."
The rain continued to come down, now drowning out every other sound.
But wet as it was, Wumble urged that they go still higher up the mountain, to escape any other landslide that might be imminent.
So up they toiled until a large table rock was gained.
At this point a second rock gave them shelter, and here they remained throughout the whole of one of the most disagreeable nights the Rover boys had ever encountered.
The storm and the landslide had driven away all thoughts of surrounding the Baxters and Roebuck, but with the coming of morning the skies cleared, and they felt as if they must do as originally planned.
"Unless the landslide paid 'em off," said Jack Wumble.
"Do you think they were caught in it?"
asked Dick.
"No tellin', lad, until we locate the slide."
To locate the landslide was not difficult, since it had passed to their right.
They soon made out its trail, which moved down to the creek in a zigzag fashion.
Sure enough the creek was partly filled with the debris, and here the opposite bank was overflowed to the extent of several acres.
"We may find some rich deposits down thar," said Wumble.
"A landslide sometimes provides a harvest for prospectors."
They moved on cautiously until they came to the spot where the Baxters and Roebuck had been seen last.
Here the landslide had been at its worst, and rocks and trees had been torn up and cast down as by a giant's hand.
Not a trace of the enemy was to be discovered, until Jack Wumble at last made out a part of a man's coat lying a hundred feet away.
They ran to the spot, and soon uncovered the lifeless form of Roebuck.
The man had been literally mauled to death by the fury of the elements.
"Poor fellow!"
murmured Tom, as he gazed at the remains.
"It was a dreadful death to die!"
"Yes, and he probably wasn't prepared for it," said Dick soberly.
"I wonder if the Baxters were caught, too?"
"More'n likely," put in Wumble.
"Look, here is a man's hat."
"Arnold Baxter's hat," cried Tom.
"I noted it particularly when I was their prisoner.
Where can the man be?"
"There are tons an' tons o' loose dirt just be low here," said Slim Jim.
"Ye see the ground turned over and over as it rolled.
Probably both o' the Baxters are under that dirt, mebbe twenty or thirty foot down."
At this all of the Rover boys shuddered.
Very likely the old hunter spoke the truth.
What a terrible fate for their old enemies!
"Let us go away," whispered Sam.
"I can't stand this any longer!"
And he rushed off with the tears standing in his eyes.
The others were also affected, and glad enough to leave the place, once and forever.
Wumble and Slim Jim threw Roebuck's body into a hollow and placed some dirt over it, and then built up a little mound of stones to mark the spot.
It was not until the next day that the party returned to the creek and began to look up the Eclipse Mine once more.
The landslide had cut across this, and it was not long before both Wumble and Slim Jim declared the ground to be full of good paying "dirt," to use their own term.
The claim was staked out to the boys' satisfaction, and then Wumble staked out a claim just above Discovery, as it is called in mining laws, while Slim Jim staked out one for himself just below Discovery.
All three claims ran to both sides of the creek, so that no one would suffer for water when mining operations should begin.
"And those claims will yield us thousands of dollars!"
said Jack Wumble.
"Boys, we will all be rich."
"Hurrah!"
shouted Tom.
"I'm glad I came West, after all."
"And so am I," said Sam.
"Dick, what do you say?"
"I say hurrah for the Eclipse Mine, and all the gold it will bring us," answered Dick.
"Won't father be pleased when he learns the news?"
Here let us bring to a close the story of the Rover boys' trip out West.
They had faced many grave perils, but one after another these perils had been surmounted, and now, when success had finally crowned their efforts, all the hardships were forgotten.
In due course of time the title to the Eclipse Mine was established in law, and later on Anderson Rover sent out a body of skilled miners to work the claim for all it was worth.
It proved to be as valuable as anticipated, and the Rovers were, of course, correspondingly happy.
The claims staked out by Jack Wumble and by Slim Jim proved also to be good payers from the start.
When the boys got home they found that the story of the Baxters' fate had preceded them.
Many folks were inclined to think that the wrongdoers deserved the catastrophe which had overtaken them.
As nothing was heard of either father or son for a long while, it was presumed that both were dead beyond a doubt.
But they were not dead, although terribly bruised and unable to do much for themselves for a long while.
The landslide threw both into the creek, and when they came to their senses they were fully a mile from the scene of the disaster.
Here they fell in with a body of miners from Canada, and these men took them to a settlement still further West, where Arnold Baxter hovered between life and death for many weeks.
Dan recovered more quickly.
"It's the Rovers' fault," growled Dan Baxter, when he was able to sit up.
"I'll fix them yet."
He had still many plans for the future, and what some of them were will be told in the next volume of the series, to be entitled "The Rover Boys on the Great Lakes; or, The Secret of the Island Cave."
In this volume we will meet all of our old friends again, and also learn what was done by the Rover boys to outwit their old enemy.
Yet all went well for the present.
Randolph Rover had quite recovered, so the boys' Aunt Martha was happy.
Anderson Rover could now walk around again as well as ever.
"Never saw such boys in my life!"
declared Martha Rover.
"No matter what scrape they get into, they always come out with colors flying.
God bless 'em every one!"
And to this, kind reader, let us say Amen, and bid each other good-by.
THE END
End of Project Gutenberg's The Rover Boys out West, by Arthur M. Winfield *** END OF THE PROJECT GUTENBERG EBOOK THE ROVER BOYS OUT WEST; OR, THE SEARCH FOR A LOST MINE *** Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U. S.
copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!
) can copy and distribute it in the United States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark.
If you do not charge anything for copies of this eBook, complying with the trademark license is very easy.
You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U. S.
copyright law.
Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.
gutenberg.
org/license.
Section 1.
General Terms of Use and Redistributing Project Gutenberg electronic works 1. A.
By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.
8. 1. B.
“Project Gutenberg” is a registered trademark.
It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement.
See paragraph 1. C below.
There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works.
See paragraph 1. E below.
1. C.
The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works.
Nearly all the individual works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work.
You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1. D.
The copyright laws of the place where you are located also govern what you can do with this work.
Copyright laws in most countries are in a constant state of change.
If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1. E.
Unless you have removed all references to Project Gutenberg: 1. E.
1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.
gutenberg.
org.
If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1. E.
2. If an individual Project Gutenberg electronic work is derived from texts not protected by U. S.
copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1. E.
1 through 1. E.
7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1. E.
8 or 1. E.
9. 1. E.
3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1. E.
1 through 1. E.
7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1. E.
4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1. E.
5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1. E.
1 with active links or immediate access to the full terms of the Project Gutenberg License.
1. E.
6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.
However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.
gutenberg.
org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form.
Any alternate format must include the full Project Gutenberg License as specified in paragraph 1. E.
1. 1. E.
7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1. E.
8 or 1. E.
9. 1. E.
8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes.
The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation.
Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns.
Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.
” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License.
You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1. F.
3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1. E.
9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark.
Contact the Foundation as set forth in Section 3 below.
1. F.
1. F.
1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U. S.
copyright law in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1. F.
2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1. F.
3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.
F.
3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1. F.
3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from.
If you received the work on a physical medium, you must return the medium with your written explanation.
The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1. F.
4. Except for the limited right of replacement or refund set forth in paragraph 1. F.
3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F.
5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law.
The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1. F.
6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2.
Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come.
In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.
gutenberg.
org.
Section 3.
Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.
S.
federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.
gutenberg.
org/contact Section 4.
Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.
Many small donations ( to ,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.
We do not solicit donations in locations where we have not received written confirmation of compliance.
To SEND DONATIONS or determine the status of compliance for any particular state visit www.
gutenberg.
org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.
U.
S.
laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses.
Donations are accepted in a number of other ways including checks, online payments and credit card donations.
To donate, please visit: www.
gutenberg.
org/donate.
Section 5.
General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone.
For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.
Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U. S.
unless a copyright notice is included.
Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.
gutenberg.
org.
This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
們使瀏覽 (Local Storage) 來住您主題好、體大小、以後播目進度字本
We use browser Local Storage to remember your theme preferences, font sizes, and last played track progress, as well as vocabulary lists.
請用QR Code,即無縫接軌目入聽進度
自動分析當前章節英文文本,依據考試與難度標籤篩選重點生字,可一鍵批次匯入生字本。
請確認或修改檔案儲存名稱: